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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
Jeff VanderMeer mentioned this on Facebook and it got me thinking about it. This is the season when speculative fiction writers (and other genres as well, I believe) start thinking about awards. Nominations for the Hugo and Nebula Awards are coming up. There will be others, such as the Locus and World Fantasy Awards, but for most it’s the Hugo and Nebula, with a small group thinking about the Campbell Best New Writer Award and trying to figure out how to make the most of their two year period of eligibility for it.
Complicating this is the fact that neither award is really very democratic. You can only make Hugo nominations if you’re a member of either last year’s WorldCon or this one. Nebula nominations are made by members of the Science Fiction and Fantasy Writers of America, many of whom are hoping to make it onto the nomination ballot itself. In either case you could love the book and want to vote for it, but unless you’ve paid the dough for either a WorldCon or SFWA membership, you’re not going to be able to.
One of the words that gets mentioned around this time is “log-rolling,” the act of exchanging favors, along the lines of “You nominate my novella for a Hugo and I’ll nominate your short story for a Nebula.” Recent changes, such as no longer being able to see who nominated something for a Nebula, are encouraging, but the awards still sometimes seem less about the merit of the work than about the popularity of their author.Beyond that, people use the power of the Internet as much as possible: blog posts, Facebook mentions, tweets, and so forth, sometimes gracefully, sometimes not so much. Why? Because it works. If it didn’t work, there’d be a lot fewer people doing it, and (imo) the award lists from the past decade would be significantly different. Does that make the award process something you should just opt out of and hope for the best? Well, certainly people have done that in the past (and saved themselves some work in the process), but I’d rather have as a take-away the idea that one shouldn’t despair if you don’t win.
Awards are shiny. Most of us like shiny things. And more importantly, they’re testimony to what we really want: affirmation that someone read and liked our work. That’s the real pellet that keeps us pressing the button marked “Pimp my work”.
It’s hard to know where to draw the line. Factor in, also, that what one person considers acceptable, the next may perceive as a gross breach of etiquette. I like the approach the Codex writers have taken: there’s a discussion thread where people can opt in and say they’re willing to read for the awards as well as a place where people can post pieces for consideration. I appreciate this because it helps me discover some writing that I might not otherwise have found. Here’s what I said on Codex in a discussion about it:
I think it’s certainly possible to go too far in pimping your work, but in my experience, that line is farther out than one might think. This is an area where the bolder people have a definite advantage, and sometimes you have to force yourself to be bold about it. You are the best champion your work has, and you might as well do your duty by it.
It would be lovely if all one had to do was write a good story, but the nature of things is that those who are good about promoting their work go farther than those who aren’t. Promotion’s not a substitute for good writing (in most cases), but it sure helps. My collection wouldn’t have gotten nominated for the Endeavor Award if I hadn’t sent them copies of the book, for example, and while I thought at the time it was a pretty long shot, it ended up being quite worthwhile.
To me the most important point is this – don’t just throw your work out there. If you’re going to be sending people your stuff to read, then do some reading and recommending yourself, and do it based on what you like, what you think is good, or ground-breaking, or worthy of recommendation. In that spirit, I’ll be posting some recommendations in the next few weeks, and hopefully guiding y’all to some excellent fiction that you might not have read otherwise. Please feel free to make recommendations to me in return, either on this post or upcoming ones!
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They were the first to arrive, and Ms. Liberty took the opportunity to select, not the sturdiest chair (a hefty wooden bench) in the room, which the Unicorn would probably need, but the second sturdiest. Her augmented flesh was denser than that of most of the other team members, and she thought that breaking a chair would be a bad way to start off her first week with the team. The chair she picked was made of metal and was unyielding underneath her ans she sat down. She tried to relax into it, tried to assume the pose that would convey her attitude when others entered the room: not too eager but certainly on the alert.
Meanwhile, X wandered the corners of the room, extruded a long thin tentacle, which thoroughly explored the inner workings of the coffeepot, fingered the edges of the map of the world thumbtacked to the wall next to the nonfunctioning video screen. Over Antarctica, someone had scrawled in barely legible green pen, “Kilroy was here.” Air blew in through the vents, the only real source of sound in the room other than their breathing and the sounds of their movement.
The clock on the wall, which hung a little askew as though buffeted somehow in the past, clicked, and the hand clicked over to a minute before the hour. The door swung open and Dr. Raffy emerged, arms full of navy-blue folders stamped with the Squadron’s logo. He nodded at both of them and began to put a folder at each seat. X turned into a porcupine and waddled over to take the seat next to Ms. Liberty, a plain pine kitchen chair, its seat well-worn with use.
The Gladhander was the next to appear. “Ladies, gentleman”¦” He smirked as he slid into his chair, a leather Aeron that gave silently underneath him. The door opened again to show the Silver Juggler and Ballboy, both looking ill at ease and unhappy.
At the hour, Dr. Raffy began to speak, despite the lack of the Unicorn.
“If you’ll open the folders in front of you and turn to the first page, which is printed on cornflower blue paper, you’ll see our agenda.”
They all dutifully did so. The writer side of Ms. Liberty noted several spots where passive voice could be eliminated, a sentence whose parallel structure was insufficiently clear, and an out of place comma.
Dr. Raffy continued. “I’d like to welcome our new members officially, Ms. Liberty and X. While the circumstances that have opened new positions on our team have been sad, we are glad to have their new insights and experiences.” He smiled at Ms. Liberty and she smiled back, feeling genuinely welcome for the first time.
“Here, here,” the Silver Juggler said and led the room in a round of polite applause. X blushed purple appreciation.
“I know that you all read their backgrounds while undergoing the application process,” Dr. Raffy said, “so I won’t bother with recapping who they are. Their presence, unfortunately, brings us to agenda item number two: the smallness of our quarters.”
“I’ve said it before and I’ll say it again, I don’t mind the smallness of the rooms. Reminds me of when I was first enlisted serving on the submarine Helvetica,” the Silver Juggler said. Beside him Ballboy nodded enthusiastically.
“It’s no skin off my back,” Dr. Raffy pointed out. “I have my own quarters and there suitable for my needs. Should we postpone the item for further discussion in the next meeting?” He spoke quickly, as though rushing them through the item and Ms Liberty wondered what the hurry was.
The clock ticked to the ten after mark. The door opened and the Unicorn sidled in. “You better not be done talking about the living quarters, Raff,” he said without preamble. “I got something to say about all that shit.”
Dr. Raffy sighed. “Your arrival is timely,” he said wryly. “We were just discussing that very item.”
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