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Yearly Recap Plus What's Ahead in 2018

Among the things I’ve done in 2017:

  • In writing, I did the works listed here as well as turning Hearts of Tabat (so MANY thanks to my awesome editor, Kevin J. Anderson) into the publisher (also Kevin) and starting book #3, Exiles of Tabat, which I’ve got about 40k on so far. I didn’t publish any book-length work, but I’d had two in late 2016 (to the point where I was thinking one had come out this year) and will have at least two in 2018, so I guess it all evens out.
  • Lots of new classes for the Rambo Academy, including guests like Alex Acks, Jennifer Brozek, Cassandra Khaw, Rachel Swirsky, Paul Weimer, and Fran Wilde.
  • In skill acquisition, I added how to cook sous vide, coffee roasting, basic lockpicking and (even more basic) scuba to my overall character sheet. I also learned how to load and shoot a pistol, along with basic gun safety.
  • In fear conquering, I swam with sharks (twice) and took a self defense class.
  • In travel, I visited Orlando, New York City, Indianapolis, and Pocatello (ID) in the US and Dominical and surrounding areas in Costa Rica.

Picture of SFWA President Cat Rambo holding a small robot sculpture
Nebula weekend, 2017.

Notable highlights of SFWA-related stuff:

  • The Singularity, SFWA’s electronic newsletter, an entity I kicked into existence and which Kate Baker and Terra LeMay have coaxed into blossoming, has a regular, predictable monthly schedule now, and is always full of useful and timely stuff. This newsletter has garnered consistent compliments for its friendly but professional and informative feel, and it’s provided a new way to let SFWA members know about SFWA stuff they might want to take advantage of, as well as to share their own appearances and projects with each other.
  • SFWA’s excellent Executive Director Kate Baker said a few years back, “I want to make the Nebula weekend -the- premiere conference for professional F&SF writers” and I said, “Tell me what you need to do it.” This year’s Nebulas were fantastic; next year’s will be even more, including having Data Guy there to present on the industry, an effort that’s taken a couple of years to get in place.
  • The SFWA Storybundle had its first year and was wildly successful, as was the Nebula-focused HumbleBundle. The Storybundle program will grow 150% in size in 2017, which sounds really impressive but just means 3 bundles instead of 2. Plus – SFWA’s Self-Publishing Committee has taken that effort over, so no work for me! (Last year I read a bajillion books for it.)
  • A long, slow revamp of Emergency Medical Fund stuff driven by Jennifer Brozek, Oz Drummond, and Bud Sparhawk is coming to its final stages. I just saw the EMF stewards in action: they received an appeal, evaluated it within 24 hours, and within a week, if I am correct, funds had been disbursed. The Grants Committee just wrapped up its 2017 work; next year it’ll have even more money to play with, thanks to the aforementioned Nebula HumbleBundle.
  • Over 50% of the membership participated recently in the survey that went out this year, so we have some data about who the members are and what they want. I would like to think that the high participation rate was driven in part by enthusiasm for what the organization has been doing lately, but it might have something to do with the idea to offer a chance to win one of the ten $25 Amazon gift cards we gave out for participating.
  • Many of the steps talked about in this discussion of the Fireside Fiction’s report on black writers in speculative fiction and what SFWA could do have been or are being put into place. One thing I’d like to find in 2018 is a volunteer who might coordinate diversity efforts, searching for opportunities where they might dovetail in order to strengthen and inform each other as well as helping make sure we’re examining and evaluating results to see how we’re doing, etc.

I appreciate the many of you who have joined or renewed their memberships specifically because of things I’ve done; it gladdens my heart when you tell me that, but I want to stress that it’s a team effort. That’s because this year I have increasingly experienced a wonderful thing, which is that I will say, “Hey we should do X,” and someone will reply, “Already on it, here’s what’s been done and the overall action plan/timeline.” Dan Potter, Derek Kunskën, Erin M. Hartshorn, Jeffe Kennedy, Jonathan Brazee, Kate Baker, Sarah Pinsker, Steven H Silver, and Terra LeMay, among others, have all given me the precious gift of moments like this in 2017. You folks rule.

When I first came on board a few years ago, I sometimes felt like I was wandering through a morass of undone things and incipient crises. Some plates that had been in the air had fallen and shattered, sometimes disastrously. As I got them back up, it was a panicked dash from one plate to the next at times, and I know I dropped my share. But now more and more of them have their own dedicated spinner, usually with a fallback person in the background, and that lets me stop long enough to take a breath.

I’m kinda amazed I got as much done as I did in terms of writing and teaching. Certainly some words that I otherwise would have written this year got sacrificed on the SFWA altar, but I think that will be less so in 2018. *fingers crossed* (If you enjoy my stories, please consider supporting the Patreon effort; $1 a month gets you at least one story each month; double that to get weekly writing tips and resources.)

Screen Shot 2017-11-26 at 4.23.34 PMSo what’s ahead for 2018?

  • I’m editing two projects. The first is Godfall and Other Stories, a solo collection by Sandra Odell. These stories are brutal and great, and I think this is an outstanding collection, particularly after coaxing a couple more stories that will be original to the collection out of Sandra. That will come out from Hydra House in April. If you’re interested in finding out what Sandra writes in a super timely way, she has The Twelve Ways of Christmas, a collection of speculative holiday stories, available for $4.99.
  • The second project, which is still taking submissions, is an anthology of political SF focused on the aftereffects of 45’s era, which will come out around the same time as the elections. It’s called If this Goes On and will appear from Parvus Press.
  • I’ll be writing at least one Tericatus and The Dark story for an upcoming anthology I got a solicitation for.
  • I am insanely juggling three novels and need to just buckle down and knock them off one at a time. They are, in the order I plan on doing so in 2018, The Five, a YA space opera (currently at 30k, destined to be somewhere in 70k range), the sequel to Hearts, Exiles of Tabat (Hearts was 120k, suspect Exiles will be as well, currently around 30k done), and an urban fantasy, Brazen (got 20k written, will be in 70-80k range.)
  • I have enough SF stories for another collection. Maybe two. Debating whether I want to approach a small press or self-pub those. I have around 50-60 flash stories, depending on how you define flash length, that I am putting together in a book for Patreon supporters and can after that can use to accompany the Flash Fiction class.
  • The Idea to Draft book is so! close to being done and I just need to get butt in gear and finish it up.
  • In Rambo Academy for Wayward Writers news, both old and new live classes will be offered in 2018, including ones from Ann Leckie, Rachel Swirsky, and some of the other guest teachers. Ditto with the on-demand classes – right now I’m working on turning Writing Steampunk and Weird Western into written form. Many thanks to Jim Johnson for pointing out areas I’d overlooked; the overall class will be much stronger as a result.
  • Conventions I definitely plan to be at in 2018: International Conference for the Fantastic in the Arts (ICFA), Norwescon, the Nebula weekend, Worldcon, and Snake River Comic Con.
  • I do have one very large and absolutely terrifying project up in the air, getting ready to launch in 2018. It is not a creative effort but a political one. Stay tuned for info on that or drop me a line if you’ve been looking for a place to put some volunteer time/effort in 2018.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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we are not islands. We are part of humanity, a deep rich pool in which we swim, and we will either do so or sink, collectively.
Nattering Social Justice Cook: Stay the Course

we are not islands. We are part of humanity, a deep rich pool in which we swim, and we will either do so or sink, collectively.Like many of you, I was taken aback by the results of the recent election, to the point of depression, dismay, and concern for our future. Part of my past week, though, was spent in Chicago at a conference for nonprofit leaders, and that served as a heartening antidote in some ways.

Part of that experience was the reminder that our world holds people who don’t know where their next meal is coming from, or if they’ll have a dry place to sleep that night. That there are children who are abused, animals who are tortured, nations being oppressed, even eco-systems being destroyed. That so much is wrong. That so much needs fixing. Is it odd to say that was heartening? Because it was so inspiring to be around hundreds of people who have given their time and energy and so much more to help others.

It underscored the fact that we are not islands. We are part of humanity, a deep, rich pool in which we swim, and we will either do so or sink, collectively. The question of where to start with that is one that divides many of those who desperately want to fix things. And the truth is this: that helping wherever and whenever you can is fine, no matter what form it takes. The act of helping others enriches our souls and keeps them nourished.

There’s a concept created by Abraham Maslow, a hierarchy of needs. It looks like this:

screen-shot-2016-11-17-at-9-19-27-am

The principle is simple. The lower on the pyramid, the more important the need. Until that need is filled, the person will not focus on the needs above it. The person with physiological needs like food, sleep, and shelter cannot focus on the needs other than that until those needs are met. Self-actualization needs, like education, creativity, and spirituality, cannot be addressed until all other psychological and basic needs are met.

These are generalizations, obviously. Am I saying that hungry people can’t think about self-actualization? No, but the overall trend — to which there will always be exceptions — is that they don’t. I suspect that the further up the pyramid you are, the more exceptions occur.

Here’s an important thing when you’re thinking about that pyramid and America. In a recent study by the Federal Reserve Board, 47% – close to half — of the respondents said that if an emergency arose requiring them to get $400, they would have to borrow the money or sell something in order to come up with it.

That means that almost half of the people responding — which would be a group that probably didn’t include children (who represent a significant chunk of the homeless population) — had less than $400 tucked away in case of the proverbial rainy day. Which could take the form of a medical emergency. Or a car repair. An unexpected hike in tuition, rent, or even groceries. Do not pass Go; do not collect $200.

If you’re not part of that group, take a moment to think about what that means and what that anxiety would add to daily existence. Think about that anxiety as a lifelong roommate. (If you are part of that group, sorry. I know things are depressing as is. I’ve been there briefly, for what it’s worth.)

There is often an idealism about the Left that is admirable, that is stirring, and that sometimes, unfortunately, clashes with pragmatism and does not emerge the victor. I personally believe human beings are primarily good — but I also know everyone’s flawed, everyone’s got a whiney and entitled inner child, and that sometimes we let that inner child steer the boat when we shouldn’t. And that inner child is more in connection with the needs Maslow talks about than one might like to acknowledge.

Here is a fact that holds true in a complex world, at least in my experience. Social justice falls on different places in the hierarchy depending on an individual’s circumstances. Are you a person who has to worry that if you are stopped by American police you may be shot? Then the Black Lives Matter movement is placed differently for you than for your white friend. You may both support it, but that context is different for the person that actually has to worry about a bullet. Privilege exists, and this is part of privilege.

And here are three important facts about privilege:

  1. One’s personal privilege affects how the world treats you.
  2. That privilege can take many forms: skin color, inherited wealth, education, how a legal system views and treats your physical body, and on and on.
  3. Sometimes (often) our own privilege is invisible to us; we do not perceive it because it is the very definition of “normal” for us, how the world is.

That last one is important because many folks leave it at that, divide everything into normal and not normal. That’s a very easy way of thinking, one that lets us leave it all up to our base instincts, the monkey brain that governs us much more than we’d like to think. The same one whose first instinct with the strange is to throw feces at it.

One of the phenomena that led to the weirdness of the recent election is the use of binary thought, a basic Us vs. Them that does not allow for the fact that human beings are significantly more complicated than a single yes/no statement. I see it being embraced even more strongly now – by both the Left and the Right.

The world is more complicated than that. To fall into that trap is to let yourself be controlled by whoever wields the media around you the most effectively. You must think, you must question. You must figure out where your common ground is and how to use it. This is not the time to be silent. This is a time when how you live and act and speak is more important than it ever has been.

So. Here’s what I’m doing.

  • I’m listening to the voices that haven’t been listened to and amplifying their message wherever I can. Recommending a wide and interesting range of works for the SFWA Recommended Reading List. Reading across the board and making sure I look for new, interesting, diverse stuff – and then spreading the word of it. I’m nominating and voting for awards and taking the time to leave reviews when I can.
  • As a teacher, the most important thing I can do is try to show my students how an artist lives and works. Why it’s important to confront and acknowledge one’s own flaws so you understand them in others. How to be a good human, one that is responsible, ethical, open to the world. Feminism is more important now than ever, and being one publicly in a way that redeems the bizarre media stereotypes that have been imposed upon it is crucial to generations to come.
  • I’m practicing the principles of peacetalk. Choosing my communication goals, paying attention, rejecting preconceptions, staying in tone, not taking bait, helping the other participants maintain face, choosing my metaphors with care, trusting my inner grammar, telling the truth, and above all practicing the skill of skills, joy.
  • I’m continuing with the volunteer work I do and trying to be a good leader for SFWA at a time when a lot of members are very worried, particularly about their health care. Offering Plunkett scholarships for my classes so I can encourage writers who might not otherwise be able to take them. And maintaining the small practices, like shipping books off to the Women’s Prison Book Project, steering my shopping through the Amazon Smile Program, supporting HumbleBundle and StoryBundle (admittedly, buying books is not really a huge sacrifice), donating to local homeless shelters and food banks, and making charitable contributions for Christmas presents and to memorialize the loved ones lost this year.
  • I’m practicing gratitude harder than I ever have before. Letting the people around me know how valued and loved they are. Waking up each morning and thinking of someone that I find marvelous about this world, whether it’s marshmallows or goldfish or my friends or that book I read yesterday. Celebrating the tiny victories, like the fact that my Christmas cactus is blooming, and it is beautiful and bright despite the seasonal gloom here in Seattle.
  • One negative act. I’m not paying any more attention to the dickheads. I used to check out some of the blogs where the hate stew was getting stirred, just so I could see what the current trends were. Not any longer. Life’s too short to worry about the self-proclaimed super genii, who so often turn out to be the Wile E. Coyotes of the world. Let the trolls troll; they’re not worth the breath or brainpower. (And never have been.)

I’m not giving in to despair and apathy. Neither should you.

Stay the course. #sfwapro

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Notes From the Patreon and Other Forms of Crowdfunding Workshop

I recently taught a Patreon and Other Forms of Crowdfunding workshop for Clarion West, focusing on running an effective Patreon, and thought I’d provide some of the notes from that.

When I first started on Patreon, I remember one elderly SF writer calling it “hipster panhandling,” and I dunno… I’ve been pretty happy that I’ve stuck with it, and I know I’m giving my patrons a solid value in return for their support. It has been interesting to see some attitudes shift towards crowdfunding in general, particularly with the rise of self-publishing as a valid career approach, and nowadays it seems like Kickstarter is driving many anthology projects.

Some background for those that might want it: Crowdfunding is a way of funding (perhaps a one-time project, perhaps a long-running or ongoing entity) that depends on small contributions from many people. It can be a one-time donation or an ongoing one, like a subscription. Examples of cowdfunding platforms include Patreon, Kofi, GoFundMe, IndieGoGo, Kickstarter, and Onlyfans. Patreon can be subscription or per-creation; I’ve chosen to go the subscription route.

I have been running my Patreon for a number of years now and have hooked it into my school. Along with other benefits, supporters get discounts on classes and, at higher levels, free classes. I try to post on at least a weekly basis, and to include snippets of what I’m working on. In March, I’m bringing back the story discussion group and adding one to look specifically at books on writing craft. Those events are recorded on Zoom, and the story group has been a lot of fun, particularly when we’ve had the authors in to talk about the stories as part of the discussion. I’ve tried all sorts of things over the years: weekly AMAs, recipes, serial fiction (still need to finish that one up!), etcetera, and my patrons have been patient with the various convulsions over that time.

Currently Patreon provides me somewhere between $1400-1500 per month, depending on monthly fluctuations (I am on the Premium plan, rather than the free version, which means Patreon takes less.) Some of that incoming money then flows out to pay guest teachers, depending on which classes people sign up for. Here’s the list of what’s coming up, and you can see it’s 50% guest teachers, 50% my own classes. But it ends up being a nice chunk of money that helps stabilize an income that can be pretty erratic otherwise, and which comes primarily from writing and teaching.

That money doesn’t magically fall out of the sky, though. (Alas!) It’s not a question of someone happening to read one of my stories and thinking “I loved that” and searching me out on the Internet to find out if I’ve got a tip jar on my website. That would be lovely, certainly. But it takes a level of fame and exposure I, and most writers, lack.

Plus that’s not really how tipping works, people dumping money in random containers without much reason. You have to give people something in exchange for that, even if it’s a fleeting experience. It doesn’t have to be carefully composed and polished — sometimes a random picture of a pet being cute will turn out to be one of the most popular things you’ve ever done. Authenticity is one of the best things you can give. I often provide snippets of what I’m working on, or take a look at something that I want to think about, like examining a paragraph of description to see how it works.

The most important thing that I can tell you is that Patreon or other crowd-funding efforts require work. That’s something that you have to factor in when you want to start one up. You need to figure out how to provide value for your patrons in a way that works for you. For me, hooking it into my online school was a terrific fit.

Patreon provides the tools I need, although I will continue to gripe about not being able to find old posts easily. More than anything else, I make use of the Discord server that Patreon provides me. They handle getting patrons on there, but one time out of twenty or so, I end up having to troubleshoot. The Discord server also hosts a number of students, friends, other Rambo Academy Faculty, etc, and is the place where a lot of activity gets coordinated. We’ve finally achieved enough of a critical mass that it’s a lively and entertaining community, with channels devoted not just to writing stuff, but community exchange like pet pictures and such. While on the road right now I haven’t been able to access the server and I have been sorely missing checking in.

There are a number of extra benefits like that when creating a Patreon campaign. I focused on growing that community when the pandemic started, and it’s one of the things that kept me sane and productive in the last couple of years. It’s been a great thing seeing so many students and mentees publishing in recent years, and it feels important to be making a contribution to the F&SF community not just in terms of “here’s my content, enjoy” but helping drive events and gatherings.

I think of Patreon as a side-gig, one of the freelancing projects that make up my work flow. Like any side-gig, you want to not let it derail you from the most important stuff, nor do you want to get overly dependent on it. One of the best things you can do as a writer is cultivate those small springs where you can, doing things like sending out reprints, getting speaking engagements, etc. Patreon can become a pretty good source of revenue, but it takes time, thought, and effort.

I recently did the Patreon Creator survey and that made me aware I’m not promoting mine quite as heartily as I should be, and that I’m not using every aspect. For one, I will confess that I do not look at the exit surveys when someone decides to stop, even though I really should. That’s because I had someone say something hurtful enough in one few years back that I made the conscious choice to just assume everyone’s doing it for financial reasons and just not worry about it anymore.

And that’s another thing about Patreon that I need to underscore – it can be a source of incredible encouragement, but it can also be a place — most particularly when you start out — where you feel like you’re howling into the void without anyone answering back. That one step forward, two steps back feeling can really start to come into play if you get a few people dropping off at a bad time. Build in some armor for yourself, however you need to, and remember this is your campaign. You get to do it the way that works for you, and it’s okay to experiment.

Overall, writing is a sporadic and inconsistent financial existence. One month you’ve got a hefty advance check and then the next it’s just a handful of things like that 2.23 royalty from Smashwords. A Patreon or other crowdfunded campaign can be incredibly helpful in evening some of that out — but it’s not a magic fix that will do it effortlessly.

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