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SFWA Accessibility Guidelines: What They Are and Why They Matter

Picture of a robot in the SFWA suite, illustration to accompany blog post by speculative fiction writer Cat Rambo.
One thing that did surprise me was the lack of provision for robots, such as this one, enslaved in the SFWA suite at the Nebulas and forced to serve its human captors with cocktails. Should I become SFWA Vice President this year, I pledge that no robot will be left behind.
The SFWA Board recently passed an Accessibility Guidelines Checklist, which will be used at all SFWA-sponsored events. That includes things like the Nebulas, the NY Meet and Greet, etc. Along with passing them, the board passed a provision that every time they get used at such an event, someone sits down afterward and checks to make sure they worked well and don’t need to be adjusted.

One reason I think this is great is that I’ve seen a lot of conventions lately — among the largest around — that have dropped the ball as far as accessibility goes. I’ve seen con participants treated shabbily and shamefully, even to the point where participants from other, more mundane conventions and gatherings end up stepping up to help up the F&SF fans. It’s great to see SFWA leading by example by using such a set of guidelines as well as making it available to conventions who might find it a useful resource.

So here’s what the checklist involves:

  1. There must be an accessibility liaison who is a member of the committee or event staff and who understands accessibility issues, resources, and solutions.
  2. There must be wheelchair accessible cabs and lift-equipped shuttle vans available between airport and hotel. If the hotel has shuttle service, it must include lift-equipped vans or arrange for such a service.
  3. The hotel must have a convenient drop-off and pick-up point, with an accessible route to the entrance no more than 200 feet away.
  4. The hotel must be within two blocks of a bus stop or train, as well as reachable by car.
  5. The hotel entrance must be wheel-chair accessible and have accessible parking spaces nearby. Non-accessible entrances should have signs pointing to an accessible one.
  6. Hotel public spaces (restaurants and bars) must be wheel-chair accessible. At least one should be serving breakfast, lunch, and dinner during the event.
  7. Hotel must provide wheelchair-accessible hotel rooms.
  8. There must be wheelchair-accessible restaurants within a couple of blocks that people can get to.
  9. Lots of minor stuff like clearly identified accessible exits, Braille or raised characters in the elevators, audible and visual alarm signals, evacuation plan that includes people with disabilities, at least one TTY-equipped public telephone, and water fountains that are wheelchair-accessible or have a cup dispenser.
  10. The event functions must be in the host hotel or someplace easy to get to and within two blocks. You should be able to get to them in an elevator and restrooms should be wheelchair accessible.
  11. Stages and raised platforms for banquets, presentations, and panels must be wheelchair-accessible with lifts or ramps.
  12. Banquet, presentation, and panel seating must leave space for wheelchairs and scooters, and provide seating near the stage for visually and hearing-impaired attendees.
  13. Video content must be closed captioned, assistive listening devices should be available, lighting should be adequate, and an ASL interpreter should be available.
  14. If there are hearing-impaired panelists, the moderator and panel must meet beforehand to make sure they know best how to accommodate the panelist.
  15. If someone needs a caretaker/assistant, the caretaker’s registration is comped.
  16. Service animals are permitted in all hotel and convention spaces.
  17. Wherever food is served, it must be labeled for common triggers like dairy, shellfish, nuts, eggs, etc, and alternate selections will be provided.

A lot of this is common sense, but it’s great to have a checklist that a new convention can go through item by item.

Why does this matter? Because this is the sort of thing that SFWA should be doing (among LOTS of other stuff, like adapting to the new world of self-publishing and writing for electronic media, yes, yes). It leads by example, creating a set of standard for its own events, and offering them up to the community for their own use. It’s a move that encourages diversity by making sure disabled writers know that they’re a valued part of the membership and also makes sure that they can get to and enjoy SFWA events.

So yay SFWA! More of this, please. 🙂

14 Responses

    1. I’d seen a certain amount of discussion from people who didn’t seem to have actually read the guidelines. 😉 Figured this might be useful.

  1. This makes me smile so hard! It’s wonderful to have this foundation available, and publicized by the SFWA.

  2. Is there a link to the “Accessibility Guidelines Checklist” on the SFWA site? I can’t seem to find it.

      1. Now I’m really confused … SFWA comes up with a “Checklist” but doesn’t publish it?? I think I need an Irish coffee to relax my brain over this

        1. They did publish a copy on the member forums, which is where I got it. I agree that it needs to go on the main website somewhere.

  3. I wonder how long it will be before some idiot posts a petition decrying this “politically correct persecution of the able bodied!”?

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Talking About Fireside Fiction's #BlackSpecFic Reports, Part 1 of 2

sound-1283826_1920A few days ago Steven Barnes, Maurice Broaddus, Tananarive Due, Alaya Dawn Johnson, Tonya Liburd, and Nisi Shawl were kind enough to let me record their conversation about Fireside Fiction’s reports on blacks in speculative fiction. The discussion centered specifically on what SFWA can learn from the report in order to improve/expand existing efforts as well as things it should or shouldn’t be doing.

The Subject Under Discussion

For those unfamiliar with the report, you can find Antiblack Racism in Speculative Fiction: #BlackSpecFic: A Fireside Fiction Company special report (2015) here, and the follow-up 2016 #BlackSpecFic Report here.Both reports are accompanied by a wealth of essays by black writers.

Here is the central fact they present. Black writers are underrepresented in fantasy and science fiction short fiction magazines. The 2015 figures: 2039 stories in 63 magazines, of which 38 stories were by black authors, in 2015. The report noted the flaws (I’ll talk more about some of the reactions later) but it was a pretty good effort at analysis no one had done before.

In preparing for the conversation, I went not just through the reports, but the accompanying essays and some of the pieces inspired by the topics that had been raised. One of the pieces of data I acquired recently that wasn’t answered earlier was the results of the survey SFWA administered in 2017 to its members: information about the composition of the organization’s membership. Here it is from the survey, administered during the middle of this year.

Ethnicity:
Answer Choices Responses
White 85.40% 778
Hispanic 0.77% 7
Black 0.99% 9
Asian 2.09% 19
Pacific Island 0.00% 0
Mixed Race 3.07% 28
Indigenous 0.11% 1
Prefer not to answer 7.57% 69
Other (please specify)* 25
Answered 911
Skipped 38

(The answer to “Other” ranged from the serious to the not-so-serious.)

For the sake of very broad comparison, American demographics as of July 2016 (according to Wikipedia) were 13.3% African American, 17.8% Latino/Hispanic, and 61.3% white. Like the magazines when it comes to publishing black writers, SFWA’s population skews much whiter than figures might lead one to assume.

The Roundtable
I’m very grateful to the participants for a discussion that was illuminating, informative, and always interesting. I tried to assemble a group that could talk in an informed way and come from different perspectives.

I asked Liburd if she would be our representative of a newer writer, someone who’s hit many of the barriers. At the same time, she has her editorial experience from working with Abyss and Apex. Barnes and Due come from the perspective of long experience with the speculative fiction community. Shawl was one of the people who contributed an essay to the issue. Johnson and Broaddus are both established black writers who work with short fiction.

My apologies for the not-so-great quality. This was recorded via Google Hangout and I do not claim to have anything but the most rudimentary video skills. I ended up converting it to .mp3 file, which is available here:

SFWA Roundtable Podcast on Fireside Fiction’s #BlackSpecFic Report, featuring Steven Barnes, Maurice Broaddus, Tananarive Due, Alaya Dawn Johnson, Tonya Liburd, and Nisi Shawl.

This was a terrific conversation. I was scribbling notes down throughout most of it. In a day or two I’ll post those notes and action items, along with an account of what’s happened so far, but today the focus should be that discussion.

...

More on The First Chapters Project

If you don’t know what the SFWA First Chapters project is, it’s an effort to collect first chapters from F&SF novels published throughout the year in a single compendium. This should help with reading for awards in that you have a chance to sample books before figuring out what you want to read in its entirety. For writers, it should be a chance to get that first chapter in front of reader eyes in order to convince them they want to keep going. In 2018 the focus is getting indie writers up and running with the program, but if you’re a small publisher interested in participating, let me know.

As part of that project, I asked the group working on it to make sure that people uploading first chapters can keyword their work so, for example, if you just wanted to see chapters eligible for a specific award, like the Sideways, Prometheus, or Andre Norton Awards.

Here’s the list I just gave them. Any other awards you’d add? I didn’t include ones that are restricted by geographical area like the Aurora or Endeavour Awards.

List of all keywords:
Alternative history novel
Anthropomorphic novel
Fantasy novel
First novel
Game-related novel
Horror novel
Libertarian
Media tie-in novel
MG novel
Military SF novel
PKD eligible
SF novel
Urban fantasy novel
YA novel

Bram Stoker Award
http://www.horror.org/awards/stokers.htm#about

Keywords: First novel, horror novel, YA novel

————————————————————

British Fantasy Awards
http://www.britishfantasysociety.org/british-fantasy-awards/

Keywords: fantasy novel, horror novel

————————————————————

British Science Fiction Awards
https://www.bsfa.co.uk/

Keywords: SF novel

————————————————————

Compton Crook Award
http://www.bsfs.org/CCA/bsfsccnu2014.htm

Keywords: First novel

————————————————————

David Gemmell Awards for Fantasy
http://www.gemmellawards.com/award-voting-2017/

Keywords: fantasy novel, first novel

————————————————————
Dragon Awards
http://awards.dragoncon.org/

Keywords: SF novel, fantasy novel, YA novel, MG novel, military SF novel, alternative history novel, media tie-in novel, horror novel
————————————————————

Ennie Awards
http://www.ennie-awards.com/blog/

Keywords: game-related novel

————————————————————

Hugo Awards
http://www.thehugoawards.org/
Keywords: SF novel, fantasy novel

————————————————————

Keystroke Medium Awards
http://www.keystrokemedium.com/ksm-awards.html

Keywords: SF novel, military SF novel, post-apocalyptic novel, fantasy novel, epic fantasy novel, urban fantasy novel, horror novel
————————————————————

Locus Awards
https://locusmag.com/

Keywords: SF novel, fantasy novel, first novel, YA novel

————————————————————

Nebula Awards/Norton
http://nebulas.sfwa.org

Keywords: Fantasy novel, SF novel, YA novel, MG novel

————————————————————

Philip K. Dick Award
http://www.philipkdickaward.org/

Keywords: PKD eligible (appeared in paperback rather than HB first)

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Prometheus Award
http://www.lfs.org/

Keywords: libertarian novel

————————————————————

Sideways Awards
http://www.uchronia.net/sidewise/
Keywords: alternative history novel
————————————————————

Ursa Major Awards
http://www.ursamajorawards.org/

Keywords: anthropomorphic novel

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World Fantasy Awards
http://www.worldfantasy.org/awards/

Keywords: fantasy novel

...

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