Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Your Cover Letter: A Basic Template

Cat Rambo reports for duty!I’ve seen a lot of cover letters in my time. Some ramble, some describe the story, others list thirty small publications, some are misaddressed or rife with typos.

So here’s a cover letter. It’s really all you need to say. Fill in the blanks yourself (and doublecheck to make sure you got the details right.) Italics indicate commentary and should not be included. And always, always – the market guidelines trump anything I say. Read AND follow them. Note: this cover letter is intended to be used when submitting short stories to magazines. You want a different one when submitting to an agent or sending a book to a publisher.

Dear {Editor}: (do make sure you’ve got the right name if you’re addressing them by name)

Attached/enclosed* is my story, “{title}”, ({wordcount}). (“Attached” if it’s e-mail; “Enclosed” if you’re sending by snailmail. Round wordcount up to the nearest 100.)

(The following paragraph is optional if you don’t have publications.)
My work has appeared in {market1 name}, {market2 name}, and {market3 name}. (List your three biggest or most prestigious publications.) In {year}, I attended {workshop name}. (Don’t list stuff if you don’t have it. If you’ve got contest wins that are significant, like Writers of the Future, list that here as well. Again, all of this is optional. This paragraph is intended to make the slush reader pass the work up to the editor by listing reasons you stand out of the herd.)

Thank you for your time and consideration. I look forward to your reply. (If you’re sending by snailmail and include a SASE, mention that here.)

Sincerely, (or the tag of your choice, just make sure it sounds professional. “Peace out,” while charming, may not sound as professional as it could.)

{Your name}

That’s it — that’s all you need. No accolades, no summaries, no previews. The facts and just the facts. Good luck!

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

15 Responses

  1. I’d love to see a Tumblr of the worst cover letters in slush. It seems that the college app and corporate resume world has made the cover letter into this big issue it never really needed to be. Thanks for this post, Cat!

  2. Hi Cat!

    Thanks so much for the cover letter tutorial!

    I have a question and I’d like to get your take on it please.

    Is it annoying or helpful to include your contact information in the body of the cover letter in addition to after your signature (and on your manuscript). It seems like overkill to me, but I’ve read a few places that even though I think it’s an eyesore it’s helpful for editors to have that information multiple places.

    Thanks so much, and loved “A Querulous Flute of Bone” on Escapepod!

    Cheers,

    Jess

    1. Hi Jess!

      I personally don’t include contact information in the body of the contact letter (although if it’s being sent snailmail, I follow the standard business letter model, with address up in the righthand corner). I do make sure that the manuscript has it on the first page, though, as per William Shunn’s guidelines for formatting stories (http://www.shunn.net/format/story.html).

      Thank you for the kind words about Querulous Flute of Bone! My novella set in the same world just came out last month, A Seed On the Wind. It’s too long for EscapePod, though. 🙂

  3. My letters generally conform to what you have here but it’s nice to see a template. A lot of times I just send my story with the top and bottom paragraph, but the middle paragraph is growing.

    1. That’s what you want, for your optional second paragraph to swell into a tool that will get you out of the slush pile and into the editor’s hands.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

WIP: Teaser from The Bloodwarm Rain

Illustration to accompany blog post by speculative fiction writer Cat Rambo. www.kittywumpus.netThis is the YA SF novella (?) I’m working on.

Synopsis: Stella’s life is on the unusual side, but whose isn’t nowadays, half a century after the Fall that led to this ruined landscape with its mesh of mythology and machinery? Still, being brought up as part of a troupe of circus performers wandering along the coast of the Inner Sea, going from small village to small village, sets her apart from many.

Even more alienating is the fact that she doesn’t know who her parents were. The others in the troupe deny any knowledge of them, and so Stella feels herself a stranger among them, particularly as adulthood draws near and she must figure out what her role with the circus will be.

When one of the circus elders reveal that Stella’s mother was, in fact, a circus performer, Stella must navigate feelings of betrayal, new responsibilities, and her mother’s legacy of magic-enhancing technology. When she fails to control her temper and half the circus burns down as a result, she’s ejected from the only family she’s ever known.

Accompanied by a village girl named Abacus (Abbie), the two strike inland, hoping to find the city that Stella’s father was rumored to come from. Their ingenuity and bravery are put to the test as they battle minotaurs, mutants, and other perils created by the crumbling technology of a long-gone scientific age.

When they finally come to the city, they find it deserted, much to their despair. But that night they are seized and taken to find Stella’s father, who lives far above on the space station. Abbie is slated to be the human sacrifice who will “pay” for Stella’s admission to the station, but when they find out they manage to (with great peril and suspense) flee to an abandoned lunar colony, where they come face to face with the greatest challenge of all: the aliens who created the Fall.

From the first chapter:

I’m practicing juggling again, because it’s raining outside, big fat bloodwarm drops drumming on the tent’s waxed canvas. In an hour, as the day’s light vanishes, the circus’s light will begin to flicker and shine, powered by the ancient turbine/treadmill pulled by three ponies and a servobot. Townsfolk will wander through the maze of entrance gates and aisles, hesitant and eager all at once, pockets full of silver slugs and other tradeable metal.

They’ll wander through the booths, looking at the freakshows and trying their luck at the games, winding their way towards the bigtop, ready to make their way up the creaking bleachers and sit to watch marvels unfold.

This time we’re within earshot of the ocean, a jungle-hugged glade near two different villages.

I drop a beanbag and curse. I’ve worked my way up to four at a time, but keeping five aloft continues to elude me.

Roto the Tiger Boy sticks his head in the flap in time to catch the last words. His whiskers twitch. He holds out a tin silently and I take it, gesture at him to sit on the floor. He does, closing his eyes as I start to apply the orange greasepaint that colors his dun fur, turning him from an ordinary cat-man to something more exotic.

What can I apply to myself, what will turn me into the exotic thing the circus just hasn’t realized it needs yet?

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

#sfwapro

...

Today's Wordcount and Other Notes (8/24/2014)

Picture of a Book Shelf
Here's the science fiction section of the local bookstore. I
What I worked on today:

Stated reading back through Circus in the Bloodwarm Rain to make sure things aren’t too wildly diverging from the outline. There’s going to be some serious word wrangling and wrestling to get it to all make sense. Added 200 words.

Prairiedog Town (working title) (story): 224 Figured out a sticking point in the story, which makes me happy. It’s modern horror (I think? Dark fantasy? What do we call Stephen King nowadays when there’s no longer a horror section in most bookstores?)

Carpe Glitter (story): 341 words

The Nondescript Bear (flash): completed and clocked in at exactly 700 words.

Crows & Dragons (story): 51 words of outline.

Total wordcount: 1516. Not too bad, but I’ll try to add in an extra 500 tomorrow so I can keep the average wordcount up. And that makes a pretty solid chunk of words produced this week, so go me!

Today’s new Spanish words: la almohada (the pillow), la ardilla (the squirrel), la arena (the sand), la hoguella (the flake, as in corn flake), lanzar (to throw)

Had a lovely conversation via Google Hangouts with my BFF. I love technology. Even got to show her the view out of the window. 🙂

...

Skip to content