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For the Dictionary Readers

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Art by Leeloo, Photo by Cat
A recent Locus Roundtable question led me to thinking about this. It starts with a confession: I read dictionaries, a habit since early, early years of Richard Scarry.

Not cover to cover, as you would a novel. Rather I pick them up, flip through the pages, pause to dip into them in search of new words to file away mentally. I relish new words so I’m always looking for them, especially sinewy and interesting new verbs, or nouns crusted with bits of morphological history.

I know I’m not alone in this — it’s a disease that many (though certainly not all, or even most, I think) writers (and some non-writers) share, and it’s not one its sufferers talk about much, because Good LORD how boring is that, reading the dictionary?

I have an American Heritage I’ll never part with, and beyond that the beloved Compact OED, three volumes and accompanying magnifying glass, that my brother Lowell got for me while I was in grad school and which will be with me till my dying days, I firmly well. And specialized dictionaries: a Penguin Dictionary of Symbols, a dictionary of foreign terms, another of fashion terms, and a glut of foreign language dictionaries, Russian, Hawaiian, Navaho, jostle for space on one on my most visited bookshelves.

Morphology — the history built into the syllables — fascinates me. That the proto Indo-European word “dwoh” (two) leads to words like double and duo and duplicate and duplicity (two-facedness) is just too cool. In my junior year of high school we had a vocabulary textbook that focused on roots – each section was several roots along with lengthy lists of words derived from them. I loved the idea that you could take a word apart and find its meaning built into it with the syllables of which it was made.

When I was in grad school, we had evenings of pot-luck suppers followed by play reading or rounds of the dictionary game (for which the aforementioned American Heritage was often employed). I will argue that playing word-games can be fun, but that playing it with clever writers can be intoxicating and exhilarating (note the shared root with “hilarity” there) and make you laugh so hard and long your face hurts. My all-time favorite remains the false definition for the word “nidor” – Naval acronym employed when inspecting submarines, stands for Nothing Is Damp Or Rusted.

Sometimes self-consciousness overtakes me. In high school a girl once asked me why I talked “so snobby,” an accusation that still pokes me on occasion. It’s a reason I like talking to other writers — no one views a previously unknown word as a hostile act but rather a gem that duplicates itself in the sharing. No one’s the poorer for talking to someone whose vocabulary stretches them.

Nothing jars on me quite so much as a word used in a half-right fashion, a square peg hammered down into that round hole and MADE to fit through sheer Humpty-Dumptyian insistence (an Alice in Wonderland reference that all we word-lovers know, go read the book if you never have, particularly if you’re a fantasy writer).

What about you? What are the words or word sources that you particularly love?

3 Responses

  1. The notion of using a word in a “half-right fashion” is circular; the way that lexicographers know what the “right” definition of word is is by deducing its meaning from how people use it. Words aren’t manufactured in a dictionary and then released into the world of speakers and writers, where some people just don’t get them right. It’s the other way around.

    Of course, people can argue that a word “should” mean this-and-that, based on its etymology, its historical use (evidence that’s often not nearly as concrete as is sometimes imagined, especially for “hard” or commonly “misused” words), or of course based on what a lexicographer has written. But the lexicon of the demotic has never been successfully corralled into boundaries established by dictionaries. People use words they way they will, and lexicographers in general consider their job not to be leading the crowd, but trying to keep up with it.

    All that said, this doesn’t mean that it isn’t possible for people to use a word incorrectly. Individuals of course might simply have the wrong definition in their heads. A friend of mine has a favorite example where he says for a long time he thought the word “erstwhile” meant “distinguished.” And I’m sure I’ve corrected my misunderstanding of dozens (hundreds) words like that plus continue to have a healthy collection of words whose meanings I don’t have quite right. In those cases, tho, the writer is not insisting on a new meaning, I don’t think, and would not be obstinate about their intent. Then again … 🙂

  2. I love dictionaries and encyclopedias, too. I collect words like a child collects pretty rocks. Ha–I collect those, too.

    I remember being asked to ‘shut up’ by my ninth grade teacher when I corrected her use of a gerund. After that, I didn’t speak in a single class unless called upon until college. Where I was told to shut up by a very bad English prof, again. In grad school, I diagrammed a poorly written
    sentence in the midst of a debate about what the first-year guidebook said was expected of us grad students on our second-year competency exams. The prof, a very proper British archaeologist, threatened violence when I showed the sentence was poorly constructed, because the modifier was on the verb. Turns out she’d written it.

    Nowhere have I found as much love for words as in the midst of fellow writers. Even my linguist friends are less excited by them, I think.

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Nine Ways to Rev Up For NaNoWriMo 2015

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Want an online writing class to help you win NaNoWriMo this November? I teach both live and on-demand classes.
November has come to represent something for many writers: a chance to participate in NaNoWriMo, National Novel Writing Month. Participants pledge to write 50,000 words over the course of the month.

The main advantage of NaNoWriMo is the shared energy and impetus to get words onto the page, without worrying about whether they are genius or not. I’ve done it several times in the past, and always managed to either hit the 50,000 word mark or come within a few thousand words of it. While I don’t usually participate in local NaNoWriMo events, like the various write-ins at coffeeshops, libraries, and associated institutions, I do appreciate the feeling it brings of being part of a vast swell of words.

I’ve been mulling over whether or not to participate this year and finally swung into the Aye side. I’ve been having trouble getting my daily word count in lately (this has been a very weird year) so I’m signing up and will be doing daily posts. I also want to be able to cheer on students and friends who are also participating. You can find me on the NanoWriMo site here.

My aim is to:

  • Finish the unfinished scenes from Hearts of Tabat so I can finally start getting that to beta readers.
  • Finish three bespoke stories (one for the upcoming two-sided collection).
  • Finish at least one story for the Patreon campaign.

One thing I’ve learned is that you can put some prep into NaNo beforehand to maximize your success.

  1. Preplan what you’re going to write. You don’t have to have an obsessive outline (although it’s not a terrible idea) but pantsing is more likely to lead to the terrible moment where you’re staring at the page, telling yourself that genius must occur, and then deciding to go play Candy Crush instead. I like the beat method, where you describe the scene and roughly what will occur: They make a fire. Ben makes tea. Else raises the issue of the hunters again. Ben refuses to talk but spills the tea. They hear something in the underbrush. A wolf jumps out.
  2. Clear the decks. This is not the time to take on extra projects, plan to acquire better habits, or quit smoking. Make sure you have time to write, and that you won’t have things that occupy cycles in your head with worrying about them.
  3. Figure out your schedule. Actually sit down and plan the schedule: I will write every weekday and Sunday but not worry about Saturdays because that’s a busy day. Think about the events of the month and factor those in: I will write 2500 words a day so I can finish before Thanksgiving travel. I will take the day of my birthday off. I will write extra the third week so I can goof off that weekend. Etc.
  4. Plan your rituals. Where and how will you write? Every weekday I will go to the coffee shop from 1 to 3, turn off social media, and get words in. If I don’t hit my daily word total, I’ll get up early the following day and get an extra 500 in. Make rituals something that drive productivity, not impede it — don’t get in a situation where you can write only under specific circumstances (if you can avoid it).
  5. Line up some writing prompts. Words are what matter during NaNoWriMo, and it’s okay to write scenes or other chunks that may not go in the finished version. Now is not the time to worry about that — just get the words in and see what happens. So line up some things to write about.
  6. Reward yourself – not just at the end but along the way. I’m a big believer in the power of bribing yourself. Promise yourself some treat, not just for finishing overall, but for hitting your goals each week. It doesn’t have to be a big deal, but something you might not otherwise do: If I hit my goals each week, I will take myself out to lunch the following Monday. If I finish overall, I’ll buy those books I’ve been wanting.
  7. Assemble your cheering squad. Got friends or family who are also participating? Sign up to cheer each other on. Let the people who are good about encouraging you know what you’re doing and how they can best help you.
  8. Tell yourself you’re going to make it. Visualize your success and how lovely it will be to have all the words under your belt. Tell yourself you can do it, and keep that cheerful internal encouragement going throughout the month.
  9. Be accountable. Figure out how you can track what you’re doing. I’ll be using the NanoWriMo site as well as posting word counts and snippets on this website.

Are you participating in NaNo this year? What will you be working on?

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