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What I Wrote in Workshop Today

It was a muted day, fishscale colored, and the sea and the horizon merged seamlessly. No wind — the waves were innocent of foam, existing as a series of sullen gray swells.

Ever since stepping on the beach, she’d been catching kingfish: one cast, one fish, usually from just inside the sandbar. As the sun rose higher, its dazzle on the water intensified, until her eyes watered and her head ached from the relentless sparkle.

She reeled in a pair of six-inchers, one on each of the rig’s hooks, and freed them to put back in the water — too small to be worth cleaning on a day of such largesse.

She misjudged the next cast. It went out well past the sand bar, into the deeper, colder, darker water, The strike was swift, a yank that set the reel singing as it spun. How big was it? Twenty-pound nylon line — would it withstand the pull’s strength if she played the fish in right?

The fish leaped, as though in challenge. It was crimson, an enormous, yard-king fish as red as blood, with impossible, ornate fins of the kind seen in heraldry or on ornamental carp. As it splashed back into the water, it seemed to set the horizon aboil with color, blues and violets and emeralds at play beneath the meshed surface of the sea. She set her teeth and braced herself in the fluffy sand.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Documents of Tabat: An Instructive and Useful Listing of the Chal Shops of Tabat
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. I'll release them at the end of April in e-book form; careful readers will find clues to some aspects of Beasts of Tabat in them. -Cat
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. I’ll release them at the end of April in e-book form; careful readers will find clues to some aspects of Beasts of Tabat in them. -Cat

An Instructive and Informative Listing of the Chal Shops of Tabat, being Pamphlet #4 of the second series of “A Visitor’s Guide to Tabat”, Spinner Press, author unknown.

While in Tabat, the visitor will want to try the drink it’s famous for: chal, salty fish and seaweed mixed with strong black tea in what is admittedly an acquired taste. The abundance of such establishments supplies the city dwellers with places to exchange thoughts and news. Many chal houses pride themselves on the antiquity of their brews, which may be years, decades, or in at least one case, centuries old.

Located at the edge of Salt and the Serpentine, the Dancing Cup hosts students from the nearby College of Mages. Go here to catch a glimpse of them showing off new spells and minor magics, particularly in the open air of the back courtyard. Their house chal is over a hundred years old, but they offer many variants, including cider and other fruit drinks. Open all hours.

Two chal shops near Tabat’s Arena are renowned: the Blade’s Savor and Berto’s. The fierce rivalry between the two often leads to free chal for customers willing to switch allegiance. Both shops frequently sponsor gladiators, many of which can be found drinking in one or the other. Bella Kanto and the majority of the Brides of Steel school can be found in Berto’s. These are the only shops you’ll find open during Tabat’s Games. Open all hours.

The Salty Purse, situated a block from the docks on Trade Way, claims a chal of over 200 years provenance, and serves only that, along with ship’s hardbread, doing a hearty business in the former, if not the latter. Open all hours.

In Tabat’s small theater district, actors and wealthy theatergoers favor the Fuchsia and Heron. The most expensive shop in the city, it subsidizes actors’ tabs and even pays a few to patronize it, ensuring a steady flow of Tabat’s most glittering figures. Open from the last afternoon bell till the last night bell only.

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Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

#sfwapro

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To Eligibility Post or Not to Eligibility Post?

Photo of speculative fiction writer Cat Rambo with Cinderella's Wicked Stepmother at Disneyworld.
In my position as SFWA President, sometimes I have to confer with fictional characters.
Let us begin by acknowledging that this is a rancorous period, full of clashing agendas, bewildered onlookers, and all too many innocents caught in the crossfire (although it is not the first time we’ve seen these storms, nor will it be the last.). And that right now making an eligibility post particularly mentioning Hugo Award categories like Related Work is something that some of us are circling and wondering about.

And my answer is yes. Yes, you should. Why?

Because it helps people discover the work that you’re proud of. You know what you wrote. You know what you want to make sure they see. It’s okay to say, “Hey, if you’re looking to read something by me, I would try this.”

Because it helps people read widely. Every writer in F&SF should — well, I don’t want to make it seem mandatory so I won’t say that you must do this, but you should at least feel free to make eligibility posts. So when someone’s poking around, they can find your stuff and read it.

Because you shouldn’t self-censor out of modesty when talking about your work. You are its best champion. Go ahead and help people find the best examples of it. Be humble and lovable in some other way. (Thank you to Erin M. Hartshorn for the link to the piece of self-effacement.)

And so, I’ve finally been prodded by a Twitter conversation into doing my own in part because I want to say to you, no matter where you are sited in the bizarre and incredibly wordy conflicts, that you should do it. Let’s have lots of wonderful reading lists, the more the merrier, and part of creating those is making readers aware of what you (and others, sure) have done. Please feel free to post a link if you’ve made an eligibility post. Yup, even if you think you’re not welcome. You are.

I published a bunch in 2015. You can find the full list elsewhere, but here are my best of recommendations:

  • Related work: I co-edited Ad Astra: The SFWA 50th Anniversary Cookbook with Fran Wilde. (Hard copies are available here.) I remain inordinately proud of the work, which contains recipes like Charles Brown’s Turkey Turkey Turkey and Octavia Butler’s Pineapple Fried Rice. (I think these two essays #PurpleSF and On Reading the Classics are also eligible.
  • Novel: Kevin J. Anderson’s excellent Wordfire Press published my first novel, Beasts of Tabat, the first in a fantasy quartet. SFWA members can find a copy of it up in the 2015 Fiction forum. There have been some nice Amazon reviews, but I know the book isn’t everyone’s cup of tea and there’s been some awesome awesome novels published in 2015. *goes back to read that self-deprecating piece again and quickly moves on*
  • Novella: Nothing this year, but wait till you see the one Bud Sparhawk and I have coming up in Abyss & Apex!
  • Novelette: Also nothing this year.
  • Short story: As always, plenty of stuff here. The pieces that I am proudest of are Primaflora’s Journey, which appeared in Beneath Ceaseless Skies, “The Subtler Art”, which appeared in Blackguards: Tales of Assassin,s Mercenaries, and Rogues, edited by J.M. Martin, and “Marvelous Contrivances of the Heart,” which appeared in Fiction River: Recycled Pulp, edited by John Helfers. I am glad to send a copy of the latter two to any requester.

Please feel free to comment and include a link to your own eligibility post. In this coming week, I’ll also be posting a list of my favorites from 2015, but there are so many it may take a while, plus I’m still reading a few.

Peace out,

Cat

P.S. Here are some additional eligibility posts. I’ll add more as I get them. Please note that A.C. Wise has a great post here where she’s collecting these as well as book recommendation posts.

John Joseph Adams
Mike Allen
Robin Wayne Bailey
Nicolette Barischoff
Helena Bell
Brooke Bolander
A.C. Buchanan
Beth Cato
Nino Cipri
Gwendolyn Clare
Clarkesworld
Fred Coppersmith
A.M.Dellamonica
Seth Dickinson
Andy Dudak
Scott Edelman
FantasyLiterature.com
A.J. Fitzwater
Sam Fleming
T. Frohock
Nin Harris
Maria Dahvana Headley
Kate Heartfield
Jim C. Hines
M.C.A. Hogarth
Annalee Flower Horne
Alexis A. Hunter
José Pablo Iriarte
Heather Rose Jones
Jason Kimble
Mur Lafferty
Rose Lemberg
Natalie Luhrs
J.M. McDermott
Seanan McGuire
Kris Millering
Lia Swope Mitchell
Sunny Moraine
Silvia Moreno-Garcia
Linda Nagata
Mari Ness
Daniel José Older
Carrie Patel
Sunil Patel
Laura Pearlman
Andrea Phillips
Sarah Pinsker
Adam Rakunas
Jessica Reisman
Kelly Robson
Sean R. Robinson
Merc Rustad
SF Signal
Shimmer
Skiffy and Fanty podcast
David Steffen
Penny Stirling
Bogi Takacs
Shveta Thakrar
E. Catherine Tobler
Tor.com
Uncanny Magazine
Unlikely Story
Ursula Vernon
Marlee Jane Ward
M. Darusha Wehm
Martha Wells
Fran Wilde
A.C. Wise
Alyssa Wong
Isabel Yap
Caroline M. Yoachim

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