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submissions grinder

Tips For Writers: Examining Your Own Writing Process

We had the first session of the advanced workshop last night. I’m delighted by the mix, and expecting wonderful things from the class. Some are published already, some are just breaking in.

Unlike the Writing Fantasy and Science Fiction Stories class, we are not focusing on one of the basics each week, like characters, plot, or world building. Instead, I am trying to let the class drive itself where it can. My hope is that everyone, by the end of class, has not just been critiqued a couple of times, but has a better sense of their writerly process and how to make it more efficient, more confidence in finishing stuff and getting it sent out, and new ways of moving story from idea to finished draft.

So here is the assignment I gave them, in the hope that it will prove useful for other writers trying to figure out their process:

  • I asked them each to make an account at the Submissions Grinder, even if they already were tracking their stories in another way. I said I would like them to send out at least one submission and track it in the grinder, but if they couldn’t manage that, then I wanted them to identify at least one market that they wanted to send something to. We spent some time looking at my old submissions spreadsheet, since the question came up, after how many rejections do you trunk story? My answer is that you don’t trunk a story unless you would find it embarrassing to be published. I have some stories that were out over a dozen places before finally finding a home.
  • We did an in class writing exercise to make them think about their writing process. I want to them to try varying their process three times over the course of the next week. They can vary their process spatially, by changing the location where they write: outside under a tree or in a coffee shop or at the library or in their closet. Or they can vary it temporally by writing at a different time than they usually do. Or they can vary it according to process: using pen and paper instead of the keyboard, for one, or by writing with outline if they don’t usually use one. Or they can even look at their work and see if there is a pattern they want to vary, such as always writing in past tense.
  • Finally, they were assigned to read this and come in prepared to talk about how the writer creates emotion in the reader. That’s a piece that I personally cannot read without crying, so I think it will prove an interesting discussion, and hopefully provide some guidance for creating depth of emotion in their own work.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Putting Your Work Through the Mill: The Submissions Grinder

Screenshot from the Submissions GrinderAs a follow-up to Sylvia’s guest post about Submitomancy, I asked David Steffen, who’s working on a similar project for a Duotrope replacement, to write about his Submissions Grinder. Here’s David:

The announcement in late 2012 that Duotrope was going paid caused a (relative) uproar in the writing community. The problem wasn’t that they wanted money. It was that requiring a subscription fee to use
the site drives away the most valuable asset the site has to offer–submission data. Everything else that Duotrope had to offer could be found somewhere else, but their submission tracker combined with market listings and statistics aggregation offered a tool for writers. Even for those people who are willing to pay $50, they are now paying $50 for what even Duotrope estimates will be perhaps 15% of their prior user base.

Anthony Sullivan and I have created a replacement, called the Submission Grinder (http://thegrinder.diabolicalplots.com/), with the intent of milling your submissions into something useful… Because we’re hosting this new project as a subodmain of our zine Diabolical Plots (http://www.diabolicalplots.com/) we wanted the name to sound like something the mad scientist of our site art would invent and use.

We are starting out with the promise that we will never charge a compulsory fee for subscription. We think that’s the primary way where Duotrope has gone wrong, in driving away the data. We may open for donations at some point, and may run some kind of Kickstarter campaign. But rather than ask the world to donate to us for a theoretical product, we would rather provide a concrete product that people can use, soon enough after January 1st to allow a decent handoff, and then ask for donations from people who like what we have provided at a later time.

Phase One of our project is complete, in which the goal was to create something that could replace Duotrope’s functionality as close to January 1st as possible. And we’re there, with market listings, a submissions tracker, and compiled statistics. The site is in beta right now as we resolve some issues, but it gets better every day and there is daily development work being done on it. We are the first site aiming at the Duotrope userbase to become available for use.

The next phase involves adding new features that Duotrope has never provided, including new statistics based on only your own works, visualization of submissions data (rather than only numbers), and more!

Do you want to help? Here are ways that you can help right now.

  1. Register on the site.
  2. Did you get an export file from Duotrope? Import that into your account. You can pick up right where you left off and it gives more data to provide more robust statistics, as well as giving us new blank market listings for the markets you’ve submitted to (which we will fill in as time goes on).
  3. Suggest new market listings.
  4. Submit bug reports, and suggestions for new features/enhancements. We’re writers too, and anything that you suggest that would be useful (or at least something that appeals to statistics-lovers even if not
    strictly useful) will get us excited. The comment thread at this link would be a good place: http://www.diabolicalplots.com/?p=3176
  5. Help us spread the word. The more the merrier. The more writers import and track their data, the more useful the statistics will be, the more useful the site as a whole will be, the more users will come. Blog posts, Facebook, Twitter, Reddit, Stumbleupon, posts on writing forums, emails to writer friends, sky writing, bathroom graffiti, any other way that you can think to share this link with the world.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson
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