This is an elaboration of the first part of my most recent newsletter, because I wanted to spread the message a bit farther, and expand on some of it. If you want to see the rest of the newsletter, which has class news and a giveaway for a copy of the new book, it’s here.
It’s always exciting for me when a project comes out, and particularly when it’s an actual book. Last week marked a special “book birthday” because my collaboration with James Morrow and Harry Turtledove, And the Last Trump Shall Sound, came out. I wrote the novella pre-pandemic, and it was an interesting challenge in multiple ways, partly because of the subject matter and where it is placed in time and partly because of the wildly different natures of the three novellas.
Here’s the description of the book:
And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government.
There are those who cannot abide by what they view as a betrayal of the nation’s founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union.
The authors’ depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization””a dire warning to all of us of where we may be headed unless we can learn to come together again.
As you can imagine, reviews have been mixed in a way that seems to correspond to the politics of each reviewer. My favorite declared the book unfit for Christians to read, which is a first for any of my books. I will say this — they are wildly different novels in terms of style. Harry’s is thoughtful alternative history, which James then takes in a highly satirical direction. I follow-up with something that is more SFnal, and a bit Black Mirror-ish.
And in mine, I tried to talk about the fact that everyone on the continental United States, whether they’re part of Pacifica, the nation that Harry creates when he has the states of California, Oregon, and Washington break off from the rest of the country, or the collective formed by the East Coast states, or what’s left of the US — is part of a corporate-driven system that treats American citizens as commodities to be used to make the rich richer.
That seems important to me, because the forces we’re fighting are certainly using weapons like racism, sexism, homophobia, and the like, but in the end, they are the people who have taken the wealth of the world — which could be used to house the homeless, to feed the hungry, to teach and heal the world — and use it to create things like gold-plated toilets for them to shit in.
As part of the publicity beforehand, we’ve been doing a lot of podcasts in the past month. Over and over I have found myself saying something important: We’re in the last weeks before the election and it is so important to stay the course, because this really is the last chance to break some of the hold that malignant forces have exerted over American politics.
Some but not all, not by a long shot. We’ll still have hatred, fear, and divisiveness used against us by the people struggling to maintain that hold. But getting as many as we can out of office in this election is vital, particularly at the local level. If you are an American citizen, please vote and encourage those around you to exercise their right to do so as well.
As we come into these final days before the election, you will see unprecedented efforts to spread mistruths, to distract and confuse, and to divide us. Stay strong and focused. Maintain your own health and take a breather when you need to. Factcheck before you spread information. Encourage and enable those on the front lines of this fight.
And be kind. Be loving. Be generous and honest and open in your vulnerabilities, because in these days, that is a rebellious act. Be gentle when you can and fierce when you need to be. Know that you are loved. Know that we are all in this together.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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2015 Publications in Retrospect
I haven’t written here yet. 2015 was a good year for publications, including a few nonfiction ones. Huzzah! Part of that was the Patreon campaign, another was the flurry of promotional pieces I released to accompany my first novel. 34 stories published in one year is a record for me, although many of them were flash pieces and/or self-published either as publicity for my novel or for my Patreon campaign. Here’s the month by month breakdown, with some stats and what’s coming up in 2016.
January
I wrote nonfiction column #PurpleSF for Clarkesworld Magazine and my short story “The Ghosteater” appeared in Thirteen: Tales of Transformation, edited by Mark Teppo. The story involves a traveler, Dr. Fantomas, and his companion, who are asked to investigate a haunted restaurant, and it takes place in Tabat.
February
I lounged about the house eating bonbons in February. Well, not really. But I didn’t get anything published.
March
My flash fiction “Bit Player” appeared in Daily Science Fiction, after I wrote it during one of my Flash Fiction Workshops. I went to Emerald City Comicon and had my first book release party there, plus sold it at the Wordfire booth, meeting all sorts of delightful people in the process.
May
“The Subtler Art,” a story set in relatively new locale Serendib, appeared in Blackguards: Tales of Assassins, Mercenaries, and Rogues, featuring retired assassin The Dark and her spouse the wizard-alchemist Tericatus in a game of marital oneupmanship. Also appearing that month was The Haunted Snail, a flash piece (yup, written during one of my classes) in DAILY SCIENCE FICTION, and two Patreon stories, a horror piece titled “Reality Storage” and a story set in the same world as the Blackguards piece, “The Owlkit, the Candymaker, the Beekeeper, and the Brewer”.
And Ad Astra: the SFWA 50th Anniversary Cookbook, which I co-edited with Fran Wilde, appeared, and was a thing of joy and wonder, mostly due to Fran’s effort, as well as those of Sean Wallace. I will remind you all that the cookbook is eligible for a nomination for Best Related Work when Hugo nominations come around, mainly because I love that little book and think it deserves a nod.
June
Patreon story 2611, a horror story set in the apartment complex we have been trying to move out of for several years, appeared. I wrote this last year while we were living in a horrible temporary apartment and trying to get everything packed up and ready to go; most of the events are based in reality.
July
I went on retreat down to southern California and got some work done on Beasts’ sequel, Hearts of Tabat. “California Ghosts” appeared on my blog for Patreon as I switched the campaign over to publicly viewable.
August
Steampunk story “Snakes on a Train” appeared on my blog as part of the Patreon campaign. During the same month I attended Sasquan in Spokane, which was a lot of fun, and read “The Owlkit, the Candymaker, the Beekeeper, and the Brewer” there.
September Talking in the Night, a literary flash piece appeared on my blog for the Patreon campaign. At the same time, “Marvelous Contrivances of the Heart” appeared in Recycled Pulp, edited by John Helfers. That story owes much to the old Twilight Zone episodes and I hope it manages to evocatively tell the story of an unlikely artist and the consequences of the pieces he creates.
And we moved into Seattle proper, or rather West Seattle, which is AWESOME, and involves an apartment with multiple great writing spaces, including a kitchen table that looks out towards the sound and the mountains.
October
My first on-demand class, Literary Techniques for Speculative Fiction Writers, went up. I took 1500 words of notes for the live workshop, which is based on one I developed for Clarion West and which is one of my most popular classes, and ended up expanding them to 15,000, so I think counting this as a non-fiction publication is quite valid. I still need to go back and reformat and clean this one up somewhat since I’ve learned so much about formatting and setup since then; that’s on the list for January.
At the end of the month, flash piece “As the Crow Flies, So Does the Road” appeared in Grendel Song, newly revived by Paul Jessup.
November
I put up steampunk story, “Laurel Finch, Laurel Finch, Where Do You Wander?” on my website as part of the Patreon campaign. Also “Reflections from Mirror World 57,” a story made up of superhero flash pieces for Outliers.
Two more on-demand classes went up, the Character Building Workshop and Reading to an Audience. As I worked on the former, my ideas about how to shape these classes continued to refine themselves; I’m looking forward to using a lot of what I learned in doing these in classes for 2016.
One piece of past experience that’s been useful in assembling them is a stint of work I did writing study guides for college textbooks, for a range of classes that included economics, retail marketing, and terrorism. I used the software’s capacity to create mini-quizzes with the Character Building Workshop, in a way that led to my only complaint, someone who thought the quizzes were silly.
They are silly — mainly because they’re intended as an amusing interlude that nonetheless gives you a chance to review the core concepts of the material just presented. I’d be curious to hear other takes on them from people who’ve looked at the classes. Should I cut those?
December
December publications included my take on Mrs. Claus in “He Knows When You’re Awake” for Jenn Brozek’s Naughty or Nice holiday anthology, and forthcoming “Dark Shadows on the Earth”.
I also finished up with another nonfiction essay for Clarkesworld Magazine, this time On Reading the Classics and an essay on what I hope for SFWA in 2016 for this blog.
I hope to have one last writing class, Moving from Idea to Draft, done by the end of the year and am working on that, but these classes tend to get more complicated as I write them and this is no exception.
2016
Stories coming out in 2016 include “Red in Tooth and Cog” in The Magazine of Fantasy and Science Fiction (booyah, that is a longtime goal and I am still so tickled to have hit it; “The Mermaid Club,” a conspiracy tale about underground feminists, co-written with Mike Resnick; science fantasy, “Haunted,” co-written with Bud Sparhawk; “Call and Answer, Plant and Harvest,” set in the same city as the owlkit and Blackguards stories, which will appear in in Beneath Ceaseless Skies; “Tongues of Moon Toad” in The Bestiary; Preferences in Chasing Shadows (edited by David Brin) and The Threadbare Magician in Genius Loci, among others.
Status of Current Projects
I need to finish up Hearts of Tabat, and that book was the main casualty of a year whose events included cancer on one side of the family, dementia on another, and a death among my favorite in-laws. I have about 115k words on it and need to make them all make sense and flow nicely into each other. I know the main action of the two books after that. I have some other stuff I’d like to write.
Collaborations coming up include a couple with Rachel Swirsky, one with David Boop, a stroy with Emily Skaftun and Randy henderson that we need to finish up, and one with Tod McCoy.
Upcoming on-demand classes include Creating an Online Presence for Writers, Flash Fiction, Revising and Rewriting, Linguistics for Speculative Fiction Writers with Juliette Wade, Creating Your E-book with Tod McCoy and quite a bit more. And there’s another round of live workshops coming up in January-March.
Books coming out include:
Neither Here Nor There, another two-sided collection, this time with a focus on fantasy (Hydra House)
Hearts of Tabat (Wordfire Press) and (maybe) Exiles of Tabat
Creating an Online Presence for Writers, 2nd edition
Some Overall Stats:
Stories published in 2015: 33, including flash pieces
Novels published: 1
Nonfiction books published: 1
Number of on-demand classes published: 4
Large writers organizations on which I served on the board: 1
Number of books read: bunches and bunches
Number of blog posts written: I will fill in this number when I have more time.
Happy holidays to all my readers. I hope your end of the year ruminations leave you feeling happy with what you’ve brought to the world over the last twelve months, and that you’re moving forward into productivity and joy in 2016.
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What I Wrote in 2016 and The List of Award Eligibility Posts I've Found
Oh, it’s that time! The season of looking back at the year and seeing what you did or didn’t get done. And the season for starting to nominate for awards. I’ve been reading and recommending for a while now, but it’s always fun to read all the wrap-up posts and find anything that I missed. I do have a monster post full of some of this year’s reading, but I’m still working on that. (When I have it, there will be a link here.)
The stories of my own I am pushing this year are “Left Behind” (short story), “Red in Tooth & Cog” (novelette), “Haunted” (novella co-written with Bud Sparhawk), and the fantasy collection Neither Here Nor There. SFWA members should be able to find copies of those on the member boards; I am happy to mail copies to people reading for awards whether or not you are a member. Drop me a line and let me know the preferred format. I am looking for reviewers interested in Neither Here Nor There and happy to send copies as needed.
Here’s the overall 2016 publication list as far as my stuff goes. Altogether the count was 12 short stories, 2 novelettes, 1 novella, 2 story collections, and a new edition of a nonfiction work. No novel, argh, but Hearts of Tabat is a definite for 2016, huzzah. I had a decent output, plus managed to create/teach a bunch of classes, and do a little for SFWA here and there, despite a lot of travel and some midyear health issues.
This time I’ve tried something new and provided a little excerpt for each story, a practice I snagged from Rachel Swirsky and Fran Wilde.
Stories/Novelettes/Novellas
Short Story:
Seven Clockwork Angels. This short story is a retelling of Sleeping Beauty and appeared as a Patreon post, then was collected in Altered America later that year.
Scuttlepinch steepled his fingers as though preparing a classroom lecture. “I have harnessed various eldritch and magnetic energies,” he said. “Whatever fate the machine pronounces for an individual, will come true, with 98% accuracy. And”¦” He sneered here, and would have twirled his moustache if it had been long enough. “The fates are never pleasant ones.”
The Mage’s Gift. This short story is set in Serendib, the same location as “The Subtler Art”, and features the same characters.
This is a story of Serendib, the origami city where dimensions intersect and where you step between worlds as easily as turning down a new street to hear the stars singing overhead or the clanging steps of automata on patrol or centaur hoofs clattering over concrete. Everyone that comes to Serendib has a story, and sometimes those stories continue well after they’ve come to stay.
“Tongues of Moon Toad” in Ann VanderMeer’s The Bestiary Anthology. I’m very fond of toads, and a chance to make one up for a project by a favorite editor was a lot of fun. Short story.
A particular kind of toad is not a toad. These not-toads are called Tongues of Moon or False toads or other names less mellifluous. Such a toad does not believe itself a toad, but rather a dog, or a dragon, or an alabaster statue. Something very difference from the earth and flesh of its origin.
“The Mermaid Club”, co-written with Mike Resnick, in Conspiracy! edited by Tom Easton. Our hapless protagonist discovers an ancient feminist conspiracy and alien mermaids. I had a certain amount of fun with this one.
The first rule of Mermaid Club is…
Well, you should know the rest first. Let me start again.
Call and Answer, Plant and Harvest. Another Serendib short story, this time appearing in Beneath Ceaseless Skies’ Science Fantasy issue and featuring a side character from “The Subtler Art,” Cathay the Chaos Mage.
When she arrived in the city, she had three seeds, a dusting of lint, and a peppermint candy in her pocket. She found an empty lot, precisely between a street where water magic ruled, in constant collision with the road made of fire and iron, so daily fierce sheets of steam arose, driving the delicate indoors and hissing furiously so it sounded as though a swarm of serpents was battling.
She popped the mint in her mouth despite its linty covering and dug a hole with her little finger, and then one with her thumb, and a third by staring at the dirt until it moved. Into each she dropped a seed, and covered it up, and sat down to wait, sucking on the candy and listening to the steam’s whispers.
Web of Blood and Iron. Another Patreon steampunk story, also included in the Altered America collection. A Marxist manservant helps a English werewolf and peer to win a deadly race of car versus train.
I was up quick, and went in to help him off with his tuxedo, ripe with boozy sweat and cigar smoke and the hyacinth scent the siren whores wear. He was so drunk I was surprised he’d made it home at all, that none of the vampire gamblers had decided to take him home as a nightcap instead of selecting a whore.
“Left Behind” appeared in a favorite market, Clarkesworld Magazine. Pretty happy with this one as well; I think it tries to look at gender stuff and make some predictions.
Her office doorway was one of the many things that annoyed Shi about her job. It wasn’t a proper door, one that could be closed, but an open arch. She’d complained about it more than once, but been told that doors were antithetical to the institute’s brand.
Peppermint and vanilla is what she smells like, not like poison, but I know if the world was right, she would. And so I’ve got two puzzles set me. The first is what to do with this Miss Nerium, standing here in the front parlor talking with my mistress, Mrs. Thursday, and second is how is she keeping me from smelling what she is?
Because if it means that she knows what I am, things are worse than I had thought.
Aardvark Says Moo is another Patreon supporter story but this flash piece is available in its entirety. It was inspired by a discussion of the alphabetizing of story lists.
“Whimsy,” my child says, “is playfully quaint or fanciful. A talking aardvark impersonating a cow is just dumb.”
“The Rest Between the Notes” was written for Cyberworld: Tales of Humanity’s Tomorrows, edited by Jason Heller and Josh Viola. This book had a cool Kickstarter campaign that it’s lived up to, including a Playstation 2 theme for the book.
“You’re a creature of disgusting privilege,” Rosalie lectures. She comes from a socialist country where there aren’t families like mine and words like “hereditary wealth” and “plutocracy” and “blueblood” mean different things. She thinks if she tells me this, I’ll be seized with guilt about the unnaturalness of my social position. Maybe I’ll flee to one of the unrelieved countries and work towards social justice there. Whenever she says things like this, I catch her watching me as though calculating how exactly to get me to Live Up to My Responsibilities as a Human Being.
Fuck that.
Gods and Magicians was a Patreon post that is publicly available. A flash piece, it owes a great deal to Lord Dunsany and his peers.
The magician gestured. Out of the pool came musicians, the very first thing the tip of a flute, sounding, so it was as though the music pulled the musician forth, accompanied by others: grave-faced singers and merry drummers; guitarists and mandolinists with great dark eyes in which all the secrets of the moon were written; and one great brassy instrument made of others interlocked, so it took six to play it, all puffing away at their appointed mouthpiece. All of them bowed down to the priestess who stood watching, her sand-colored eyes impersonal and face stone-smooth.
“Books Are No Good” is a short story that appeared in Champions of Aetaltis, edited by John Helfers and Marc Tassin.
It started, as so many things do, with a book. In this case, a book of adventure stories authored by one Octavia Viort, entitled The Curious Peregrinations of a Goat Herder, in which Octavia, at first a simple goat herder, was swept up by chance into adventure to the point where she circumnavigated the Sea of Tears, fighting great serpents and cat creatures in the Zhamayen jungle, journeying into the Deeplands for ancient treasures, taking a series of highly unsuitable lovers, including a half year spent among the elves, and generally leading a much more exciting existence than that of an innkeeper or her maid.
Each adventure had been more exciting ““ and more improbable ““ than the last. While Letitia didn’t doubt that there were seeds of truth hidden here and there within Octavia’s pages, most of what had sprouted from them were exaggerations, misrepresentations, and on occasion, outright lies. Books were good for nothing.
Novelette:
“Red in Tooth and Cog”, which is one of my favorite stories. This novelette appeared in The Magazine of Fantasy and Science Fiction, and I read from it at the magazine’s reading at Worldcon in Kansas City this year. It’s a near future story, featuring…
“Feral appliances?” she said in disbelief. She’d heard of such things, but surely they were few and far between. Not something that lived in the same park in which she ate her lunch every once in a while.
“The Threadbare Magician” is a novelette that appeared in the anthology Genius Loci: Tales of the Spirit of Place, edited by Jaym Gates. It’s part of my Seattle-based urban fantasy world, and features a magician whose magic works through Hawaiian shirts.
The spell struck up from a black background, red serpents, scales lined with scallops as blue as the sky outside. Slashing bites along the outside of my left hand, locking on, tails sticking straight out as they attached themselves.
I lurched sideways.
The floor crashed up into my face, thunked against my forehead in painful collision.
Then I was gone.
Novella:
“Haunted” is a novella co-written with Bud Sparhawk, and is far future space fantasy. Writing it was a lot of fun and a real learning experience.
I had imagined my stay in the Graveyard as sentinel would provide a similar refuge. And, as I’d imagined then, I was out of range of all but the most insistent of signals, and even those were weakened by distance.
I recalled how I’d pressed close against the small transport’s port for my first sight of the Graveyard a year before, peering though the shuttle’s spiderlike tracery of spar and line, cable and post. The port framed distant stars as we moved on a trajectory that would intersect the Graveyard’s long path about the sun and find the station that would be my future home.
“I confirmed our approach,” the pilot said over his shoulder. “Enjoy the free fall while you can.”
I tapped the kitten’s carrier, a transparent sphere in which she was amusing herself by caroming off the inner surfaces. She swatted at my finger and did a backwards somersault.
“Enjoy it while you can,” I echoed, “Gravity’s coming.”
These are all the awards eligibility and “what I’ve done this year” posts I’m aware of. If you’ve got one for me to add, please drop it in the comments, e-mail it to me, or DM me on Twitter with it.
Fantasy and Science Fiction Writers Award Eligibility Posts for 2016
Someone asked me if I would include a pointer just to the story they wanted considered for awards, since they didn’t have an awards eligibility post. Nope. I want to encourage such posts, and so I’m being kinda a hardass about that. I am happy to include award eligibility posts from magazines.