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Poem for Sarah

Some deaths hit you
like a broken bone.
That sharp. That painful.
They stick with you, hurting even when healing,
a dull throb keeping
you from sleeping;
a startled, knifeslash pang when jostled.
And you know that, decades later,
it’ll still be that ache, that pain,
that returns whenever you are standing,
alone, in the melancholy rain.

For Sarah Bird, 3/5/48-8/25/19, with all my love

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Newsletter for February, 2020

News and More Stuff from Chez Rambo

Hello folks!

Well, by now you know my big news, which is that my novelette Carpe Glitter is a Nebula Award nominee. I’m deeply honored to find myself in such fine company and absolutely twitter-pated to find out how many people have enjoyed it. The Nebulas are chosen by other writers who are SFWA members, and that makes this very meaningful to me. I will be at the conference that weekend.

If you’re not a SFWA member, but want some say in whether or not it appears on other ballots, it’s eligible for the Hugo Award and Locus Award in the novelette category and the World Fantasy Award in the novella category. You can see the cool banner that Meerkat Press did for me at the top of this newsletter.

If you’ve read the book and found it fun, please think about giving it a review or posting about it on social media!

Want to hear the first bit of it? Here’s a YouTube video.

In recent class news, I’m in the process of lining up classes for the April-June time frame, but will be taking most of April off due to travel and moving.

One new class I’d like to point you at is How Not to Feel Like a Failure in Your Writing Career with Jennifer Brozek, which talks about dealing with imposter syndrome, guilt, and other writerly frailties.

I’m excited to say Judith Tarr will be giving a workshop on how to write about horses on May 2, 9:30-11:30 AM Pacific time. I’ll post more details as soon as I have the full description but you can go ahead and reserve a slot if you know you’re going to want to attend.

Look for news of more upcoming classes soon – I’m hoping the list will include at least one with Seanan McGuire, plus I’ve got some other rad stuff in the works.

Here’s the complete list of live classes in March at the moment. Classes appearing for the first time are bolded.

Remember that if you can’t make the live classes, there’s plenty of on-demand ones!

Along with chat server access and class discounts, Patreon supporters this month got:
◦    2 installments of serial novella BABY DRIVER, the pulp-y adventures of Patricia Savage and her five associates in 1930s America.
◦    Weekly online co-writing sessions on Wednesday mornings. If you’d like to join the next one, the link will be posted on Patreon and Discord. I will schedule at least one weekend one in March.
◦    A chance to participate in weekly goal-setting and check-in.
◦    Snippets included bits from Flowergod (SF story), The Butterfly Court’s Bathroom (fantasy story), (2) Because It is Bitter (SF near future novella), writing exercises from Fran Wilde’s Fantastic Worldbuilding class.

Want to join us in the Chez Rambo community? Here’s how.

Cat or Rambo Academy Stuff to be Aware Of
Chez Rambo Community Links
Gaming
Market News
For Writers and Readers
Random 

The January giveaway was for a signed copy of my new novelette, CARPE GLITTER and the winner was Gretchen (I’ve dropped you an email, Gretchen, let me know if you didn’t get it).

This month I have stickers that will be going out to Patreon supporters – if you’d like one, drop me an e-mail with the address to send it to you!

Happy writing!

-Cat

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Getting Ready for 2014: One Method of Decluttering

Picture of a teapot shaped like a dead clown.
I have a photo of this fabulous object, a clown teapot with cups shaped like clown heads, each with xes for eyes, as though the principal clown had slain all his enemies and taken their severed heads in the process. Therefore it's okay I didn't buy it. Someone else gets all the joy.
We’ve (as in two humans, two cats, a briefly lived betta, and assorted temporary insects) lived in this space since 2001. While I’ve decluttered and cleaned before, cruft inevitably creeps in. An odd little ball colored red, white, and blue. Countless keys. Sharpies in a rainbow of colors. Twists and ties and clips. Twenty years after my D&D days, there’s still a few polyhedrals rolling around.

Many things have memories attached, and discarding the object sometimes feels like discarding the memory. The paperweight I bought in Prague while traveling to train Eastern Europeans about network security software. A tin butterfly from our time in Mexico when I was a child. The sequinned baby shoes I use as a prop in the flash class. I feel as though if I put them aside I may lose the thing that triggers the memory.

While I’m not ditching everything, a lot of these are getting digitized. I take a few pictures with my camera and stick it aside. Here’s an example of a book I’ve been carrying around since high days. My paternal grandmother got it for me when I expressed an interest in folk tales and folk songs. I drew on it heavily when writing songs for Armageddon, sometimes adapting songs outright, otherwise creating ones patterned after the originals.

It’s a hefty doorstop of a book. I suspect I’ll be able to find this knowledge, or comparable stuff, on the net whenever I need to. But at the same time, the object holds memories: sitting in my room in high school, reading through it, while the rain drummed on the roof and the locust tree outside my window tapped its long fingers on the glass, for one. Performing songs based on it as my bard on Armageddon, purple-haired, seemingly bemused but secretly sharp, Karaluvian Fale. I take more than just a photo of the dustjacket: one of the inside so I can see the font, another of an illustration, one of an enigmatic and very scrawly note. Enough that I’ll be able to evoke it, access those memories again if I want to.

What’s the best way to preserve these images? I haven’t gotten that far yet. For now I’m saving and tagging, and trying to shrink down the mass of physical stuff attached to my life.

Love the Easter Bunny and want to find out what happens next? Support Cat on Patreon in order to have a say in what she writes next, as well as getting other snippets, insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon.

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