Ask many writers what got them to the next level, what separates great writers from good writers, sparkling writing from the merely competent, and they’ll often give the same answer: voice. A voice that stands out, that grabs the reader and yanks them in. The thing that makes an author’s writing completely their own.
Of course, nobody can agree exactly on what “voice” means. I’ve collected a few quotes:
“Voice is the author’s style, the quality that makes his or her writing unique, and which conveys the author’s attitude, personality, and character; or. Voice is the characteristic speech and thought patterns of the narrator of a work of fiction.”
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I recently posted in a Reddit thread about superhero novels and thought that the list I put together there might form an interesting blog post.
Superhero novels are near and dear to my heart for several reasons.
So here’s some of my favorites:
From the Notebooks of Dr. Brain by Minister Faust is awesome superhero fiction. It’s told by the therapist of a superhero team that closely resembles the Avengers. Faust also has The Coyote Kings of the Space-Age Bachelor Pad.
Count Geiger’s Blues by Michael Bishop is amazing. Along the same lines is Bishop’s Brittle Innings, the story of a baseball playing monster.
The Wild Cards series edited by George R.R. Martin (of GoT fame) is tons and tons of fun and there are a LOT of them for those of us who like to read at a fast and furious clip.
In Hero Years I’m Dead by Michael Stackpole is terrific along with Once a Hero. I wish Stackpole would write more in this world.
Carrie Vaughn After the Golden Age is told from the point of view of the unpowered daughter of a pair of superheroes, Captain Olympus and Spark.
Playing for Keeps by Mur Lafferty.
Austin Grossman’s Soon I Will Be Invincible is told from alternating experienced villain and novice hero viewpoints.
Michael Chabon’s The Amazing Adventures of Kavalier & Clay is a classic.
The Sugar Frosted Nutsack by Mark Leyner is, like all of Leyner’s books, hysterical, but this time with superheroes.
Those Who Walk in Darkness by John Ridley is the beginning of a series that I found reminiscent of joint online project Shadow Unit, created by Elizabeth Bear, Holly Black, Leah Bobet, Emma Bull, Sarah Monette, and Will Shetterly.
Nobody Gets the Girl by James Maxey. Series.
Evil Genius by Catherine Jinks is YA superhero fantasy.
Karma Girl by Jennifer Estep is frothy and funny and sweeps you along in a nicely satisfying story. First of a series.
Along the same lines is Black and White, the story of a superhero and a supervillain friendship by Jackie Kessler and Caitlin Kittredge. First in a series.
Santa Olivia by Jacqueline Carey (also known for her Kushiel adult epic fantasy series) is the story of a group genetically engineered for superpowers. First of a series.
If you want something that goes back to some of F&SF’s roots, try Doc Savage or A Feast Unknown by Philip Jose Farmer.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(science fiction, short story) Because mermaids lay eggs, hundreds at a time, at least that kind did. And the natural-born ones, they didn’t have human minds guiding them. They were like sharks—they ate, they killed, they ate. Most of the original human mermaids had gotten out when they found out that the seas were full of chemicals, or that instead of whale songs down there, they heard submarine sonar and boat signals. When the last few found out that they were spawning whether they liked it or not, they got out too. Supposedly one or two stayed, and now they live in the sea with their children, twice as mean as any of them.
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