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WIP: Dr. Fantastik Part V (Final)

He’s become Dr. Fantomas, for Dr. Fantastik seemed too superhero-ish for a Tabat story. Final story came to 6650 words, and I’m pleased with it. Recent reading that may have influenced it include Anthony Trollope’s Can You Forgive Her?, John Hawkes’ The Blood Oranges, and Mary Roberts Rinehart’s Dangerous Days (free on the Kindle!).

The title of the story has become “The Ghost-Eater” as well.

Before retiring for the night, he unshuttered the window, exposing a view of the restaurant’s rear courtyard, an expanse of wrought iron tables, chained to the fence as though someone were worried that they might go walking about.

He sat upright. The moon hit the window almost as bright as witchlight when first summoned. What had called him out of sleep? Some noise in the dining room, rhythmic as hammer blows but more muted. Footsteps? Perhaps.

He put on his breeches, head tilted as he tried to listen. The noises continued, stopped, restarted.

The door opened of its own accord. Charlotte. Beckoning him to follow.

She preceded him down the hallway. There was little light in its confines, but when she opened the door to the kitchen, everything was moonlight and steel, the rims of the great soup pots shining like rounded scimitars, the rack of cleavers and knives varying from the length of his forearm to the smallest paring blade possible, the tiles of the floor like moonstones underfoot, sending up a muted dazzle that mirrored the steel’s.

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Class Notes - Week Two

Man Playing the Guitar Upsidedown
People watching is one of the best ways to come up with new characters. Watch (and listen) to the people around you and jot the things they inspire down in a notebook.
We talked last week about story shapes and arcs as well as what gets set up in the beginning of a story. This week we talked about characters and dialogue, and how the first shapes the story. One of the points made was that a character is not something you stick in a slot of a story – the character shapes the entire story. For example, the story of someone encountering a werewolf is very different if your protagonist is a little old lady who hates dogs because they’re messy than if that protagonist is an emo-teen determined to become a werewolf in order to get revenge on someone that wronged them.

The main character usually changes in some way over the course of the story, but that change must feel organic and natural. You can set up a big change of mind with foreshadowing and having them change on some smaller matter, showing that such change is possible, so it doesn’t throw the reader out of the story when it occurs.

We discussed approaches to learning more about your characters. I recommended the book Writing The Other by Nisi Shawl and Cynthia Ward, which talks about writing characters who are a different sex, race, or class background than yourself. I also recommended people-watching and reading pop psychology (or even more sciencey stuff, which will provide all sorts of story ideas.

One of the quickest ways to turn an editor off is with improperly punctuated dialogue, so learn the rules and use them. We went over things like speech tags, how to punctuate internal dialogue, why you don’t need to come up with a bunch of synonyms for “said,” and how to make voices distinctive. I suggested that people watch the wonderful adaptation of Terry Bisson’s “They’re Made Out of Meat” – here is the original text, and here is the film made from it.

If you really want to focus on dialogue, read good plays, which are pure dialogue. If you want to write in a particular historical voice, one of the best ways is to read deeply in that period so you absorb it. Doing so may make you aware how much what we read and watch creeps into our writing – that’s one very good reason to read some high quality stuff now and again.

Enjoy this writing advice and want more like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Speculative Reminiscences: Weekly Recap for 2/2/2014

Abstract illustration accompanying blog post by speculative fiction writer Cat Rambo.I announced new online classes as well as the next round of classes and news about my teaching schedule for 2014.

For Writers:

I talked about these books:

Time Wasters!

Interesting Social Media Links

This video can be read as an inspiration for writers:

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