Five Ways
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For K.C.

There are so many of us who write, and so many voices that get drowned out. I want to tell you about one of them. I want to tell you about my friend K.C. Ball.

She wrote short stories as well as novels, and I edited her collection, Snapshots from a Black Hole. She was talented and terrific at including emotion, while at the same time she was capable of spinning out a shaggy dog story to groaningly effective length.

K.C. was always conscious of time nipping at her heels, particularly after a heart attack where her wife Rachael (literally) saved her life with CPR. At the same time, she was a private and introverted person, not well-suited to the sort of buy-my-book shilling that’s sometimes necessary to be heard over the crowd. She kept hoping for more support from the networks she saw supporting other people, particularly some of the young white males whose work was appearing at the same time that she first started getting published. I met with her a couple of times to go over stories, but as time passed, she seemed more and more discouraged, feeling as though she was flinging work out into the void and not hearing much back.

She was trans, and older than me by a couple decades, and sometimes seemed bemused by the times we live in. I kept urging her to submit her stuff to places like the Lambda Awards, but she was reluctant. “Those aren’t for me,” she said, and I left it at that, albeit reluctantly. She could be a little cranky, a little morose and pessimistic, and sometimes I’d tease her into a better mood, and sometimes I’d let her be. She’d worked as a prison guard, and sometimes her outlook on the world was as cynically informed by that as you’d expect, but her stories were full of heroes and people living up the idea of being better. She loved superheroes.

I ran into her two years back at the grocery store, on Christmas Day, and she seemed pleased that I ran over to greet her. Now I’m regretting not being better about keeping in touch after she fell away from the writing group we shared, despite the fact that we were living so much closer to each other now that I’ve moved to West Seattle.

And now she’s gone, fallen to another heart attack, and she never really got the chance to “break out” the way many writers do, which is through hard work, and soldiering on through rejection, and most of all playing the long game. If you want to read some of her kick-ass work, here’s the collection I edited, Snapshots from a Black Hole and Other Oddities.

I’m so sorry not to able to hear your voice any more, K.C. I hope your journey continues on, and that it’s as marvelous as you were.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Well, happy birthday to me. I’ve managed five decades and a bit so far; here’s to many more.

Man, this has been a shitty year in many ways, and one full of life lessons that apparently the universe felt were overdue. Some of those I’m still grappling with. I am so freaking behind on this book it’s not even funny, but thank god for both the wonderful time spent writing in California this summer and the kick in the ass that NaNoWriMo has administered. I’m feeling hopeful about that again and making steady progress.

At the same time among the bumps there’s been plenty of bright spots. Among them my first novel, my first appearance in a Year’s Best collection (edited by Joe Hill, no less), and my first acceptance to longtime goal Magazine of Fantasy and Science Fiction (I have been submitting there for over a decade now). I’ve had nineteen original publications come out since my last birthday, and twelve are currently forthcoming, including a team-up with Mike Resnick. Rachel Swirsky and I are working on some projects together, which is terrific fun. I have a good half dozen stories already spoken for. My collaboration with Bud Sparhawk finally got accepted so he can stop nagging me about why it hasn’t sold yet.

And I’m somehow SFWA President, which is surreal, but also cool because we’ve been getting shit done this year, including admitting independent and small press-published writers, getting a model magazine contract up, reinstating the member electronic newsletter, expanding SFWA’s offerings for self promotion, and even got a cool infographic that answers to all the times someone whinges about how SFWA doesn’t do anything. Not to mention the recent Accessibility Checklist. Nothing speaks like success, and we’ve had some solid ones this year, in my opinion, and I love this ass-kicking team. It’s freaky though, when there’s moments like talking to Harlan Ellison on the phone or getting e-mail from Robert Silverberg.

We moved! Which was awesome but a pain in the butt when it was going on. I love the new place so much; West Seattle feels like home already in a way that Redmond never did. We’re not quuuuuuite moved in all the way; at least, we’re still waiting on a couple of pieces of furniture before everything will feel squared away. And my brother Lowell came out for his first visit to Seattle, but hopefully not the last. I made lots of new friends, and had good times with existing ones, including my beloved Caren Gussoff and Sandra Odell.

As always I picked up some new domestic skills in my endless exploration; this year included how to brew kombucha, how to make Greek yogurt, and the amazing nature of browned butter, which remains me that I co-edited a cookbook with Fran Wilde whose contributors included some pretty august names. Holy smokes was that project a pain in the ass but we survived.

And there’s plenty to look forward to in the next twelve months. Another two-sided collection, hurray! Hearts of Tabat forthcoming, and hopefully Exiles of Tabat along with it. The usual plethora of stories. Continuing to expand the online school (I’ve got some very cool content coming up in 2016.)

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