Onward and Forward
Greetings and salutations! We’re a twelfth of the way through the year now, and it’s definitely interesting times we’re living in. Remember to be kind to each other; the world needs it more than ever right now. Here in South Bend, it’s been cold and snowy, so the cats and I spend a lot of time either near the heater or under the electric blanket. I have finished up the most recent rewrite of the fantasy novel and am sending it off to meet its fate today. Wish me luck!
Here’s what you’ll find in this newsletter:
Advanced Short Story Workshop
This multi-session, advanced workshop is intended for students who have already taken a short story workshop or have comparable experience. Class material is determined by student questions and needs. Each session will feature a deep drive on a particular craft aspect, including optional writing and reading assignments, as well as workshopping each other’s stories. Students are expected to write a story and workshop it over the course of the workshop. You must submit a writing sample when applying of 250-500 words.
Applications close February 26 or when the class fills, whichever is sooner.
Meets Saturdays, 12:30-3 PM Eastern time, March 1, 8, 15, 22 and April 6 and 19. (No class May 29 or April 12).
Cost is $499 for Patreon supporters; otherwise $599. Full and partial Plunkett scholarships are available.
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Books that I read to blurb or edit are not included in this list. I read over 200 books in 2024, counting books read for editing and feedback as well as for pleasure.
My Top Reads of the Year
Chain Gang All Stars by Nana Kwame Adjel-Brenyah is near future SF focused on the prison system, and is a gripping, savage indictment of the way we treat criminals.
The Last Hour Between Worlds by Melissa Caruso is modern day fantasy with gorgeous worldbuilding and a great queer protagonist.
Dungeon Crawler Carl by Matt Dinniman (and all the subsequent books) are amazing examples of LitRPG, and if you like to play games, you will love these books. This was originally an indie book, but it’s been picked up by a major publisher and is very available.
Menewood by Nicola Griffith is the sequel to her amazing book Hild, and is just as beautifully written.
The Ballad of Perilous Graves by Alex Jennings is fantasy set in a post-Katrina New Orleans and it is gorgeous. I interviewed Alex for If This Goes On; Don’t Panic. You can find the episode here.
The Last Shield by Cameron Johnston is Diehard in a castle with a strong female protagonist and I ate this up.
The Eyes Are the Best Part by Monika Kim is a horror thriller that is transfixing.
Liberty’s Daughter by Naomi Kritzer is near-ish future SF that shows you what a libertarian state really would look like.
Metallic Love by Tanith Lee is the sequel to The Silver Metal Lover so if you loved that book the way I did, you’re welcome.
Alien Clay by Adrian Tchaikovsky is wonderful SF that feels very timely.
How to Be the Dark Lord and Die Trying by Django Wexler is funny as hell and well worth picking up. I’m really looking forward to the sequel.
Someone You Can Build a Nest In by John Wiswell is cozy horror and an utterly delightful love story.
Other 2024 Reads I Really Enjoyed and Highly Recommend
The Poisons We Drink – Bethany Baptiste
Ancestral Night – Elizabeth Bear
Necessary Poisons – Andrea Blythe
The Savage Detectives – Roberto Bolano
Fortune’s Fool – Angela Boord
The Outcast Mage – Annabel Campbell
The Fall is All There Is – C.M. Caplan
Ring Shout – P. Djeli Clark
The Mercy of Gods – James S.A. Corey
Carl’s Doomsday Scenario – Matt Dinniman
The Dungeon Anarchist’s Cookbook – Matt Dinniman
The Eye of the Bedlam Bride – Matt Dinniman
The Gate of the Feral Gods – Matt Dinniman
The Reformatory – Tananarive Due
The Spell Shop – Sarah Beth Durst
Dr. No – Perceval Everett
God’s Country – Perceval Everett
Under the Skin – Michael Faber
Victorian Psycho – Virginia Feito
Shades of Grey – Jasper Fforde
Dragonslave – Dominque Glass
The Unstrung Harp – Edward Gorey
Hild – Nicola Griffith (reread)
This Princess Kills Monsters – Ry Herman
Still the Sun – Charlie N. Holmberg
Dead Set – Richard Kadrey
Fateless – Julie Kagawa
When the Tides Held the Moon – Venessa Vida Kelley
A Sorceress Comes to Call – T. Kingfisher
The Bones Beneath my Skin – TJ Klune
The Poppy War – R.F. Kuang (reread)
Station Eternity – Mur Lafferty
Red Sister (Book of the Ancestor 1) – Mark Lawrence
Grey Sister (Book of the Ancestor 2) – Mark Lawrence
Holy Sister (Book of the Ancestor 3) – Mark Lawrence
The Scarlet Throne – Amy Leow
Six Crimson Cranes – Elizabeth Lim
Black Mouth – Ronald Malfi
Legacy of the Brightwash – Krystle Matar
Adrift in Currents Clean and Clear – Seanan Mcguire
The Fifth Veil of Salome – Silvia Moreno-Garcia
The Tusks of Extinction – Ray Nayler
The Witchstone – Henry H. Neff
Hum – Helen Phillips
Haunt Sweet Home – Sarah Pinsker
The Book of Doors – Gareth Powell
Hells Acre – Lilith Saintcrow
The Incandescent – Emily Tesh
Camp Damascus – Chuck Tingle
Womb City – Tlotlo Tsamaase
State of Paradise – Laura Van den Berg
The SafeKeep – Yael Van der Wouden
Saga, Vols 2, 3, 4, 5 – Brian Vaughn
Horse of a Different Color – Howard Waldrop
Wheel of the Infinite – Martha Wells
The Witch King – Martha Wells
The Staircase in the Woods – Chuck Wendig
The Nickel Boys – Colson Whitehead
Firewatch – Connie Willis
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One thing about me that many people don’t know is that one of the things I’ve been doing since the beginning of 2020 is working with the If This Goes On (Don’t Panic) podcast, which I helped co-found. I love doing this because I get to talk with such interesting people! Here’s the episodes from 2024 where I co-interviewed with the excellent Alan Bailey, who is the reason the podcast keeps going.
We interview Tananarive Due about THE REFORMATORY.
We interview Alex Jennings about THE BALLAD OF PERILOUS GRAVES.
We interview Jamie Lackey about her Kickstarted novel, TOIL AND TROUBLE.
We interview Peng Shepherd about ALL THIS AND MORE.
If This Goes On (Don’t Panic) is a hopepunk podcast for sci-fi, fantasy, and life. Check it out here!
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One thing I did last year with my writing community was implement a planning session at the beginning of the year, with a six-month check-in midway through the year. We talked about what was coming up during the year, what we wanted to achieve, what might derail us, and strategies for making the most of the year.
For me, that worked very well, and it’s helped even more to add “Motivation Monday” sessions to my school, a weekly online session where we talk about what’s coming up that week and what problems we’re facing as well as share coping strategies and productivity hints. This year I’m doing it again, with quarterly check-ins, because it worked. I realized I got a LOT done last year once I sat down and listed it all. Looking back at the list of what I accomplished, I feel a lot less guilty about the times I just goofed off and played Stardew Valley or Baldur’s Gate 3.
Want to try this for yourself? Here’s the questions I’m asking people to think about this year, along with my answers to each one. (If you are interested in joining us for the planning or motivation sessions, here’s details about the Patreon campaign.)
2024 Review (Don’t worry if a question isn’t applicable! I’ve been thorough and used the list I use)
What did you get accomplished in 2024 and how do you track these things?
I had a new book, RUMOR HAS IT published in hardback (recommended by Bookish, Gizmodo, Publisher’s Weekly, Reactor) and my book DEVIL’S GUN appear in trade paperback, finished two books (SAHALAH and WINGS OF TABAT), taught a bunch of classes, traveled to Orlando, Savannah, Atlanta, New York City, Bellingham, Indianapolis, Surrey, B.C.and Chicago. Wrote three stories and published four.
I track stuff mainly through my big schedule spreadsheet and Scrivener, but I did also track my reading and movies I watched in a blog post. It’s not the end of the year yet, but I have read close to 200 books this year, and in looking at it, I’m pleased to see I read fairly diversely as well.
What did you write in fiction?
Two novels and three stories
What did you write in nonfiction?
An on-demand class (Eating Your Words), some Medium articles (Writing Speculative Stories, What’s Up with the Hugo Awards This Year, and Thoughts on F&SF Awards, Being Desired at Sixty, Solo in the Theater, Thoughts on Recent News of Neil Gaiman, and What Is Cozy Fantasy: Definition and Suggested Reading) and some blog posts, including I am Cat Rambo and This is What I Believe.
Interviews included author spotlight for Lightspeed by Alex Puncekar, a blog post for Jennifer Brozek, an interview with C.M. Caplan, an interview with Nora Peavey, talking with Paul Semel about RUMOR HAS IT as well as DEVIL’S GUN, and the Walter Day Trading Card site and a birthday write-up on File770.
What other art did you make?
I decorated a guest room and drew some cartoons, inspired by Lynda Barry’s book on cartooning.
What did you edit?
I edited four novels for Arc Manor, including ones by Yaroslav Barsukov, Randee Dawn and Ben Bova. I edited a bunch of stuff for private clients, including three novels and a number of short stories.
What appearances did you make, virtual and live?
What publications appeared?/What sales did you make?
What other things were notable?
Of the accomplishments of 2024, what are the top 3-5 that you had?
Finishing not one but TWO books!
Co-ran a writing workshop that was SPLENDID
Witnessed a total eclipse
Ran the craft book and short story discussion groups, as well as an assortment of other Rambo Academy events that enriched my writing.
What are 1-3 of the worst writing-related disappointments?
Mainly I didn’t get some short stories in to various anthology calls. I also have a story that has been sitting in limbo for FOREVER and I’d really like to see it come out. I also want to do another collection, but that requires me getting my butt in gear and sorting through all the recent stories.
What did you do in 2024 that had the most positive impact on your life?
I started being serious about taking Tuesday and Thursday off since most weekends I teach and/or write. I can write on those days if I want to, but I don’t have to do paperwork, teaching stuff, or Patreon things. Often I go to see a matinee, which resulted in seeing a lot of movies I wouldn’t have normally seen. This really recharges me and keeps days from blurring together.
2025 Planning:
What are 3-5 things you want to accomplish overall in 2025?
What’s one thing you’d like to successfully incorporate into your work routine?
I would like to be better with my to-do list.
How do you want to refine or improve your tracking system?
I’d like to keep some electronic notebook where I put down what I get done each day.
What’s one pleasure that you don’t have enough time for? Can you use it to reward yourself for hitting goals?
I really love rock-hunting, and driving up to Michigan to find fossils on the shore is one of my favorite things. I’m going to schedule a monthly trip to do so that will be my reward for monthly goals.
What three things are likely to derail you in 2025? How can you plan to diminish their impact?
I am a programming lead for WorldCon, and that will eat up some time. I’m trying to stay on top of items right now and also not plan anything else for August.
Doing the dev edits for WINGS OF TABAT, although I hope that will be an easy task. Turning them around quickly rather than procrastinating would be good.
Doing the marketing for the release of WINGS OF TABAT. Since it’s the last book in the series, I’d like to pull out all the stops. That requires being organized and doing a lot of planning beforehand.
What’s going to bring you hope in 2025?
My community – friends, family, students, mentees, fellow writers. That’s what keeps me going.
What are you looking forward to in 2025?
Writing my current projects, which I’m stoked about. An upcoming trip to the Barbados. Chances to visit good friends and spend time with family. Having WINGS OF TABAT come out and marketing it. Being Guest of Honor at Confluence. WorldCon in Seattle. Seeing if those yellow rose bushes bloom this year and getting a chance to sit out in the yard and watch fireflies appear in the evening. Seeing what happens with the fantasy novel I just turned in to my agent (*fingers crossed*). Continuing to live a happy and productive life that gives back to the world.
What’s going to be your theme song/ slogan /image to keep you going in 2025?
I am still thinking about this one.
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I will be offering 6 weekly sessions of my writing short stories workshop on Saturdays, 9:30 AM-12 PM Eastern time, starting January 4, 2025 and going through February 8.
In these six sessions, we will cover plot and story structure, character, world-building, style and technique, and how to move forward to begin (or continue) selling short stories. Each class will consist of lecture, discussion, and writing exercises for the first half and then turn to a critique of each other’s work. Students are expected to turn in at least one story for workshopping as well as critiquing each other’s stories.
Classes will be recorded for student use only.
To apply, please mail cat@kittywumpus.net a 1000 word writing sample (does not need to be a complete piece) as well as a brief (1-3 paragraph) statement about why you’d like to take the class. If accepted, the cost is $400 for Patreon supporters and other Rambo Academy community members; otherwise $500.
There will be three Plunkett scholarships; to apply for one, simply mention that you would like to be considered for one, and whether you need a full or partial scholarship.
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From Janet:
The New Mexico Wormhole has snapped shut and scattered the travellers back to Australia, Italy, Canada, and multiple states around the USA. I am STUFFED full of amazing writing tips, STUNNED by the beauty and wildlife surrounding the Painted Pony Resort, and warm and fuzzy with love for all my fantastic new friends.
Arley Sorg was tough; a straight shooter who didn’t mince words in a way that gave each of us a boost. We were all better than we thought and still had a lot to learn. Plus, a horned owl joined us from a nearby tree during his classes.
Minister Faust was calm; a gentle guide through the publishing desert. His “explain it to me like I’m a four-year-old” led to clear loglines that supported our newly created emotional impact statements. Plus, the man can cook like a pro!
C.C. Finlay was wise; he took no guff and made sure we understood his points. Thoughtful, insightful, and kind, Charlie was a favorite. How he carved special talk-time for each of us during a busy, busy schedule is both a mystery and a gift we all treasured.
Don Maass was fun; he turned his six-inch binder of notes and writing tips into amusing, personal reflections. Brilliant, generous, and friendly, Don always made room for our comments during class and earned our respect as he returned our quips with rapid shots from the hip.
Cat Rambo was quiet; they were the center of our New Mexican tornado. When you were with Cat, your heart rate lowered, and you felt cared for as a colleague and a friend. Cat was our tarantula whisperer, which either repelled or attracted people almost every day. Why the spiders only appeared on the walls around their building remains a mystery.
Over ten days, we learned more about VOICE, SCENE SHAPING, EMOTIONS AND INTERIORITY, MICROTENSION, ADDING ENERGY TO THE NOVEL MIDDLE, RELEVANT ENDINGS START AT THE BEGINNING, 8 LACKS THAT TORPEDO GOOD MANUSCRIPTS, and BUILDING AND KEEPING A WRITING CAREER FRESH. From day one to day ten, we all started going to bed earlier and earlier.
We saw scorpions glowing under black-lights, bunnies, deer, horned owl, javelinas, tarantulas, coyotes, roadrunners, ravens, quail, and a spadefoot toad.
We sat around an outdoor fireplace as Cat, Don, and Charlie read their work.
We sat in the hot tub(s) and stared at the star-filled sky, waiting for an inevitable shooting star.
We stood in the courtyard and absorbed the silence.
This year brought me several family health issues and I added caregiver to my growing list of responsibilities. As a Canadian with many friends in the US, the election brought stress, fear, and disbelief. I’m still an almost-published (that’s how I frame it—I’m waiting for that one desk on that right day—it’s as inevitable as a shooting star as long as I keep going. Right?)
This year, the Wayward Wormhole at the Painted Pony Resort offered me a reset. Its quiet touched my core and smoothed out the tangled worries I’d been keeping inside. Being with my people reminded me that I’m not alone and renewed my energy. Gaining skills, literally at the speed of sound, renewed my enthusiasm for the stories I’ve written and the ones yet to come.
People ask why Cat and I why we stick with the in-person workshop format when others are going virtual. There are several reasons, all confirmed during our time in New Mexico. Writers need new experiences. They need a safe and peaceful environment to write, learn, and reflect on how people move through life. Writers need other writers. They need tools. Writers need to spend non-writing time with accomplished writers to confirm their belief in their insane choice of career; they need to know their struggles are normal, even if their personal journey isn’t.
For me? Sitting outside under the Milky Way with a dozen-plus friends as Charlie Finlay reads from his latest (and unpublished) novel in front of a wood fire is an in-person memory I’ll never forget.
PS. Plans for The Wayward Wormhole 2025 – Barbados are in the works. We’ve contacted four outstanding instructors who’ve expressed interest, and we will announce a new format and focus by the end of February. We hope you’ll join us!
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From Janet: This year’s Wormhole started a little early for me with a three-day conference in Surrey, BC where I touched base with Don Maass, spent some well-deserved face time with Cat Rambo, and met the effervescent Premee Mohamad along with several regular and new SIWC attendees. Then my husband Geoff picked me up at the hotel and we headed for the border. So far, so familiar to this West Coaster.
That was Sunday. Now it’s Monday and we’re in Washington state. It’s still a rain forest and I recognize most of the flora until we crossed the Snoqualmie Pass—then things changed a lot and slammed home the fact that we’re heading into the unknown; a new Wormhole full of students and instructors, a new environment full of unfamiliar flora along with both cute fauna and aggressive fauna. It’s exciting. Then the phone rang—I’d left my retainer in a BC hotel—but we’re across the border and not going back. The fun of travel.
Monday begins in Baker City, Oregon with -1 degree and frost. This is not what I’m used to. Within hours, we’re driving through Idaho. The hills are rolling and covered in a fine pale-yellow grass that softens them and is pleasing to the eye. I do my best to capture the feeling and look of this empty, mellow country which goes on and on. There are so many references to the Oregon Trail, and it’s easy (and terrifying) to imagine settlers crossing these lands in wagons with livestock in tow. It makes me think about the dynamics that put them in this place without considering the impact on the locals—human and animals.
By the end of the day we’re in Nevada and the landscape has changed to one that makes the rolling hills have taken on an edgier look with sharper edges and sage brush that gives it a five-o’clock shadow. I’m still thinking about the wagons making their way through this rough terraform, and when we come to a famous river crossing, the courage and focus required to find a home in this new world takes on a deeper meaning for having seen the environment firsthand. The feeling of being a stranger in an alien land is strong.
As Nevada gives way to Arizona, the land changes again. This time, huge, rounded boulders lie scattered about the terrain. Most are stacked three and four boulders high, as if giants had placed them during a game designed to balance the smooth stone in artistically lethal ways. There are story ideas strewn between the rock and cacti.
Thursday dawns with the bluest of skies. There’s one more shortish day of driving, one more hotel room, and we’re at The Painted Pony. My mind is full of meal planning, which means grocery shopping at an oversized level, the possibility of new friends and talking books, stories, and publishing. I love this moment, before anything needs troubleshooting, before looking for something forgotten or misplaced. Right now, the Wayward Wormhole is perfect.
The five-hour drive on Friday seems twice as long as the eight-hour drive the past Monday. Then we’re at the entrance to the long driveway. We bounce along the dirt road and up to the main house in front of us. The guest house is off to the left, and the bungalow is to the right. Every wall is smooth stucco supported by massive wooden beams. The doors are tall with full-length windows that brighten each room. The Painted Pony Resort slaps.
At 7:30 pm the sun had left the sky, leaving behind a breathtaking expanse of stars on both sides of the Milky Way. It’s quiet here. The hot tub is not too warm, and as my muscles loosen from the water and peace, I’m rewarded with the zing of a shooting star. And yes, the scorpions glow.
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The Wayward Wormhole is now thirty-one days away. Aside from my heart palpitations, a
stomach that flips with butterflies every time someone brings up how soon we’ll be at the
Painted Pony Ranch, preparations are well underway, things are going well, and barring any
unforeseen roadblocks, the to-do list is manageable.
With that being said, this month I want to talk about the things I’m excited about. First, there’s
the work and who’s going to see it. Arley Sorg reading my short story and giving feedback?
Delectable! Conversations with Minister Faust about story and writing and philosophy?
Fantastic! Ten days with Donald Maass and Charlie Finlay knowing they’ve both read my novel
and want to help me move it toward publication? The German language probably has a word
that encompasses the torrent of emotion swirling throughout my body. There goes my stomach
again.
Second is the company. I’ve always felt out of place in groups. They don’t get my jokes, they
don’t love the same movies or TV shows, they don’t care about science or dragons or ravens,
and they certainly don’t discuss inter-species dino sex. Then I went to the Surrey International
Writers Conference in BC Canada, and discovered that even if I was the weird one, there were
many, many more people like me—they just weren’t in Campbell River (except for my best
friend—she’s weird in the best ways). So, step one: conferences are good. Then I went to the
Wayward Wormhole last year and discovered how fantastic it is to live with a bunch of nut-ball
crazy SF&F writers who were as obsessed with story as I am. Spending time with all of you is
the highlight of my year, and is the driving force behind every year’s location, instructor
selections, and format.
I’m also really looking forward to a change of pace, a bit of peace at the end of a tumultuous
year. My mum is eighty-two now and struggling with her memory and how she navigates
through this overly complex world. She and I have been investigating seniors’ homes, and it’s
hard watching her come to terms with her situation and its ultimate conclusion. There are some
good things happening too. My husband, Geoff and I have bought a condo in Victoria and gain
possession two days after we return from the Wormhole. Needless to say, I’ve been busy, and I
keep moving forward by imagining myself floating in the pool or talking some quiet time in the
desert. On the flip side, I also enjoy drinking and playing pool, and there’s a foosball table, but
I’m not sure my wrists can hold up under the strain of slamming that little ball down the
opponent’s…sorry…I can get competitive.
The Wormhole holds an entire world inside its writing bubble. It’s my happy place where my
people meet, where laughter and angst live in the same space, and I hope it’s all that and more
for you, too.
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Right now, I’m teaching my Extended Novel Workshop, aimed at people who have a novel in mind and want to work on preplanning and creating a schedule in which to execute it. We’re on week four of that right now, and today’s session will focus on worldbuilding. I’m really enjoying this workshop, and it’s such a great group of talented people. I can’t wait to read some of these books. So I definitely want to keep giving this each year.
I also want to do my Writing F&SF Stories workshop, and I’ll offer that in the Jan/Feb 2025 timeframe. That will feature six sessions on writing short stories, including writing and critiquing stories.
I’ve switched to a two months on, two months off model, which gives me more time to focus on writing and also helps me replenish my internal extroversion fuel. So I’ll offer one other extended workshop in the May/June period but I’m still figuring out what I want to do with that. Possibilities include:
I’d also like to do something on teaching writing sometime, but I don’t know if that would be one session or several.
Please tell me what you think. Are these appealing? Is there something you’d like to see me teach? As always, Patreon subscribers will get first chance to sign up for and a discount on these classes.
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Have you ever had a ridiculously lofty desire buried so deep in your psyche that you’ve never mentioned it to anyone? That’s what the Wayward Wormhole is for me.
Immersing myself into a world of writers where everyone is as obsessed, driven, and crazy about language and story for weeks at a time is my ultimate happy place. That passionate kiss of at a three-day conference only stoked my desire for more. I applied to some of the greats: Clarion and Odyssey and vowed to apply to Viable Paradise and Launch Pad as schedule and finances permit, but I’ve yet to receive an acceptance from any of them. Is that a reflection of my writing? Maybe…but they’re all incredibly popular and competitive. The sheer talent from the other applicants is intimidating. I’m not a natural. I’m a writer who makes all the usual mistakes and has to fight my way up the rejection ladder. On the flip side, I love learning about writing, and I’m damn stubborn, so I’ll keep going as long as I’m having fun.
Tired of waiting for an acceptance and finding that I aged with every passing year, I started giving myself an education from the many instructors that graced the workshops I wanted to attend. That’s where Cat Rambo came in. Their Academy for Wayward Writers was the perfect training ground for my struggling career as a writer. They brought in Tobias Buckell, Michael Underwood, Sarah Pinsker, Ann Leckie, Kate Heartfield, and Jamie Lackey, not to mention all the classes put together by Cat themselves. And it was great.
But it still wasn’t the deep end I dreamed about. Then, one day all the time spent on Cat’s Patreon and Discord brought the opportunity of a lifetime—a month of November—an intensive workshop in Spain. Was anyone interested? I was. Did she have a location? No. So I looked for one. I found a castle (A CASTLE!). The next step was financial viability—was a venture like this something that could at least pay for itself? Spreadsheet time. The numbers said it could. We wouldn’t get rich, but we could offer a new, high-level intensive writing workshop offering access to exceptional instructors, and bring together fellow writers who were as eager to help each other succeed as you are to helping them. That’s what it’s all about!
Cat received a good deal of flack over the location’s lack of accessibility, and that was my fault. To anyone who wanted to attend and couldn’t, I can only apologize and say we are committed to doing better with each upcoming workshop.
Spending last November with Cat Rambo, Ann Leckie, Sarah Pinsker, and Tobias Buckell, along with eleven excellent writers in their twenties, thirties, fifties, and up, from four different countries, gave my confidence a much-needed boost, and with that, my writing leaped forward. We’re kept the Ride or Die Writing Group together in 2024, and students are getting published!
Cat Rambo has an amazing array of friends in the SFF community. They’ve all experienced her kindness, generosity, and balanced sense of right and wrong.
We’re heading to New Mexico this November with Arley Sorg, Minister Faust, Donald Maass, C.C. Finlay, plus a slate of students eager to repeat the magic from last year.
I can’t believe this is my life. Maybe we’ll see you there one day!
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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, short story) I run a courier ship between Earth, Luna, the space stations, Mars, and the Inner Gate. You need as little mass as possible to run a snipship, and due to what that doctor called my defects, I’m one of the smallest, fastest. Good pay, and most of the time I’m low-g, which is easiest on me.
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