Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Patreon Post: California Ghosts

Picture of two peopleThis post marks a change-up in my Patreon campaign – I will post content publicly. If you’re enjoying it and want to make sure it continues, please consider supporting my ongoing attempts with this publishing model! There are several levels of possible support, but you can do it for as little as a dollar a month.

I’m enjoying on retreat in California right now, which will explain what provoked this piece.

California Ghosts

When you walk in the hills in southern California, through stands of pine and tall grass, up shaly mountains where the sides fall away steeply and the rock splinters rather than crumbles, you can hear the sound of the wind in the treetops, making them sway, making them creak. Stand still and you will hear the little noises, the sound of a deer’s delicate steps, far away a Stellar’s jay scolding some interloper, the click and tap of falling rocks.

There are ghosts out there in the hills, walking the ridges, slipping among the trees, but they are mostly animal ghosts, the memories of deer and mountain lions, a flicker of rattlesnake among the grass stalks, an eagle’s shadow floating over the earth.

If you find a human ghost alone out there while walking, approach it with caution. Groups of ghosts are left behind by villages and tribes, and many of them died peacefully, among those they loved. Solo ghosts are usually ghosts who came to a violent end, blade or bullet or even bared teeth, and they do not want to be disturbed.

If such a ghost blocks your path, stand still enough to hear the protests of the pines, the slide of dust downhill. Do not look them in the eye, but at a point past their shoulder. At first they will know this for a ruse, but give it time and they will falter. Finally they will turn away and vanish, because you can never see the back of a ghost, and you will be free to move further.

There are other dangers in the hills, but you know if you keep walking towards the sunset, eventually you will find the ocean ““ perhaps cliffs dropping down, perhaps sand and rock sloping. There are more ghosts in the ocean than anywhere else, but that is because it is so very large, and most of them are fish and gulls, whose ghosts pay no attention to humans. Sit on the shore and listen again. You’ll hear it say, Why go on walking? and Who knows why the wind blows?

And when you realize that the only sounds you cannot hear are your breath, your heart, your body, you will know you are a ghost yourself, ready to go down to the sea, and swim there in the water, in the waves alive with noise.

10 Responses

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

On Awards: To Be Pushy Or Not To Be Pushy

Sometimes putting something up for award consideration feels uncomfortable, but if you're not going to toot your own horn, who is?
Amal El-Mohtar has a great blog post up right now about writers and posts where they list what’s eligible for awards. I get as squicky about writing my own as anyone else, I’ve got to admit, and I thought this was a terrific reminder that it’s okay to toot your own horn a bit.

So in that light, if you’re reading for the Hugo, Locus, Nebula, Tiptree, or World Fantasy Award, here you go.

I had twenty original pieces published in 2013. Of those, I’m pushing two, one SF short story and one fantasy story. The first is “Elsewhere, Within, Elsewhen,” which originally appeared in BEYOND THE SUN, edited by Bryan Thomas Schmidt, which I am happy to mail a copy of to people interested in considering it. The fantasy story is “Superhero Art,” which appeared in DAILY SCIENCE FICTION. If you’d like to see the full list of 2013 pieces with links to the online ones, you can find it in my 2013 wrap-up post.

I myself am reading for the Hugo, Locus and Nebula and am not sure yet about WFC. I am also on the Norton jury this year, so if you’ve got a YA or MG novel that came out in 2013, I’m very interested. Feel free to leave pointers in the comments on this piece; I pledge to make sure I read any listed there. If you want to mail me something, please send it in mobi or pdf format.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

...

Guest Post: My Take on Critique Groups (C.M. Michaels)

I’m going to be experimenting with including some guest content on my blog, primarily authors talking about their books. If you’re interested in participating in that, please drop me a line.

Cover for DANGEROUS WATERS by C.M. Michaels (Publisher: Freya's Bower)Here author C.M. Michaels talks about critique groups:

In my opinion, the ability to get real-time feedback from people knowledgeable about your genre that you trust explicitly””but who are still willing to offer constructive criticism””is the most helpful tool in a writer’s arsenal.

For a critique group to be successful, each of the conditions summarized above needs to be met.

  1. Composed of people you trust ““ I’ve seen a lot of online critique group sites pop up recently. These sites make the formation of groups far easier, but they miss out on one of the most essential requirements for collaborative input to be effective. Trust. I’m not just speaking of the risk that someone you have never met will pilfer your amazing idea for a new book (or even actual chapters), which is all too real. The lack of trust also makes you more defensive and less open to receiving even well intentioned feedback that they share. Selecting a critique group comprised of close friends and relatives alleviates both issues.
  2. Composed of people knowledgeable in your genre ““ So you’ve taken the first step and found a group of close friends and relatives who are willing to join your new critique group. That’s wonderful! Are all of them familiar with your genre? If not, I’d suggest that you keep looking. That may sound harsh (especially if they volunteered for your non-paying gig) but if they aren’t fans of the genre the pushback you receive could have as much to do with their dislike of your type of book as with what you are actually writing. Even if they are just uninformed about the genre rather than being biased against it, they still don’t have any benchmark to gauge your book against. Contrast that with someone who has read all the popular series you aspire to emulate. They can give you candid feedback that draws upon a mutual understanding of the essential elements for a book in your genre to be a hit.
  3. Composed of people willing to offer constructive feedback ““ This makes the selection of your critique group members far more difficult, as you need to ensure that the relatives and close friends you select are going to be willing to share negative feedback and take you to task. Getting a bunch of “this is great” comments may boost your ego, but it does nothing to improve your novel. No one is inherently excluded””your parents, sister, brother, boyfriend, may make great group members””it just depends on the nature of your relationship. And you also need to be open to receiving constructive feedback from them. If your boyfriend tells you he kept falling asleep during your prologue, as he didn’t see where you were going with your in depth knowledge dump on the Greek pantheon, will you listen to him and make the chapter more focused, or will it start a fight between you? Be honest with yourself. Having people tell us our creations are less than perfect stings. Make sure you select people you will not hold a grudge against.
  4. Able to provide real time feedback – We all know it’s much easier to make major storyline changes before the entire draft is written, and input on dialogue, narrative voice, syntax and character development received for one chapter can be leveraged as you work on future chapters. So in order to be effective your group needs to meet regularly, once every 1-2 weeks. As an added bonus, meeting frequently also gives you intermediate deadlines to target, since you need to have written something for them to review. Posting the chapters out on a Skydrive a couple days in advance of each meeting will give everyone a chance to read it beforehand and come prepared with their input.

Comment on this post to be entered in a Rafflecopter giveaway
for a $50 Amazon gift certificate. Look for other stops on C.M. Michaels’ blog tour for additional chances to win.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

...

Skip to content