The new stories, which I’m working on putting up on Smashwords as well, are:
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Altered America series: These are steampunk stories, and include Rappaccini’s Crow, which originally appeared on Beneath Ceaseless Skies. Previously unpublished Her Windowed Eyes, Her Chambered Heart is part of that series, and so are two stories that are yet to come: “Laurel Finch, Laurel Finch, Where Do You Wander?” and “Snakes on a Train”. You can see some of the images inspiring the stories here on Pinterest. Currently in progress is “Blue Train,” which takes place in this world although over in a France beleaguered by fairies, vampires, and werewolves.
Tales of Tabat series: These fantasy stories are set in a world I often write in, and so I won’t list all of them. Most have been previously published. Right now the only ones up are “Narrative of a Beast’s Life” and “How Dogs Came to the New Continent.”
Women of Zalanthas: I’ve written a number of stories based on Zalanthas, the world of Armageddon MUD, so I’ve put them together. Right now, stories up include “Aquila’s Ring“, “Karaluvian Fale“, and “Mirabai the Twice-lived“. Others to come include “Besana Kurac” and the title story from Eyes Like Sky and Coal and Moonlight.
The Villa Encantada series: None of these urban fantasy stories are up yet, but there’s a slew of them, primarily horror. Slightly related to them is previously unpublished horror story, “Jaco Tours.”
SF Stories: I haven’t made the SF stories a series because there’s no real link between most of them. Up so far are “Grandmother“, “Tortoiseshell Cats Are Not Refundable“, “Five Ways to Fall in Love on Planet Porcelain,” “Bus Ride to Mars,” and “Elsewhere, Within, Elsewhen.”
Remember that if you want fresh stories from me each month in your mailbox, you can get them via my Patreon campaign.
#sfwapro
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
(horror, short story) The LED bug kicks feebly, trying to push itself away from the wall. Its wings are rounds of mica, and the hole in its carapace where someone has tacked it to the graying boards reveals cogs and gears, almost microscopic in their dimension. The light from its underside is the cobalt of distress.
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