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Facebook Advertising: Is It Worthwhile for Writers?

Cat and RavenAs you may know, the effectiveness of Facebook as a social media platform has recently changed for those of us who don’t usually pay for it but maintain a social media presence in order to publicize ourselves.

Many of Facebook’s changes affect fanpages. Think of a fanpage as a tiny website hosted by Facebook. Companies could create one in order to have a presence on Facebook, and their fans could go click “Like” on the page. You have one in the form of your author page. Here’s mine, for example.

The model for interacting with fans has been to post messages, which appear in your fans’ newsfeed. They respond by commenting and liking and hopefully by clicking on links in order to go buy your book or listen to your podcast or read the interview or blog post or whatever.

It’s hard to find a good overview of what’s happened, but it boils down to several things:

So I wanted to test out the changes for myself. Like most writers, I use social media to sell books but also to brand myself, spread news of upcoming events, etc. I also teach online classes, so I try to sell those as well. I had just announced a couple of new ones, so I figured I’d use that post for the test.

After I’d posted something, I clicked on “Promote this Post” to see what was involved, and saw it’d be $7 to promote. Wotthehell, as Mehitabel would say, and look, they even took Paypal.

One reason I’ve been a little dubious about all this is that in August I tried advertising on various social media (Facebook and Twitter) and search engines (Bing and Google) as well as on Hope Clark’s newsletter. I did see a lot more traffic on my site, but I don’t know how much of that translated into sales of books or classes. Overall, the newsletter, which was the cheapest, was also the most effective.

And, not to my surprise, here again it didn’t make much, if any difference, even though when I looked at Facebook’s results for my promoted post, I’m told, “Promoted posts stay higher in news feed to help people notice them. So far, your post has had 113.8x as many views because you promoted it.” That translated into a total of five visits clicking through the Facebook link yesterday. Five.

And that’s my point. Like most writers, my Facebook fan page just isn’t big enough for me to worry about this much. I’ll keep maintaining my Facebook presence, but I won’t spend money on advertising there but find most effective places. I’ll also make sure I don’t confine my social media activity to Facebook but use Delicious, Google+, Stumbleupon, Twitter, and Tumblr as well.

My advice for writers is not to waste money on social media advertising but to work on their blog and attracting readers through good content.

Enjoy this advice on social media for writers and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

One Response

  1. Thanks for the explanation of what’s happened. I’ve seen a few posts about it, but none went into any sort of details. I’ll continue to use Facebook to connect with readers and other writers, but most of my effort goes to my blog. Attracting readers to my blog has been an issue, but I’ve decided that the very best visitors would arrive there via a bio on my short stories, so the focus is now on getting those short stories out there and published. Maybe by the time my novel is ready, I’ll actually have a few fans 🙂

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Making the Most of Cons (and ArmadilloCon)

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I was just at ArmadilloCon over the weekend, and had a fabulous time of it. There’s an account of that, with sundry photos, on my Google+ page.

For me it was a pretty productive con – I connected with a few people that I definitely wanted to meet or see, I got a chance to hang out with some favorite peeps, I got a little writing done, and I did some career/work stuff that I wanted to get done. And I got the photo of Howard Waldrop with my brother and Gene Ha’s Project Superman.

Beforehand I did some stuff – I made a list of what I wanted to get accomplished, wrote to a couple people who I wanted to make sure to spend time with, and I went through the con program to identify some of the panels/features that I really didn’t want to miss. I also blocked in plenty of time for hanging at the bar, which I consider a crucial part of any con. I didn’t plan out every waking minute, to be sure, but I did make sure I knew what I wanted to do. I volunteered for programming and set up an individual reading as well as being part of the Broad Universe Rapidfire Reading.

This is, I think, the sort of thing you need to do if you’re going to cons and justifying the expenditure as work/career related rather than fun. Otherwise you end up sitting in your hotel room thinking that you should be doing something or being somewhere but not quite sure what.

Absolutely, cons are about friendships, that’s one of the more enjoyable aspects. But some you know a lot of folks at and others you have to push yourself a bit. I tend to retreat when around people I don’t know, but I’ve found that if I push myself out of my comfort zone some, I end up having a much better time.

If I’d been more diligent, I would have done the following:

  • Found the con organizers and thanked them. The con was well run and trouble free, and the panels were a nice mix.
  • Organized some sort of Broad Universe coffee or lunch meet-up, as well as something with the Codex peeps.
  • Gone through the dealers room and introduced myself, making sure book dealers had the card for my collection. I know no one had my book for sale, which was a little dampening, but I don’t know the best way to prevent that. Do folks write to dealers ahead of time in order to make sure they know where to get the books?

How do y’all prep for conventions? Or do you even bother about this sort of thing?

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First Editing Class: Notes and Observations

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The cats remain fascinated by the classes. They can't figure out who I'm talking to.
The Editing class is split into three sections. In this first session, we focused on developmental, or “big picture,” editing.

Some people are taking the class in order to edit their own stuff, others to edit for other folks, a couple for a combination of that. We talked about what a developmental edit is intended to do, and how it’s different from a copy-edit. In fact, you want to avoid copy-editing (other than a couple of cases which I’ll get to in a minute) because often that sentence you’re tinkering with will end up discarded or substantially revised in the final version.

Honing your editing ability to where you can trust it is one way to free yourself up when writing. Instead of listening to the internal editor telling you that sentence isn’t perfect or that you need to check that name on Wikipedia before using it, you can assure that editor it will get its chance during the revision process and go on writing.


Developing a process also helps you know when to stop rewriting. I work from the big picture stuff in, moving to small sentence level details in a second or third draft. Usually my process goes like this:

  1. Bang out a first draft. It may have parenthetical directions like (expand on this) or (transition here) or (describe), but it is a complete story.
  2. (Optional but encouraged) Let it sit for a week or two. This is where procrastination can really bite you in the ass.
  3. Print out the draft and write all over it. This is my developmental edit, in which structures may get changes, sections moved (or eliminated), point of view or tense changed, etc. It’s also where all those parenthetical directions get fulfilled.
  4. Entering these changes onto the computer may involve some more tinkering as I do so, but generally I’m working towards another draft that I can print out.
  5. That draft gets printed out and edited again. This stage is where I read aloud and tinker at the sentence and paragraph level. I may changes names at this point, and I’ll do things like look for adverbs (as discussed in The 10% Solution).
  6. I will probably do another read aloud pass after that’s entered into the computer, depending on how hard a deadline is pressing.

More on developmental editing, what it is, how I do it, and how one needs to adapt editing to genres such as hard SF, dark fantasy, horror, etc, in another post.

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