Things keep moving along well and I thought I’d check in. My reward for winning a Nebula is that I’m using part of teaching plus Storybundle money to upgrade my workspace. I just put in the order for a fancy standing desk and stool, and am going to retire my faithful IKEA hack deck that I’ve been using the last six years or so.
This will be a much wider workspace, so it also means I can pick up a second monitor and have a lot more real estate when teaching/writing. I had that with my former set-up and it really made a difference when working. I’ve been holding off on this while waiting to move and finally figured I might as well go ahead, since it seems likely we’re here for the duration.
As to why I feel justified in rewarding myself, it’s productivity and nose to the grindstone! Here’s some testimony to 2020’s work in the form of my current writing/editing projects and where they stand:
The space opera series: The copy-edits for You Sexy Thing are in and the editor didn’t mind that I shifted around a couple of scenes in doing them. The listing is up! Still waiting to see what the cover looks like. The second book is currently at incoherent first draft status. Need to start pulling notes together for book three.
The Tabat quartet: Finishing up Exiles of Tabat ASAP is the current big project on deck. I also have some notes for the final book that I need to start putting in one place.
Baby Driver: Need to catch up on writing this. I have someone interested in publishing the final product, and I would also like to do it as a comic book, so I’ve got 3-4 pages of that script written.
Books hovering in the wings: a rewrite of the MG book, a literary horror stand-alone, a Tank Girl/Harley Quinn/Doctor Strange mash-up set in post-apocalyptic Seattle (stand-alone?); fleshing out an existing project that will be a literary SF novella.
Upcoming publications: Because It is Bitter (novella) in AND THE LAST TRUMP SHALL SOUND; Every Breath a Question, Every Heartbeat an Answer (novelette) in BENEATH CEASELESS SKIES; Crazy Beautiful (story) in THE MAGAZINE OF FANTASY & SCIENCE FICTION; Snowflakes (story) in LAST CITIES OF EARTH; Stand and Deliver (story, with Wayne Travis Rambo ) in DARK MATTER MAGAZINE ; I Decline (flash) in DAILY SCIENCE FICTION).
Current story projects: a space western short story in collaboration for an anthology request; a space opera short story for an anthology request; a near future caper novella; a near future SF story, the usual smattering of flash.
I also have an upcoming anthology project that I just finished looking over the contract for; look for slush reader calls and guidelines soon but don’t mail me until they’re posted!
3 Responses
Dear Cat,
Your prose needs a good editor. The below is your opening on a story posted at Clarkesworld:
I glance in the glass wall’s reflection. [Why give a plural possessive to an inanimate object? And, are you really glancing in the Wall’s reflection, or are you glancing at your own reflection?]
I glance at my reflection in the glass wall. It faces me twenty feet away as I walk up the stairs [;] marble slab steps, showing grainy pink underneath my red sneakers. My fingers clutch the [again] chrome railing. I’m feeling shaky, that internal quiver where your body announces that it may not be up to this.
What any competent writer needs is a good editor. Unfortunately, you will probably not get to where you want to go by publishing in semi-pro zines; they don’t have the resources to make your work better””tighter””more publishers friendly.
Fellow writers might help, but nothing takes the place of a good editor.
Good luck with your secondary career. Or, if you would like to take a flyer””I can be bought! A penny a word and then perhaps your work might be expanded into professional magazines. Content counts for about half of what an editor considers.
Best-
Mike
P.S. Comma after the word “that” is never a good idea, and placing two “that’s” in the same sentence is a no-no. That said, that’s a shame.
Hi Mike, good luck with the editing career! I’d suggest that if you really want to use the web to drum up business, you might want to rethink your approach, which comes off more like an attempt to troll than a genuine effort to be helpful and thus ends up looking less than professional. You might also want to acquaint yourself with the list of what’s considered pro and what’s not when dealing with SF writers – I’ve found the Science Fiction and Fantasy Writers of America site very helpful and I often point people new to the field at that site.: http://www.sfwa.org I hope that’s helpful!