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Frivolous Friday: Miscellaneous Links for 3/15/2013

Here’s a grab-bag of interesting and utterly unrelated links with which to amuse yourself.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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WIP: Teaser from "You Remind Me of Summer"

IMG_9664From the SF story I’m working on, “You Remind Me of Summer”. Think it will end up being 6-7k.

Madhur hesitated in the doorway of the bar. No sign on the outside other than a weathered metal plaque set at eye level to the right of the door. It showed a complicated red knot on a chipped white background.

This was dangerous territory but it was also anonymity, a place where no one would be looking at her flags. The privacy field inside kept all such information unavailable.

Someone was coming up behind her and there was nothing to prevent them reading her right now, so she gave the metal knob a twist and pulled it toward her to slip inside.

First impressions: booze-scented brown darkness broken by a single strand of red and green Christmas lights, tables centered in pools of yellow light from overhead lamps, constructions of spiderwire and sickly glow crystals. Along the back wall, a photo mural tried to provide the illusion of looking out onto a great deal seascape from a high cliff, but stains and a few tears made the illusion ineffectual. Underfoot, plas-crete, worn and a little slippery. A dim jukebox pulsing out a watery rendition of “I’ll be Home for the Holidays.”

The air smelled of sweat and alcohol and here and there a whiff of cologne or perfume. The inhabitants were varied ““ even a few nonhumans and mechanicals, but most shared a uniform dispirited look, a slump to their shoulders that made them seem aged and discouraged. Many nursed drinks, but three teenagers lounged at a back pool table, talking trash talk to each other as the balls clacked defiantly against each other.

This morning on the train into the city, she’d looked out the window and seen three young deer, springborn, now nearing fall adolescence, playing with each other by the side of highway running parallel to the track. They darted back and forth; one reared, sharp little hooves flicking out in play, catch me if you can, full of fearless stupidity and no thought for the cars rushing past so close to their play.

Then they were gone, and the landscape kept flickering as she tried to ignore the porter’s stare.

She chose one of the few empty tables, close to the wall, sliding into a wobbly seat, touching a faded video display, freckled with dissipated pixels, alight, tabbing through the choices, contemplating beer and onion rings. Her mouth watered at the thought not just of the greasy food, but the sensation of being unlooked at ““

— then someone sliding into the seat across from her, a woman perhaps two or three decades senior, face unfrozen by the conventional anti-aging techniques, but instead wearing tattoos across forearms and cheeks, purple streaks almost as faded as the menu.

Alarm blared against her nerves, but she refused to let her breath quicken or her tone be anything but bland. “Thanks, but I’m not looking for company.”

“Neither am I if bedplay’s what you mean,” the woman said sharply. Her hair was a silver Mohawk, tipped with blue along the six-inch strands that stood up like a parrot’s crest. She looked strong, was Madhur’s first thought, like some sort of warrior goddess cum blacksmith or stevedore.

“I just want conversation,” the woman said, “and any man I talk to is going to think I’m trying to pick him up, even if I lead with a denial of that. Humor an old broad and entertain me this evening. Unless you really do want to be by yourself, in which case I’ll slide off and leave you alone.”

Enjoy this sample of Cat’s writing and want more of it on a weekly basis, along with insights into process, recipes, photos of Taco Cat, chances to ask Cat (or Taco) questions, discounts on and news of new classes, and more? Support her on Patreon..

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How to Critique: Best Practices for Workshopping

Abstract image to accompany blog post about critiquing stories by speculative fiction writer Cat Rambo.
If you're interested in getting your stories workshopped, click on this picture in order to find out more about My Writing Fantasy & Science Fiction Stories online class. There's also an Advanced Workshop, as well as classes focusing on individual aspects of writing, like description, characters, and fleshing out stories.
Both my Writing F&SF Stories and Advanced workshops offer students a chance to critique and be critiqued. To my mind, the latter is actually more useful, because being forced to articulate one’s position on an aspect of writing can be enlightening and instructive. With that in mind, here’s some best practices for such workshops.

Overall:

  1. Start with what works. Let the writer know what you see as the story’s strengths and how they might capitalize on them.
  2. What keeps you from connecting with the story? What don’t you understand? Sometimes the most useful thing you can give someone is a brief synopsis of what you think is going on in the story, because it may not match their intent.
  3. Critique big ticket items, not little nitpicks.
  4. It’s more important to point out what’s broken than to make suggestions how to fix it, because that fix will differ radically from writer to writer.
  5. How do the beginning and ending work together to create a satisfying story? Is the story that’s provided the one the one promised in the beginning? Is the ending set up in a satisfying way? Is it the result of character actions?
  6. What’s missing? What don’t you understand?
  7. What seems extraneous, unneeded or distracting?
  8. What’s the pacing like? Where does the story drag and where does it skip too quickly through details?
  9. Where are the info-dumps and how can that information be spread out?
  10. How well does the title work? If not well, what possible better titles can be drawn from the story?

Characters:

  1. Are the characters likeable?
  2. Are the characters acting or reacting?
  3. Does the character have a point of identification with the reader, such as a problem, situation or want that both of them hold?
  4. Where can we go deeper into the character’s head? Does the reader know what the character wants? Where don’t we understand what the character is doing?
  5. Are there too many characters? Can any be combined?
  6. Is the dialogue interesting and informative of character?
  7. Is the point of view consistent?

World:

  1. Is the world clear? Does the reader know where they are?
  2. Does it feel generic? (Is it?) How can it be made more specific and evocative?
  3. Does it make sense?
  4. How important is the science of it? Are the facts right?
  5. Where should we know more?
  6. Where can the world come forward more?
  7. Where can more sensory detail be worked in?
  8. Is the culture interesting and also make sense?

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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