Hey, congrats to everyone on the list, particularly Ken Liu, who is just smoking up the awards lists lately. I am just tickled pink to be on the ballot.
If you’re checking my site out because you haven’t heard of me before, let me make sure you notice two parts of the site.
1) Here’s a list of all my fiction, with links to the online versions.
2) Here’s a list of the online classes I teach. Sign up by Feb 28 for a special deal.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
Reckoning 2: Creative Writing on Environmental Justice is solid in weight and content. The stories, poetry, essays, and art deal with the world around us and our ethics in dealing with it. This refined focus sharpens the magazine’s impact, I think, and makes it something that tries to evoke change through its art rather than the shallow comfort afforded by something whose theme was simply “Nature”.
The annual’s mission statement is A locus for the conflict between the world as it has become and the world as we wanted it to be. Editor Michael DeLuca’s opening editor’s note, “On Having a Kid in the Climate Apocalypse,” deals with a life situation that makes that mission even more pressing: having a kid:
My son is three months old. He has no idea what the world is, what it has become. I can say anything in front of him. I can curse. I can cry. He’s happy or he’s sad. there’s no cause and effect. I can read to him from A Tree Grows in Brooklyn, a book that spends hundreds of pages drawing an analogy between a child growing up and an invasive tree species flourishing in a sidewalk crack, a book full of compassion for the poor hated by the rich, casual about the hatred it portrays for people of other cultures. He doesn’t understand a word.
The essay is intimate, frank, and willing to comtemplate its own imperfections:
Maybe this revelation isn’t for everyone. Maybe not everyone needs it. Maybe, to people who aren’t white, aren’t straight, aren’t privileged children of educated families, some of this is so painfully obvious. I’ve spent this essay embarrassing myself. I needed it. I needed to write it. I needed my assumptions undermined and broken up and reassembled around someone who wasn’t me.
While there are several essays in the magazine, all of them nicely put together and executed, my favorite pieces from the issue are all stories:
“Wispy Chastening” by D.A. Xiaolin Spires is slight but significant, much like the narrator’s crimes against the environment, turning this into a sharp look at the idea of thinking globally but acting locally, or even individually.
“To the Place of Skulls” by Innocent Ilo provides an Afrofuturist post-apocalyptic world where its protagonists visit a landscape of grit and myth:
We are going to the Place of Skulls: Saro-Wiwa, Babbe, Gokana, Ken, Nyo, Ueme, Tai, and myself. For you to know, this is not the place Bro Lucas said Jesus was crucified when he was spitting into my face from the broken lectern during his sermon, last Sunday. The Place of Skulls is where a stark reality stares us in the face. We all have after-school exhaustion, Babbe’s diarrhea has worsened, Gokana is still nursing the burns on his legs from our last visit and Mama will yank at my ear if she hears fim about it, but we must go. The Place of Skulls is that important.
“Girl Singing with Farm” by Kathrin Köhler broke my heart and yet I know I’ll go back and read it several more times. What seems like it may be simplistic turns into a beautiful, layered story with a final image that will linger with the reader.
I’m saving the best for last and that is the story “Fourth-Dimensional Tessellations of the American College Graduate” by Marie Vibbert. I love this story so much that I am not going to discuss a single detail except that the ending made my heart leap and it is my favorite story of 2018 so far. I will hold onto my copy of this magazine forever because it contains it.
Highly recommended for those enjoying more literary SF as well as thoughtful essays.
(Reckoning Press, 2017)
You can read this review at http://thegreenmanreview.com/books/recent-reading-reckoning-2/
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Help them exercise their creativity. Provide them with clay, paints, fabric, glitter glue, sketchbooks, pens of magnificent and splendid color. Try Daniel Smith or the U. Bookstore for great selections.
A donation in their name to an appropriate charity. I like Heifer.org, Kids Need to Read, and Kiva.
For the power traveler perpetually on publicity tour, an Aerotray, a solar phone charger, a Tom Bihn bag, or a set of GoGear travel bottles.
Time. Either spend some time with them (take them out for lunch, dinner, to the zoo, up in a balloon, out for coffee and chat, on a cruise) or save them some time (sign them up for a delivery service, offer to baby-sit, help out with errands or household work). Or offer them proof-reading/copy-editing time.
Learning, via a gift certificate for my online classes. Right now through January 1st, 2014, mention this post on social media or in a blog (or spread the word some other way) and you’re entitled to a special deal. Buy two, get one free (one day workshops only) OR enroll in Writing F&SF or Advanced and get a free one day workshop.
Upcoming classes include the six week workshops Writing Fantasy & Science Fiction and Advanced Workshop and these one day workshops: Building an Online Presence for Writers, Character Building, Editing 101, First Pages Workshop, Flash Fiction Workshop, Literary Techniques for Genre Fiction, Moving Your Story from Idea to Finished Draft, and Podcasting 101. See here for dates.
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In this Medium article, Cat Rambo talks about some basics of SEO that more creatives should know when working with their website and online presence.
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