Five Ways
Subscribe to my newsletter and get a free story!
Share this:

News: Offering an Online Workshop

Photo of a black cat named Raven
Bonus: The virtual classroom may include sundry visits from Raven, who likes to know what's going on at all times.
Several people have been asking if I’d offer an online workshop and I’ve been thinking about how best to do that. So here goes. Please spread the word of this however you can. If I don’t get at least 3 students for a workshop, I’ll cancel it.

Dates:
Workshop 1 — Wednesday evenings, 8 pm-10 pm PST, December 14, 2011-January 18, 2012
Workshop 2 — Saturday mornings 9:30 AM-11:30 AM PST, December 17-January 28, 2012 (I have to miss the 21st due to a convention).

Format: I’m going to offer two sessions, one on a weekday evening and the other on Saturday mornings, because I know schedules vary. The class will run six weeks, with a two hour session each time. I would like to schedule workshop time into that, where you’ll get a chance to read and critique each other’s stories, as well as a chance to hear me critique them, so starting with the second session, part of the class will be devoted to that (no more than 50%, tops). I’ll be doing the class as a Google Hangout, so we’ll all be chatting face to face, which means there is a limit of 9 students per class. There will be an optional make-up session for both workshops for people who had to miss a class or two along the line the week after the class ends.

Focus: The focus is the short story – how to come up with an idea, how to write it, how to revise, and how to submit it. There will be weekly writing exercises and optional reading. The final class will include career stuff, market advice, and a few funny anecdotes.

Why take a class with me? As both a writer and editor, I bring a focus that lets me advise you from both sides of the desk. My experience as the fiction editor of award-winning Fantasy Magazine as well as short story collections and anthologies combined with the fact that I’m a working, selling writer helps me provide you with solid, up-to-date market advice for both online and print publishing. My teaching experience includes the Johns Hopkins University, Towson State University, and Bellevue College and I’ve studied with John Barth, Stephen Dixon, Octavia Butler, and Connie Willis, to name just a couple of people I’ve had the pleasure of learning from. Former students can testify that I’m an active, engaged, and entertaining instructor who gives careful and considered feedback on their work.

Value adds: As part of the class, I will be happy to critique an extra story (up to 10k words) afterwards and offer market advice. The offer expires after a year.

Cost: Well, it’s an experiment, so I’m basing this off comparable workshops I teach. I am charging $199 per person, but will make it $149 if you sign up before midnight PST November 30. I do take Paypal; contact me at spezzatura AT gmail.com and we can work out details. If you can’t afford it and have some interesting barter to propose, let me know at the same address.

What if those times don’t work for you? Drop me a line. We can try to work something out.

Other questions? Drop me a line in the comments.

31 Responses

  1. I’d love to take a workshop with you, but there are so many conflicts and travel and demands over the holidays that it’s a challenge just to get my daily word count done. Any chance you might be offering something like this again in the spring?

    1. If this ends up being successful (by which I mean it runs smoothly and allows me to pay bills and fund the next couple of cons), absolutely! So pass it along to all and sundry. 😉

  2. I think you can count me as signed up for the Saturday session. I’ll drop you a message. I am excited!

    Which 21st are you missing – the December one or the January one?

  3. I am interested in the Wed evening workshop, even though it skirts my bedtime. Now if you’d offered it from, say, 5 in the morning . . . Ah, well, never mind. Let me know how to pay you through PayPal.

    1. At 5 in the morning, I fear all I could do is stare blankly at the screen in a most uninformative manner. Paypal to spezzatura AT gmail.com is swell. Thanks!

  4. I was able to sit in on a reading of yours at the WFC this year. I would love to take the Wednesday class, but the time zone shift makes that a 10-12 midnight course for me, and I’ve got to be able to drive to work every Thursday morning. Please give me a nudge if the class times shift to an earlier period 🙂

    1. Absolutely, Rosalind! I’m going to tinker with the times next time I offer the class. Living on the West Coast makes evenings a little goofy time-wise.

  5. Do you still have room for the Wednesday night 8 – 10 class? If so, let me know I’m in. You already have taught me a lot just from reading your blog posts and I think this would be awesome.

  6. Another East Coaster struggling with the time change. I’ll keep watching to see if it gets any earlier. Very exciting idea!

    1. Doing an earlier one wouldn’t be tough. If next time I went for 4 pm PST, which is 7 PM EST, is that a time that would be good for East Coasters?

  7. Excited for this! I have spread the word around. (If you need to change the time to get more people in, I don’t mind – either is good for me.)

  8. Wow, this is really tempting. I’m not sure I can raise the funds in time for the first one but I will definitely be watching this site.

    Is the focus short stories only? Do you need new or old material? Will we be writing new stories for the workshop?

  9. Hi, I’d be very interested on your workshop but unfortunately Paypal is not avaiable on my country, would it be possible for me to pay via credit card?

  10. Hi! I emailed you about the workshop but haven’t heard back.

    I was wondering if the workshop was still going ahead, I wanted to join the Wed. evening one.

  11. Hey Cat,
    Sounds great, unfortunately Dec. is crazy busy and besides my computer is playing Peek-a-boo with me; after x-mas is should all be mended 😉 I hope you’ll do a class later.
    Have a great Holliday!
    🙂 Judith

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Teaser: Someday My Prince

Picture of Cat Rambo with the Wicked Stepmother from Disney's Cinderella dinner
I will admit, my sympathy is often more with the wicked stepmother than Cinderella. The stepmother is by far the more interesting character.
Here’s a modern piece I’m working on right now, “Someday My Prince.” I believe it’s fantasy; I’m about 2000 words in so far, and really not sure whether it’ll stretch another 500 or 5000 words.

When Betty answered the apartment door, the man standing there was one of the most beautiful she’d ever seen. Tall, muscular, aquiline nose, dark hair”¦ he looked like he should be riding a white stallion on the beach in a cologne ad.

“Miss Vincent?” he said.

She faltered in the doorway, looking at him. You never know what to expect in New York, and surely this man wasn’t that out of the ordinary, except for the utterly expensive lines of his suit.

“Miss Vincent?” he repeated.

“I really need to get to work,” she said. “I don’t have time to buy anything.”

“You don’t understand,” he said. “I’m Aidan, your Prince.”

She didn’t understand.

He smiled at her. “I’m your Prince. I’ve come.”

She really did need to get to work.

***

Veronica said, “You say he’s a Prince?”

“I think that’s what he said. He wouldn’t go away until I promised to have dinner with him tonight.”

Veronica’s eyebrow lifted. “You could have called the police.”

“He was just so”¦nice,” Betty said.

Veronica’s other eyebrow lifted. “So are you going to tell him?”

“Of course,” Betty said. “Then he’ll know this is some kind of mix-up.”

***

On her daily phone call, her mother said, “You lucky, lucky girl!”

Betty tried to interject something but her mother went on. “I mean, we’re all promised that our prince will come some day, but most of them seem to get lost in transit. I don’t know anyone who’s actually gotten one.”

“Mom,” Betty said. “What do you mean, we’re all promised one? Who does the promising?”

There was a brief silence on the other end of the line. “Well,” her mother finally said, “I guess I don’t really know. The world? God? Yes, that’s probably it. God promises if we’re good, someday our prince will come.”

“I think you’re confusing God and fairy tales,” Betty told her.

...

Opinion: Chan Culture and Good-Faith Arguments

photo of Cat Rambo
Getting ready for the New Year.
I wrote a piece, #PurpleSF, about feminism and SF for Clarkesworld. It was in part stirred up by the convulsions of the Gamergate controversy, which has continued to provide plenty of food for thought (and probably will continue to do so).

One of the many interesting (and sometimes positive) things that’s come out of that controversy has been a lot of examinations of Internet culture and many of its subsets. Before last year, I had only the vaguest idea what “chan culture” would be, so I found this piece really fascinating, particularly because questions about anonymity are (imo) going to continue to rear their heads whenever they bump into notions of transparency in coming years.

The full piece, How imageboard culture shaped Gamergate, appeared on BoingBoing. Its author has produced a lot of interesting pieces about Gamergate, usually composed as Storify pieces, such as these: Gamergate, Sexism, and Tribalism; Why I Oppose #Gamergate

The article is talking specifically about image boards, and here’s a chunk from it that describes the culture:

These anonymous imageboards have their own idiosyncratic culture, despite the lack of permanent identity. Posters call themselves anons, or occasionally channers. While anonymity is a core part of this identity, merely being anonymous does not make you an anon. Rather, it’s about identifying as a larger whole. Capital-A Anonymous, such as the Project Chanology protestors and the hacking/activist groups like @youranonnews, are anons, but most anons don’t think of themselves as part of Anonymous.

Without identity, every anon is whoever they want to be at the moment. It’s freeing! Anons exalt these imageboards as the only place people can truly be themselves, without being burdened by their identity or consequences. This includes genuinely awful or hateful opinions. Anons have a broad, often absolutist view of free speech, sometimes extending that so far as to include threats of violence or extreme pornography. Anons are extremely protective of their culture and this very broad view of free speech, because of both great faith in their ability to self-police argument and an unconscious, internal reliance on irony.

The atmosphere is that of a paradoxically jovial angry mob. Almost everyone sees their own point of view as the consensus, assuming that most people most people agree with them. Any possibly contentious statement is presumed to be ironic, told as a joke or to rile up people who disagree. Since everyone assumes that anyone who disagrees is arguing in bad faith and doesn’t mean what they’re saying, anyone who disagrees is a fair target for apparently hateful mockery. This basic assumption of bad faith applies even when arguments are long-lasting and well-known: for example, the console war arguments in /v/, 4chan’s video games sub-board. However, this mockery is defanged by anonymity and irony.

Everyone’s anonymous, so a poster can just join the winning side of an argument, cheerfully mocking their own older posts. One poster can even play both sides from the start. Every anon can choose whatever opinion they want to have on a post-by-post basis, so everything flows smoothly even as people hatefully attack each other for having the wrong opinion. Anons believe in this free marketplace of ideas: good ones survive the firestorm, while bad ones burn to ash as everyone dogpiles on mocking them.

Wayne and I were talking about this conception of discussion/argument today and I can at least partially understand how it’s shaped some of the conversation within Gamergate (the overall situation, not the group) and created many of the problems. (Anders Sandburg has an interesting piece about such culture clashes.) I think it’s important to look at the background people are coming from and the Internet etiquette norms that they’ve absorbed.

At the same time, bad faith arguments are something I don’t practice and I find trolls kinda appalling, because the idea of getting enjoyment from making other people angry, upset, or otherwise unhappy seems something only a retrograde would relish. I blogged about arguing on the Internet a while back and said I’d follow up and talk about bad faith argument, but I never have, because I find its habitual practitioners antithetical to the way I try to think.

Don’t get me wrong. I like debate, and life with Wayne is a lively series of conversations in which one or the other will often take the role of devil’s advocate just to see how sound or defensible an idea is. But that seems different to me than taking on the Internet identity of someone who believes something just to see if you can get other people riled up enough to waste time on composing eight page replies to your argument rather than something, I dunno, actually productive or enjoyable.

But, as Wayne can testify, I am painfully earnest about a number of things, including the idea that the human race should be advancing and that part of that advance is being fairer about our treatment of the people and world around us. The idea that love is both greater than and preferable to hate. That cruelty only creates more cruelty. That civility and an assumption of good faith should be the baseline, rather than the exception. And that we are fallible creatures who are nonetheless capable of learning from both experience as well as questioning ourselves.

Part of my plea in the Clarkesworld column is that we stop arguing in bad faith and lazy categories. It’s a Quixotic fight, but I’ll continue to carry its banner. And part of that banner is to argue in good faith, to ask questions and interrogate the world around me to see what blinders it’s imposing on me. That’s a vital part of making good art. And good conversation.

...

Skip to content