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WIP Snippet: Five Ways To Fall In Love on Planet Porcelain

Five Ways To Fall In Love On Planet Porcelain
Five Ways To Fall In Love On Planet Porcelain
(From a story I’m working on.)

Over the years, Tikka’s job as a Minor Propagandist for the planet Porcelain’s Bureau of Tourism had come to shape her way of thinking. She dealt primarily in quintets of attractions, lists of five which were distributed through the Bureau’s publications and information dollops: Five Major China Factories Where the Population of Porcelain Can Be Seen Being Created; Five Views of Porcelain’s Clay Fields; Five Restaurants Serving Native Cuisine at Its Most Natural.

Today she was composing Five Signs of Spring in Eletak, her native city. Here along the waterfront, she added chimmerees to her list as she watched the native creatives, cross between fish and flower, surface, each chimerene spreading its white petals as it surfaced, white clusters holding golden centers, tendrils of golden thread sending their scent into the air along with the most delicate whisper of sound, barely audible over the lapping of the sound’s water.

The urge to pose beat along every energy vein of her silica body, but she resisted it. She would remain alone this spring, as she had every spring since she had made her vow and inscribed it in the notebook where she kept her personal lists, under “Life Resolutions,” #4 under “Keep myself clean in thought and mind,” “Devote myself to promoting Porcelain’s tourism,” and “Fall in love.” The third item had been crossed off at the same time, in vehement black pen strokes.

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Patreon Post: Gods and Magicians

Woodblock by Bertha Lum.
Woodblock by Bertha Lum.
This piece of fiction is brought to you by my awesome Patreon backers, who get bonuses like versions of new books, peeks at story drafts, and sundry other offerings. If backing me’s not in your budget, you can still sign up for my newsletter and get news of posts, classes, and publications as they appear.

This is a piece of flash fiction written last year – I just got around to going through the notebook it was in lately and transcribing the fictional bits. This didn’t take too much cleaning up. For context, think of the hills of southern California, and a writing retreat with no other human beings around, and thinking a great deal about fantasy and epic fantasy at the time.

Is this a Tabat story? Naw. Just a little flash piece.

On the Nature of Gods and Magicians

The magician gestured. Out of the pool came musicians, the very first thing the tip of a flute, sounding, so it was as though the music pulled the musician forth, accompanied by others: grave-faced singers and merry drummers; guitarists and mandolinists with great dark eyes in which all the secrets of the moon were written; and one great brassy instrument made of others interlocked, so it took six to play it, all puffing away at their appointed mouthpiece. All of them bowed down to the priestess who stood watching, her sand-colored eyes impersonal and face stone-smooth.

“Very pretty,” she said, and yawned with a feline grace, perhaps even accentuating the similarity in a knowing way with a head tilt.

The magician smiled, just as catlike, just as calm. “You can do better, I am sure,” he said.

She shrugged, her manner diffident, but rather than reply, she pursed her lips and whistled. Birds formed, swooping down, and wherever they flew, they erased a swathe of the musicians, left great arcs of nothingness hanging as the seemingly oblivious players continued, their music slowly diminishing as they vanished, the instruments going one by one. The last thing to hang, trembling in the air, was an unaccompanied hand, holding up a triangle that emitted not a sound.

Landing, the birds began to sing. Though the music was not particularly sweet, there was a naturalness about it that somehow rebuked the mechanical precision of the song theirs succeeded. As they sang, more and more birds appeared, and the music swelled, washing like a river over the pair where they stood.

The priestess patted the air with the flat of her hand and the birds winked out of existence, leaving the two of them in a great white room, the antechamber of her temple.

“Will you go further in, then?” she said, her voice still casual.

The magician’s eyes were green as new grass and the black beard on his chin, which grew to a double point, was oiled and smelled of attar-of-roses. He considered her as though this was the smallest of debates, and finally stepped forward.

“We are still evenly matched,” he said.

She inclined her head and replied, “But my strength will only swell as we go deeper, and we have far to go before we reach the center of My Lady’s temple.”

His grin spread, as though encouraged by her lack of smile. As though he had some secret hidden about himself and was unafraid to admit it. She forced an expression to match it, and they stood there smiling at each other in hostility for some moments before she stepped aside and gestured him on.

The tunnels were made of adamant and alabaster, concentric rings that shrank then grew larger, then shrank and grew again and again until it was as though they walked inside an immense, undulating worm.

As they walked, they cast spells at each other, dueling lightly, a magical clash and flicker of blades with a deadly energy at its heart. This was a long quarrel between them, the strength of his magic and the might of her goddess, from whom all her power was borrowed. He maintained that while they might be well-matched, the fact was that she, a conduit, could never resonate to the degree of cosmic energy that he, a producer of such energy, could.

She had at one point asked him why it mattered. They’d been drinking in a tavern, an ordinary tavern where adventurers came. They both liked to come and watch those parties, scarred by magic and monsters, assemble and spin stories a thousand times more dangerous than any foe they had to face.

“It matters because there must always be an answer to such questions,” he said with decisiveness, not pausing a moment to think. “If there are no answers, then all in life is random.”

“Could not some of it be random?” she asked, wistfully.

He shook his head. “Randomness is the refuge of the feebleminded who cannot handle answers.” He paused when he saw her flinch. “Not you of course.”

“Of course,” she echoed.

Now they paced along and she put that conversation from her mind.

In the end they came out in a vast courtyard, in a cavern that stretched so far overhead that it would have swallowed a cathedral. The image of the goddess was carved into that ceiling, her arms outstretched, seeming to encompass everything, her serene face beaming down.

The priestess stepped aside, looking to the magician, for he had defeated her every effort along the way. Now they had come to the confrontation he desired.

He stared upward, and for a moment his face seemed daunted. Then he sneered and tugged at the necklace around his throat.

“Face me in direct challenge, you sham,” he said. “The gods are nothing but those with more power than ourselves, and this artefact will amplify mine till I can throw you down unhindered.”

“Indeed you can,” the stone lips said, in a voice sweet and merry and powerful. “For I am less than my handmaiden, much less indeed.”

He frowned. “She is your channel.”

“Ah, no,” said the Goddess. One great hand stretched itself from the ceiling and began to descend towards him. “You have misunderstood the nature of gods entirely.”

Sparks danced from his fingers, formed shining columns all around him, but the massive fingers disregarded them.

“They are not our channels,” she said as the hand closed around him. “Rather, we are theirs.”

And across the world, every worshipper lifted their head, and every priestess stopped, as the Goddess swallowed the magician whole, and then gave him to them, disassembled into fuel for their own magic, and then smiled, and began the climb back towards the ceiling and her accustomed position there.

But the priestess sighed, looking at the spot where the magician had been, and only his shadow remained. He had been good company, now and again, and now he was only embers in her heart.

...

Teaser: More from Laurel Finch

Illustration to accompany steampunk snippet by speculative fiction writer Cat Rambo
Interested in learning how to get opportunities to interview writers and publish the results as well as has to conduct yourself in an interview? I've got a one hour class coming up on just that, on February 19, 7-8 PM PST.
This is the steampunk world (Altered America) I’ve been writing in lately, and I’m pleased to say Beneath Ceaseless Skies just took another of the stories set in it, “So Little Comfort.” The title of this story is “Laurel Finch, Laurel Finch, Where Do You Wander?”

She was awake. She jolted upright, disturbing Laurel, who said something drowsily. Jemina stroked her hair with her right hand, settled the child back into her lap. Her heart still hammered uncomfortably.

She looked out the window into the darkness and could see only the reflection of the car’s interior for a moment. Then as her eyes picked out detail, she saw the stars hanging far overhead, the blaze of the Milky Way, a curdle of starlight spilling over the plains that rolled out as far as the eye could see.

Chuggadrum, chuggadrum, the sound of the wheels underfoot, the everpresent vibration working its way through her body as they hurtled through the night towards Seattle.

They’d promised her a laboratory of her own. A budget. Assistants.

Things she could do without interference. That was worth a lot, for a woman in a field that held so few other of her sex.

“I have nightmares sometimes too,” Laurel said.

Jemina’s hand sleeked over the curve of Laurel’s skull, cloth sliding over glossy hair.
“We all do.”

“What are yours about?”

“The war. What about yours?”

Laurel lay silent so long that Jemina thought she had gone back to sleep. But finally she said, “How my parents died.”

Jemina’s fingers stilled as though frozen. She waited.

“We were in the house and they came,” Laurel said. “My uncle said they were supposed to stay on the battlefield and no one knew they went the wrong way.”

Her voice was subdued, thoughtful.

“It would have been all right, but papa heard them at the door and he went and opened it. That was how they got in.”

Jemina saw in her mind’s eye, despite her attempt to force it away, the scene: the man mowed down, devoured with that frightening completeness that zombies had, before they moved on to the rest of the house…

“How did you get away?” she asked.

“I jumped out the window and ran away. I tried to get my brother first, but it was too late, so I ran.”

“Your brother?”

“He was just a baby. He couldn’t run.” Laurel moved her head in slow negation. “Too late.”

Jemina closed her eyes, feeling the story wrenching at her heart.

These things happened in war. They were sad, yes, but unavoidable.

The wheels screeched as the train unexpectedly slowed. Both of them sat up to look out the window.

“Whose are those men?” Laurel asked.

“I don’t know.” But she suspected the worst, given the fact that the group had their bandanas tugged up around their faces, that many had pistols or Springfield rifles in their hands.

“They’re bandits!” Laurel’s voice was excited.

“Yes,” Jemina admitted.

They waited. Around them, everyone was abuzz, but stayed in their seats.

The front door of the car swung open and two men entered, both holding pistols, red cloth masking everything except their eyes. Both were hatless, their stringy hair matted with dust and sweat.

“We’re looking for a fellow name of J. Iarainn,” one called to the car at large. “You here, Mr. Iarainn? If not, I’m going to start shooting people one by one, cause according to the manifest, you’re in this car.”

Jeminia held up a hand. “I am Jemina Iarainn.”

Her gender astonished them. They squinted at her before exchanging glances.

“You’re headed to Seattle and the War Institute to work? Some kinda necromancery?”

“Yes to Seattle, yes to the War Institute. No to necromancy. I hold joint degrees in medicine and engineering, specializing in artificial limbs.”

Exasperation kept her calm. Why should these dunces not believe a female scientist could exist? And necromancy — she was, by far, tired of that label. She worked with devices for the products of such technology, but she wielded the forces of science, of steam and electricity and phlogiston.

...

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