Presenting a Workshop Aimed at Professional Writers
Working together, Donald Maass and C.C. Finlay have created a workshop for mid-career writers: those novelists who are already creating income from their books, whether they are traditionally or independently published, but still want more.
Donald Maass, a renowned name in the craft of writing, and founder of the Donald Maass Literary Agency, along with C.C. Finlay, a successful novelist and award-winning editor, will co-teach a workshop for professional novelists in conjunction with the Wayward Wormhole. Scheduled for September 2026, this critique-focused weekend offers a twist on most craft workshops by assuming applicants are already well past the basics and are interested in forwarding their skills with professional guidance and quality peer critiques. This workshop is for those who reach higher.
Donald Maass founded the Donald Maass Literary Agency in New York in 1980. He is the author of The Career Novelist, Writing the Breakout Novel, The Fire in Fiction, The Breakout Novelist, Writing 21st Century Fiction, The Emotional Craft of Fiction, and over sixty novels.
The Wayward Wormhole is an off-shoot of the Rambo Academy for Wayward Writers, which has been serving up classes, workshops, and community for writers since 2011.
To find out more about the Sandusky workshop, which is open to traditionally and independently published writers, see https://www.catrambo.com/wormhole/workshop-for-professionals/ or contact Janet K. Smith at janetwaywardwormhole@gmail.com.
This workshop is now open for applications.
There’s a stillness atop Sant Bartomeu hill that settles my bones and calms my brain. At 998 meters above sea level, I lean against a centuries-old stone wall, part of the Castell de Llaés, and look across the fields below. Thirty-nine km to the right is a second hill of 1025 meters, where I can see remains of the castle of Besora as it sits alone with its past. In the other direction, at 961 meters, sits the medieval remains of Castell de Milany. With the slightest effort, I lower a cellophane sheet over the scene and add people in tunics walking with horses wearing baroque saddles. A second overlay adds dusk and wispy tendrils of cloud to the picture. Torches flare along the castle walls to both sides of me, and the glow of a central fire, ready to send messages across the gap between them as night descends. -Janet K. Smith