Five Ways
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What I'm Working On

Abstract Image by Cat RamboI have a couple of stories that were requested, so I’m picking away at those. One’s a military fantasy piece that I’m setting at Hadrian’s Wall, right around the time it was built. Another’s for the Glitter and Madness anthology, and it’s a fun structure I’m playing with, through which a murder gets told, revolving around a lesbian were-seal. Im finishing the revision of “The Threadbare Magician,” which is a novelette I’d like to get sent off this week. I’ve also got some nonfiction stuff.

I’m also finishing up (hopefully today) the dark mermaid story. Here’s an excerpt:

When she got home, she went to the tanks, curious to see what progress had occurred. She’d put the coral seeds in them late last night. The seeds were globes now, made of a glossy gray material, almost two and a half inches in diameter. She could see something moving inside the globe. Its sides flexed and bulged as the thing inside it shifted. Even as she watched, it shuddered and wobbled. Whatever inside — presumably a mermaid — was eager to escape. Should she help it, perhaps poke a small hole in the side so it had something to work at? She consulted the pamphlet but it said nothing about the hatching process.

But by the time she came back to the tank, the question had resolved itself. A rent in the side was rapidly widening. Through it Petra glimpsed orange scales and pale flesh.

She checked the second tank. There the same thing was happening, although the scales were turquoise rather than reddish orange.

The globe convulsed and collapsed. In a flurry of scales the turquoise mermaid emerged.

Petra stared. She had expected Sea Monkeys.

This was very different.

The mermaid was tiny and perfect as one of the elaborate little fish that school in coral reefs, colored parrot bright. Her upper half was a tiny woman, complete with blue sea shell bra hiding the faint swells of her torso.

She called Leonid. “What are these? Are they intelligent?”

“Of course not!” he crowed, pleased at his creation having deceived her sharp eye.

“But it’s wearing clothing.”

“Look closer,” he said. “All natural coloration. Or engineered, to be more precise.”

Her fingers were tight on the cell phone as she leaned down to look into the tank. The mermaid coiled, long tail writhing in the water. It nosed among the plastic seaweed in the tank, perched atop an arch of rocks and groomed itself, running fingers through its long blonde hair.

“You’re sure?”

“They’re not even animals, really,” he said. “Think of them as little flesh machines.”

The flesh machines floated in their tanks. Petra pulled her eyes away from them.

“Very well,” she said.

That night she set two more seeds into their starting buds, one white, the other purple. It amused her to think that these were Suffragist colors, the same colors banner wearers of the 19th century had sported. She wondered what a suffragist mermaid would look like.

(As a side note, if you’re interested in the editing class that starts today, 4-6 PM PST and runs today and two additional Sundays, drop me an e-mail or a comment, because I’ve still got openings. It’s a class that’s useful not just to editors, but to writers wanting to enhance their own self-editing skills.)

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Class Notes from Writing Fantasy and Science Fiction Stories - Week One

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Keep an eye on the world around you and see what stories present themselves.
As I said in class, I’ll be posting notes after each Wednesday session, which all three classes can use to ask questions about or comment on what we covered. I encourage the students to hop into the discussion here, but it’s also open to the public.

We started by talking about what makes a story and the idea of character(s) involved in a conflict with rising tension that moves to a resolution at the end. It’s a pretty classic model and Vonnegut says some useful things about it here. Everyone brought a two line description of the story they’d like to write, and we listened to those and talked about which would work as is for stories and which need some narrowing down.

In discussing how we know when a story will be good, we looked at the first few paragraphs of stories by Carol Emshwiller, Joe Hill, and Kurt Vonnegut. I asked you to, in the coming week, look particularly at how people begin stories, and for Week 2, people will be bringing in a story beginning by someone else that knocks their socks. I mentioned that there’s plenty of online magazines to find speculative fiction in and here’s a brief starter list for you (feel free to add recommendations in the comments): Abyss & Apex, Beneath Ceaseless Skies, Clarkesworld, Daily Science Fiction, Lightspeed, Strange Horizons, and Tor.com. One of the things I mentioned is that reading other people’s short fiction, particularly good stuff, is important: you’ll find more story ideas coming to you, you’ll learn new tricks from them, and you’ll become familiar with the markets you hope to sell to.

We also spent some time on writing process and the idea of timed writings, as taken from Natalie Goldberg’s Writing Down the Bones and did some in class. Feel free to post yours here if you like it. I urged you to spend some time this week thinking about your writing process and perhaps trying to change it up a little: writing by hand instead of the keyboard, or in a place you don’t normally write.

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WIP: The Bloodwarm Rain, Part 3

I’m on fire! was my first thought.

Then “” some very stupid part of me bubbled up But look at how pretty the blue edges flicker “” and then panic overwhelmed me again as some lizard part of my brain scrambled to get out of the way of I’M ON FIRE.

Everyone else was doing so, and it looked as though they hadn’t lost any seconds to contemplation of the prettiness. Wren had drawn up short, ten feet away, her fists balled as she stared at me, the two new guys on either side, each with a hand on her shoulder. They exchanged glances, blinked as though surprised, and stepped back. Wren kept staring. She swallowed, and the snake tattooed along the side of her neck writhed.

The troupe is half human, half Underpeople, though June’s as human as they come. The latter hate flame, most of them, it’s hardwired in. Most of them faded towards the back of the crowd and one of the mini elephants squealed admonition in the scuffle of movement.

Roto was the only one who came forward. His eyes were wide and panicked, his lips curled back in alignment to his stiffly leaning ears, his whiskers silver lines against his dark cheeks.

He said, “Meg, what’s happening?”

It was so unfair. How was I supposed to know what was happening? I didn’t have a clue. I opened my mouth to say that, but all that came out was an agonized shriek, even though I felt no physical pain. It was just a howl of frustration and want and loneliness, all the loneliness of having the circus as my family but no one mine, no one bound to me by blood, so I never knew where I’d fit.

Something cool around my shoulders. June, wrapping me in a silvery blanket.

“I need you to take a deep breath,” she said.

I tried, but the sound kept coming out.

She laid her hand over mine. “Breathe.”

Flames danced over her skin where it touched mine. The blue fabric of her jacket began to smolder, flaring orange and sparking along the line of the hem.

Breathe.“

Nothing physical but that coolness against my back, as though the blanket were drawing the flame inside it. But in my head, something slammed down so all my consciousness went to breathing, to the act of pulling in the air, feeling it rush into me, my ribs dwelling to contain as much as possible, holding it for a beat and then releasing…

“Okay,” June said. “Okay, Meg.”

I blinked. The flames were gone, but the hem of her jacket still flared orange one last second before dying away.

“You’re tired. I’m putting you in Nursie.”

I tried to protest. Riding in Nursie was boring beyond belief. One of her settings had gone wonky and she treated everyone as though they were a six-year-old. But at the same time, I realized, it sounded so good, lying down in darkness and not thinking for a while.

Before I knew it, I was tucked in Nursie’s depths. Vanilla scented mist sprayed down around the couch.

“Now I’m going to tell you the story of the Brave Little Kitten,” she announced.

That was all right. At least it was one of the comprehensible stories. But something else caught my attention. I rolled closer to the hatch opening, trying to hear out.

Outside, June shouting.

“All right! These fellows either lair nearby or they’re affiliated with the town.”

Nursie said, “Once upon a time “””

“Wait,” I said. “Nursie, can I have a drink of water first?”

The story paused as a cup rattled into the dispenser and began to fill.

June said, “Either way, we can’t go back “” you know that as well as I “” and it’s better to make these disappear and keep moving rather than have others come look and find us with them.”

Muffled agreement. Nursie said, “Drink your water, Meg.”

I drank it as slowly as I could, but all I heard were doors slamming and engines starting again. I felt dizzy. It was hard to swallow.

Warm vanilla sprayed me again as I set the cup down.

Nursie said, “Blood pressure dropping.”

Something snaked from the ceiling towards me. I heard Nursie’s voice, as though from a very far distance. “Administering sedation.”

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