1. Engage the senses. You don’t have to hit every sensory stop – but it sure helps. Vivid visuals are great, but they are even better when backed up with visceral, precise taste or touch or sound.
2. Hint at the conflict. The majority of great stories provide the reader with some clue to the conflict driving the story within the first three paragraphs. Here, for example, is the first paragraph of Kelly Link’s marvelous “Travels with the Snow Queen”:
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, flash story) Discretion was the company’s watchword, or so Tiffany had been assured by Maria, who lived two floors down and had done it three months ago. No one needed to know. The technician was a thin blond youth, the left half of their face a conservative faux-tribal tattoo medley, almost retro, dressed in a bland-patterned coverall. They carried a slim silver box, briefcase shaped and sized, the handle set on one of the smaller sides.
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