Press Release: Hearts of Tabat

I’m turning in something today that I’ve never tried before: a novella.

Back when I was first approached about the Fathomless Abyss, it involved an initial story and a later novella. Sure, I said, and whacked out a story for the first Fathomless Abyss book, TALES FROM THE FATHOMLESS ABYSS. It was “A Querulous Flute of Bone”, which I based on an O.Henry story, and which I think is one of my best stories to date. If you don’t believe me, spring for the 99 cent download and tell me if I’m wrong.

Then I started on the novella. The first thing I did was look up the length requirements. Wikipedia told me the official SFWA definition was 17500 to 40000 words. So just a long short story, right?

The problem with that was that…I write short. I excel at under 4000 words. So I turned again to a model. I’d been thinking about issues of addiction and so I decided I was going to write about that, and use William S. Burroughs’ JUNKY as my starting point. And I was going to throw in a touch of Lovecraft for spookiness and make the drug of my protagonist’s choice something a bit weird. And I wanted to reference some of the cool stuff the other Fathomless Abyss writers had added to the world.

I was telling a life story, from early days in an Abyssal village, through journeys to all sorts of points, culminating in some sort of…well, you know…climax. There was a chase for one thing, then another chase for what it turned into. I wanted to include something about the philosopher-king Nackle, whose teachings figured in “A Flute of Querulous Bone.” I wanted mushrooms and hallucinogenic wasp stings and pack llamas. I sketched out an outline and started writing. And I kept folding in stuff I wanted to include as I ran across it and then I reread Joe Lansdale’s THE COMPLETE DRIVE-IN and decided to not worry about being too weird and things all fell together…

And I became aware it was too long. Too, too, too long to finish on deadline. But I had the first half written and there was a good place midway to split the narrative, and so I said to Phil, “What if I do a pair of novellas, this first half, and then give you the second half for later release?”

So that’s what we have. I’m turning in A SEED ON THE WIND this time and A CAVERN RIPE WITH DREAMS will follow on its heels.

Wikipedia quotes Warren Cariou when discussing novella structure:

The novella is generally not as formally experimental as the long story and the novel can be, and it usually lacks the subplots, the multiple points of view, and the generic adaptability that are common in the novel. It is most often concerned with personal and emotional development rather than with the larger social sphere. The novella generally retains something of the unity of impression that is a hallmark of the short story, but it also contains more highly developed characterization and more luxuriant description.[7]

I know mine is focused on the development of a protagonist who I fear is somewhat unlovable. I’ve tried for interesting characterization and today I’m finishing up adding a layer of luxuriant description.

If you’ve come looking for advice on writing novellas, I’m not sure I have any. Perhaps you, the readers, can tell me what you think of them and what you’ve done when trying that form. I know Rachel Swirsky is a champ at writing them. What do you think – do you like novellas? What do or don’t you enjoy seeing in them? Can you think of anyone you think does them exceedingly well?

Well, it’s been a very good year.

I had 20 original stories come out. Here’s the list, if you want to look for some of them.

• DAILY SCIENCE FICTION, November, 2013. Just the Facts: A Zombie Story.
• DAILY SCIENCE FICTION, October, 2013. Flying Matilda (with Gio Clairval).
• DAILY SCIENCE FICTION, October, 2013. Superhero Art.
• ABYSS & APEX, October, 2013. The Toad’s Jewel.
• WHAT FATES IMPOSE, edited by Nayad Monroe, September, 2013. To Read the Sea.
• SIGNS OF LIFE, September, 2013. Mystery in Metal.
• GLITTER AND MAYHEM, edited by Lynne Thomas and Michael Damien Thomas, September, 2013. Of Selkies, Disco Balls, and Anna Plane.
• EVERY DAY FICTION, August, 2013. Three Wishes.
• BEYOND THE SUN, edited by Bryan Thomas Schmidt, July, 2013. Elsewhere, Within, Elsewhen.
• DAILY SCIENCE FICTION, July, 2013. On the Big-Fisted Circuit.
• THE MAD SCIENTIST JOURNAL, June, 2013. Prophetic Lobster Man.
• CLOCKWORK PHOENIX FOUR, May, 2013. I Come From the Dark Universe.
• THE JOURNAL OF UNLIKELY ENTOMOLOGY, May, 2013. Of Spiders, Centipedes and Holes.
• SQ MAGAZINE, April, 2013. A Man and His Parasite.
• THE OTHER HALF OF THE SKY, edited by Athena Andreadis and Kay Holt, April, 2013. Dagger and Mask.
• DAILY SCIENCE FICTION, March, 2013. Soft.
• GIGANOTASAURUS, March, 2013. Logic and Magic in the Time of the Boat Lifts (with Ben Burgis).
• DAILY SCIENCE FICTION, February, 2013. Love’s Footsteps.
• FISH, edited by Carrie Cuinn, 2013. The Fisher Queen.
• EVERY DAY FICTION, January, 2013. The Passing of Grandmother’s Quilt.

My short story, “Five Ways to Fall In Love on Planet Porcelain,” appeared on the Nebula Ballot. Another first happened on that trip: got to see my charming spouse in a tux for the Nebula Banquet. The story has been reprinted into several different languages as well as in the Nebula Awards volume for 2013 edited by Kij Johnson.

I won an Ictineu Prize for the best fantasy short story translated into Catalan in 2012. The story was “Kallakak’s Cousins,” which originally appeared in Asimov’s, and was reprinted in my collection, Near + Far.

I wrote a nonfiction book, Creating an Online Presence, based on my online class of the same name. Classes overall have gone well, and I’ve even added a few more, including an advanced workshop that has been tremendous fun to teach.

I got a shiny new agent, the amazing Seth Fishman, and began shopping a novel around.

As a result of letting my blog readers determine my hair color for LoneStarCon, I’ve developed an unfortunate Manic Panic habit. I look forward to trying some additional new colors in the coming year.

I turned 50, which felt extremely weird. However, we had a rousing party for it over at the Wilde Rover in Kirkland, thanks to the party organization skills of Deanna Francis and Caren Gussoff. I felt extremely blessed to see so many of my friends in one place and realize what a great group I’m associated with.

In March, I began working with the moderating team for the SFWA private discussion boards. In some ways, it’s been a lot like working with the Armageddon MUD boards. But more cantankerous at times, which is saying a lot. Still, I was pleased to see, when looking at the logs, that traffic on those boards has literally increased tenfold. We’ve added a lot, and one effort that I’m very pleased with is the scheduled chats, which have been a lot of fun as well as very informative.

Time with my godkids is always golden. This year I accompanied them to Disneyworld in May and then got some additional time with them at Thanksgiving. Cutest, smartest, most wonderful kids in the world. 🙂