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Little Gifts and Small Contentments

My phone camera was dead, so Wayne took this picture of the cool present the universe put on the car this morning for me. Isn't that beautiful?

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Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Newsletter for February, 2020

News and More Stuff from Chez Rambo

Hello folks!

Well, by now you know my big news, which is that my novelette Carpe Glitter is a Nebula Award nominee. I’m deeply honored to find myself in such fine company and absolutely twitter-pated to find out how many people have enjoyed it. The Nebulas are chosen by other writers who are SFWA members, and that makes this very meaningful to me. I will be at the conference that weekend.

If you’re not a SFWA member, but want some say in whether or not it appears on other ballots, it’s eligible for the Hugo Award and Locus Award in the novelette category and the World Fantasy Award in the novella category. You can see the cool banner that Meerkat Press did for me at the top of this newsletter.

If you’ve read the book and found it fun, please think about giving it a review or posting about it on social media!

Want to hear the first bit of it? Here’s a YouTube video.

In recent class news, I’m in the process of lining up classes for the April-June time frame, but will be taking most of April off due to travel and moving.

One new class I’d like to point you at is How Not to Feel Like a Failure in Your Writing Career with Jennifer Brozek, which talks about dealing with imposter syndrome, guilt, and other writerly frailties.

I’m excited to say Judith Tarr will be giving a workshop on how to write about horses on May 2, 9:30-11:30 AM Pacific time. I’ll post more details as soon as I have the full description but you can go ahead and reserve a slot if you know you’re going to want to attend.

Look for news of more upcoming classes soon – I’m hoping the list will include at least one with Seanan McGuire, plus I’ve got some other rad stuff in the works.

Here’s the complete list of live classes in March at the moment. Classes appearing for the first time are bolded.

Remember that if you can’t make the live classes, there’s plenty of on-demand ones!

Along with chat server access and class discounts, Patreon supporters this month got:
◦    2 installments of serial novella BABY DRIVER, the pulp-y adventures of Patricia Savage and her five associates in 1930s America.
◦    Weekly online co-writing sessions on Wednesday mornings. If you’d like to join the next one, the link will be posted on Patreon and Discord. I will schedule at least one weekend one in March.
◦    A chance to participate in weekly goal-setting and check-in.
◦    Snippets included bits from Flowergod (SF story), The Butterfly Court’s Bathroom (fantasy story), (2) Because It is Bitter (SF near future novella), writing exercises from Fran Wilde’s Fantastic Worldbuilding class.

Want to join us in the Chez Rambo community? Here’s how.

Cat or Rambo Academy Stuff to be Aware Of
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For Writers and Readers
Random 

The January giveaway was for a signed copy of my new novelette, CARPE GLITTER and the winner was Gretchen (I’ve dropped you an email, Gretchen, let me know if you didn’t get it).

This month I have stickers that will be going out to Patreon supporters – if you’d like one, drop me an e-mail with the address to send it to you!

Happy writing!

-Cat

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Useful Gifts for Writers: The 10% Solution by Ken Rand

This is the most useful book on writing I have ever found, and it’s the only one I will actually buy to give to people. I ended up writing the introduction to the 10th anniversary edition, because I know the publisher and, well, I’ll let that introduction tell its own story. The “Patrick” referred to in it is Patrick Swenson, the publisher who owns Fairwood Press.

For the past few years, I have been covertly getting people to go up to Patrick at conventions and ask when the electronic edition of this book would appear. Why? It might be that I have a prankish mind that was devoted to making him believe there was a vast groundswell awaiting this book. But actually, that’s the truth, because I’ve been pushing this book for years, less for prankish reasons than because I think it’s so useful for new writers.

The 10% Solution is not a cure to all your writing woes. It’s not a tool that helps with everything. But it is a great little book that will make you a better writer if you use it at the right stage in the process. The time to employ it is in that last pass before you send the story out into the world. I think of it as a lint-brush, something that tidies things up and makes sure every sentence that you’re sending out into the world to represent you is doing so beautifully, showing off that you can construct clear and error-free sentences that do exactly what you want them to be doing.

I don’t remember the circumstances when I first ran across The 10% Solution, but I do know that since then I have given out multiple copies and recommended it to literally hundreds of people. Why? Because it works and effectively shows you how to polish a piece of work in a way that shows you are at the professional level. For not just fiction but nonfiction.

Yes, it’s a pain in the butt. Yes, the first time you apply it to a manuscript it will be a huge pain in the rear end that may well lead you to curse aloud, calling down vile imprecations on my head. Yup and yup. I’ve been there too. But it’s worth it. After you’ve done it a few times, your unconscious mind gets tired of that labor and begins making changes before you write, tightening up and clarifying your prose in a way that will make it better.

Don’t believe me? Don’t try to apply it to a book then, but test it out with a short story or essay. Do give it a full chance, not skipping any steps, doing the actual “now I am searching on ly, now I am searching on of” steps. And keep a copy of the original, then look at them side by side. If your original prose is so golden that this didn’t substantially improve it, well then, perhaps this is not the book for you. But for the rest of us, it’s an awesome one.

Thank you, Patrick, for finally listening to all those people I kept sending up to you. I swear you won’t regret it. I know I won’t.

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