I'm always trying to add new writing tools to my toolbox; ways of plotting and replotting stories for rewriting are always useful.Here’s another example of using a Stumbleupon-discovered post to spur a rewrite.
The story I just finished, whose working title is “Villa Encantada,” is one whose beginning I wrote over a year ago. I picked it up last summer and added a couple of scenes, but something about it has felt wrong and it’s been just lumpy scenes stuffed full of description of a balcony garden. I was pretty sure it didn’t begin where it was supposed to, and also pretty sure that the best thing to do would be to start it again from scratch, write it, then mine the previous efforts to see what should get folded into it.
So when I read this post on plotting out stories, I decided to use it to plot out mine. All you do, according to the oridinal webpage, is complete the sentences. I’ve thought about the story and its theme and know it about halfway well enough, I think.
1. Once upon a time . . . there was a woman who could not forgive herself.
2. Every day . . . she tried to kill herself in the very smallest of ways, cigarettes and high heels on stairways.
3. Until this . . . she meets a new neighbor, who is bossy and ominous and presumptuous.
4. Because of this . . . she tries to make friends and allies in the rest of the apartment complex.
5. Because of this . . . The bitchy neighbor, who is a witch, attacks her in increasingly powerful ways, leading up to a third neighbor’s death.
6. Until finally . . . the protagonist is pissed off enough to stop feeling guilty and react in a way that saves herself.
7. For every day . . . I’m not sure what to do with this last, but I’ll wrap the story up with some gesture that shows that her forgiveness of herself is a lasting and life-changing thing.
Okay. That let me start thinking about it in terms of scenes, once I had the overall arc in my head. From there I did start from scratch and write the story from my head. In the process I found myself adding a frame story. Once I finally had that draft I could go through the first version and fold in passages that I wanted to keep. I’m still not happy with the end, but at least I have a complete story now that I can tinker with.
Thanks for pointing to this! For so simple (and obvious) a technique, it was amazingly helpful in clarifying some problems I’ve been having for months with my latest novel; a quick complete-this-sentence exercise (once for each of the two point-of-view characters), and things just fell into place. I guess I was overthinking it and needed a simpler way to look at the thing.
Yeah, I thought it was both easy to use and really handy, which are both good qualities in a writing tool. It really helped me straighten out my story.
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Tim Cooper's The Reader: War For The Oaks
Front coverThis is my first review for The Green Man Review, but I cannot help but feel I have somehow come full circle from the moment in a 2005 World Fantasy Convention bar when someone kept telling me how much they enjoyed my Green Man Review reviews and I kept mentioning they had the wrong Cat. Now all I can do is assume they traveled in time somehow. And so. Let’s look at a nifty book in the here and now, in what is hopefully the first of many reviews.
The Reader: War For The Oaks is a hardbound book presenting a photography project by Tim Cooper. It’s a slim little 8.5″³x 11″³ volume, clocking in at 96 pages. The pleasant interior design presents the photos nicely, along with some pretty arboreal details. The cover, whose design is unobjectionable but unremarkable, features a photo that lets the reader know exactly what the book is about: photos of people reading War For the Oaks in various Minneapolis locations.
There are a few books I have re-read so many times that they are an integral part of fantasy to me, and Emma Bull’s first novel, War for the Oaks is one of them, featuring Eddi McCandrey and her half-human, half-elvish band, the Fey. It was originally published in 1987; the paperback copy I’ve been carrying around for decades is battered and coverless now, but it was a pleasure to have the task of going back and reading it yet again in order to do this review.
I’m not alone in loving this story, and the book’s part in defining and shaping urban fantasy cannot be overestimated. Reading in many ways like a crisper, less Romantic version of Charles de Lint, Bull demonstrates in this book that despite being one of the quieter writers, she will become a major talent. Many nifty but commercially non-viable projects that we would miss if reliant only on traditional publishing have come out in recent years, often supported through crowdfunding; this one was a Kickstarter project. It’s delightful to see a project dedicated to the novel in this way, celebrating how much the book has meant to many readers.
Which is perhaps my major caveat. This book will enchant, down to their very toes and beyond, those who love Bull’s novel and know the city as well. Cooper’s photos show locations from the book in an order corresponding to the novel’s chronology, each time with people reading War for the Oaks somewhere in the picture. For someone who loves the book in part because of its setting, the sole disappointment may be that the photo are low enough resolution that sometimes it is difficult to make everything out.Back cover
Familiar with the book but not so much with the city? Mileage will vary here, depending both on one’s degree of affection for the book as well as how firmly the reader is attached to their vision of things. Someone with a mental vision that is particularly strong, in fact, might find it jarring to have it contradicted by these pictures.
Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.
Familiar only with the city? Here again mileage will vary radically depending on factors like how interested one is in examples of projects like this or if one is a book collector specializing in fantasy and science fiction (in which case, you’ve probably had the novel on your list but just never got around to it). Lovely extra details scatter themselves here and there throughout the book, as well as photos featuring other authors like Elizabeth Bear, Stephen Brust, PamelaDean, Marissa Lingen, Scott Lynch, and Patricia C. Wrede. Essays by Dean, Sigrid Ellis, Sarah Olsen and Katherine St. Asaph appear at the back, along with a poem by Alec Austin.
I’ve stuck this on one of my shelves of favorite F&SF next to that battered paperback copy of War for the Oaks, because it’s definitely a keeper. Next time I’m at a con with the author, I may even take it along, because having it signed by the person whose book inspired so much passion would make it even niftier.
Had a short short story, aka flash, appear this morning and shape itself while en route to coffee. Just finished writing it out, although the last line needs a lot of sharpening. Huzzah for starting the day with a new story, though! I think one reason for recent productivity is the reading and thinking about short stories involved in teaching the short story class.
And here’s a teaser from the short story I’m finishing up today. It’s a secondary world S&S piece, with a working title of “Love’s Footsteps”.
At the time he did it, Moulder found the idea of removing his heart, applying a calcifying solution, and storing it in a safe place, all in the name of immortality, quite reasonable. He performed the ritual in the diminutive but ominous tower he had built in one corner of his parents’ estate, watched over by dour-jawed examples of taxidermy, crocodiles and glassy-eyes owls, assisted by his faithful servant, Small. She held out the iron receptacle to hold his heart, her face impassive and unjudgmental, and afterwards laved his hands with cold water and wiped them dry.
2 Responses
Thanks for pointing to this! For so simple (and obvious) a technique, it was amazingly helpful in clarifying some problems I’ve been having for months with my latest novel; a quick complete-this-sentence exercise (once for each of the two point-of-view characters), and things just fell into place. I guess I was overthinking it and needed a simpler way to look at the thing.
Yeah, I thought it was both easy to use and really handy, which are both good qualities in a writing tool. It really helped me straighten out my story.