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Arguing on the Internet: The Dwarves are for the Dwarves

If you’re familiar with C.S. Lewis’ Chronicles of Narnia, you may know what I’m quoting in the title. In the final book of the series, The Last Battle, there is a group of dwarves who believe in their cause so strongly that they cannot perceive reality. There are multiple interpretations of the dwarves, particularly given how prone to Christian allegory Lewis’s work is, but I think they hold a lesson for those of us witnessing and/or participating in arguments on the Internet.

Here’s the thing. Everyone believes their own worldview. It may not totally jibe with the one they project to the world, a la Stephen Colbert. But deep inside, everyone is the champion in their own narrative, or at least that’s the impression that everyone I’ve ever met or read about gives me.

And because they’re the main character in their story, people like to believe that they are good or at least mostly good. But that definition of good can vary wildly from individual to individual. It often is a combination of definitions associated with a particular religion along with whatever personal modifications one requires. Their attitude and behavior toward other beings are shaped by those definitions.

So, the dwarves are being good according to their own dwarvish standards, which, depending on our own internal definitions may or may not seem incorrect to us. That’s worth taking a moment to think about.

It’s a point that often gets overlooked, particularly in arguments on the Internet. As is an accompanying point, that in arguments it is much more common for every participant to believe themselves fully in the right than it is for any of them to believe themselves in the wrong.

Am I saying bad faith arguments are never made, that no one enjoys playing devil’s advocate or creating an elaborate chain of logic one could slip around an opponent’s neck? No, those exist but should be saved for another time. What I’d like to focus on is how one person who’s convinced they’re right can listen to another person who is also convinced that they’re right and end up at a meaningful conversation.

We get angry when people disagree with us. We become defensive when we feel we are under attack. That is a normal response that goes back to our early days of being human. But one of the cool things about human beings is that we can recognize that impulse in ourselves, and take it into account, and then move on to a more considered response which by no coincidence is usually a more courteous response.

To me, part of my definition of being good is questioning assumptions as well as what I’m told by my surroundings, particularly popular culture, and my own biases and filters. It seems to me more meaningful to be good in a way that I know to be correct because I have spent time thinking about it than to accept a definition pre-created for me. I can conceive of a world view, however, where that is not true.

And part of that definition is being willing to listen, to try to find common ground and agreement. To take a little time for give and take, rather than worrying about who’s the most rightest of all. Passionate anger can be a great motivator. But what it’s best at is creating more passionate anger.

Am I saying I am never offended ever? Holy smokies, no. But I am saying that I try to be willing to listen. That I try to extend the person I am listening to the courtesy of assuming they speak in good faith. If they don’t, eventually that will come out, at least in my opinion. Yes, I may feel that they should be listening to me first and that viewpoint may be justified. But what is more important, being right or achieving communication that may enable change of that worldview, or even mine?

I’m aware mileage as far as agreement goes will vary wildly among readers of this blog. And I will save how one reacts to bad faith arguments for some other post. But to me, operating by these guidelines is more effective than not, and gives me the satisfaction of knowing that at least I tried.

4 Responses

  1. I think people are equally familiar with the scorpion and frog parable; in other words, I’m far less likely to be willing to enter a “discussion” with someone whose past words and actions have consistently belonged in certain categories. For example, if someone says “The sun goes around the earth” and someone else says “The earth goes around the sun” the correct answer, contra Faux News’ “fair and balanced” fig leaf, is not “in the middle”. Also, if someone says “All humans are equally human” and someone else says “Some humans are more so than others” the solution is not (as it once was, de jure, and still is for non-males in many parts of the world) that some humans are half-human.

    1. I think I’ve addressed both those points in the blog post, or at least indicated that they’re cases that require a separate post of their own.

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The Freelancing Life - Pitching An Idea

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The freelancer deals with more than just words on the page.
Last week I got to head into Seattle to watch part of a photo shoot for an article I’ve done for a local magazine – very exciting! But I wanted to talk about what it took to get to that point, because I think it underscores some of the problems with freelancing. It would be lovely if all a freelancer had to do was sit on their rear and spew verbiage onto the page. Unfortunately, there’s a lot of other stuff that gets in the way.

So how did this article come about? I’d picked up a couple of copies of the magazine in question and thought about what they might like. I came up with a topic that I had a lot of information about and wrote a pitch – three or four sentences that explained my idea and (important) why I thought their readers would be interested. I included information about my writing credentials and why I was particularly qualified to write about this topic. I put a good bit of time into that pitch, trying to make it interesting enough that the reader would want to know more about the topic. I made sure the e-mail was professional and error free, as well as showcasing my ability to craft a sentence. Once it was ready, I poked around on their masthead and found what looked like the logical editor to mail my pitch to. And I did.

To no reply. A month later, I sent a nudge asking about the pitch. This time I got a reply from the publisher saying that she liked the idea and that they would discuss it at their editorial meeting and get back to me.

More time passed. I sent another nudge asking about the story and mentioning that if they weren’t interested, I’d love to pitch them a couple of other ideas. This time I got an actual assignment, with word limit and due date. It was on.

I mention this because I’ve found that the most important characteristic a freelancer can have is tenacity and a willingness to keep nudging when necessary. The reply to a pitch is, more often than not, silence, and it’s easy to get discouraged by that. It’s important to not assume that silence is a hostile or negative response and to be willing to keep on flinging e-mails into the void until you get a reply. People are busy, editors have five million things on their to-do list – being patient and professional when dealing with that fact is crucial.

Editors don’t have a stack of story assignments that they’re ready to hand out to freelancers, unfortunately. They want story ideas and they want to know a) why that story will appeal to their readers and b) why you’re the person who should write it. Figuring out what might work as a pitch involves looking at the publication and also at your qualifications, trying to find an idea where the two overlap. Pick publications where you have some expertise or unique experience to offer, rather than making the mistake of trying to write about something you aren’t interested in or don’t know much about.

And then be prepared to be persistent.

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Post WorldCon: Happy Daze

It’s the day after the last day of Chicon 7, and I have caught up a little on sleep. I had one of the best times I’ve ever had at a convention, and the book launch party went (IMO) swimmingly. Lots of people showed up, people really loved the jewelry and the stickers, and everyone seems to think the book design almost as cool as I do.

Some people who helped make it the most awesome of cons were: Al Bogdan, who’s provided some lovely party pics; the enigmatic Folly Blaine/Christy Johnson, who is always good con company; Randy Henderson, who pitched in when needed and also kept everyone from taking things too seriously; Stina Leicht, whose book And Blue Skies From Pain was also being promoted at the party and who was an excellent co-host as well as providing a vicarious experience of being on the ballot 😉 ; Vicki Saunders, who trekked and fiddled and above all, kept me from stressing (too much); Dallas Taylor, bartender extraordinaire and always, always, always Tod McCoy for being one of the prime instigators of all this madness.

Various highlights:

  1. Watching the Hugo Awards from the bar with Folly Blaine, Gio Clairval, and Tod McCoy and supplying what John Scalzi was saying since we didn’t have any sound.
  2. Lovely lunch with Kay Kenyon and all too brief Louise Marley time.
  3. Several people thanking me for personalized rejections from Fantasy, and one young man saying that rejection was one of the reasons why he was still writing.
  4. As always, meeting many people I knew from correspondence or social networking and getting a chance to put faces and voices to the icons and screen names. Two I was particularly excited to meet were Gio Clairval and Jay Caselberg.
  5. Getting to squee like a fangirl upon meeting Sharon Shinn.
  6. A stint at the SFWA table and getting to stroke Catherine Lundoff’s lovely book cover for Silver Moon, which is a kickass novel about menopausal women turning into werewolves, which I’m downloading onto my Kindle asap.
  7. The Broud Universe Rapidfire Reading, which was jampacked with great stuff, including a closing filk song, which was about the nicest way to end a reading that I’ve seen or heard in a long time.
  8. Getting to see Rachel Swirsky in full and beautiful glitter.
  9. A lot more which is still full of happy, giddy blur, so if I’m overlooking you, it is because my memory is still aswirl. 😉

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