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In the course of one workshop the topic of writing about rape came up and Jim C. Hines has provided a timely article about it in the most recent Apex Magazine. In brief, Don’t use rape as 1) easy motivation for a character or 2) shorthand for how bad someone is and do some research about things like the mental aftereffects if you’re going to write about it.
If you want to read a piece that does it well (and harrowingly), I would suggest The Sparrow by Maria Doria Russell. I also mentioned Susan Griffin’s Woman and Nature: The Roaring Inside Her.
Also mentioned last week as a great book for looking at sentence and paragraph level writing:
Style: Ten Lessons in Clarity and Grace
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"The Wayward Wormhole, a new evolution of writing workshops has arrived. And I’m here for it! Geared more towards intermediate speculative fiction writers, the application process doesn’t ask about demographics like some other workshops and focuses entirely on your writing. The television free Spanish castle made for an idyllic and intimate setting while the whole experience leaned more in the direction of bootcamp slumber party. Our heavy and constant workload was offset by the family style meals together with our marvelous instructors. The Wayward Wormhole is not for the faint of heart but if you’re serious about supercharging your writing, then this is the place to do it."
(horror, short story) I glance in the glass wall’s reflection. It faces me twenty feet away as I walk up the stairs, marble slab steps showing grainy pink underneath my red sneakers. My fingers clutch the railing’s chrome. I’m feeling shaky, that internal quiver where your body announces that it may not be up to this. I focus on my image. Is my hair longer now? The eyes wider, bluer? The lips, are they swinging towards bee-stung or thinning?
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