I’m doing my Flash Fiction workshop soon and so I’m prompted to talk about some of my motivation in giving the class and why I think it’s a useful one for writers.
What is flash fiction? As the name would imply, it’s short. Short, short, short. It’s sometimes called short-short stories for that reason. People define that length in varying numbers: the Florida Review used to award $100 and a crate of oranges to the winner of their short-short story competition, while 10 Flash Quarterly‘s editor/publisher K.C. Ball says it’s got to clock in at a 1000, and others have stretched it as far as 2000 words (which to my mind wanders into actual short story territory).
Others go much shorter, pointing to Hemingway’s famous six word story: “For sale: baby shoes, never used.” There’s twitter fiction magazines, like Thaumatrope, Nanoism, and 140 Characters (which last posted in March, alas). I actually fall in this camp, but to explain why, I need to explain the appeal that flash fiction holds for me.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(Science fiction, short story) “For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”
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