Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Retreat, Day 22

coffeeToday I am letting myself slack a little, feeling caught up from the weekend’s excesses and so I can game tonight.

Today’s wordcount: 2592
Current Hearts of Tabat wordcount: 119954
Total word count for the week so far (day 3): 13568
Total word count for this retreat: 60229
Worked on Hearts of Tabat, “Moderator,” untitled piece
Works finished on this retreat: “California Ghosts,” “My Name is Scrooge,” “Blue Train Blues.”
Time spent on SFWA email, discussion boards, other stuff: 45 minutes

From the untitled piece:

The magician gestured, and out of the pool came musicians, the very first thing the tip of a flute, sounding, so it was as though the music pulled the musician forth, accompanied by others: grave-eyed singers and merry drummers; guitarists and mandolinists with great dark eyes in which all the secrets of the moon were written; one great brassy instrument made of others interlocked, so it took six to play it, all puffing away at their appointed mouthpiece, and all of them bowed down to the priestess who stood watching, her sand-colored eyes impersonal and face stone-smooth.

“Very pretty,” she said, and yawned with a feline grace, perhaps even accentuating the similarity in a knowing way with a tilt of her head.
The magician smiled, just as catlike, just as calm. “You can do better, I am sure,” he said.

She shrugged, her manner diffident, but rather than reply, she pursed her lips and whistled. Birds formed, swooping down, and wherever they swooped, they erased a swathe of the musicians, left great arcs of nothingness hanging as the seemingly oblivious players continued, their music slowly diminishing as they vanished, the instruments going one by one, and the last thing to hang, trembling in the air, was an unaccompanied hand, holding up a triangle that emitted not a sound.

Landing, the birds began to sing, and though the music was not particularly sweet, there was a naturalness about it that somehow rebuked the mechanical precision of the song theirs succeeded. As they sang, more and more birds appeared, and the music swelled, washing over the pair where they stood, like a river.

The priestess patted the air with the flat of her hand and the birds winked out of existence, leaving the two of them in a great white room, the antechamber of her temple.

“Will you go further in, then?” she said, and her voice was still casual.

The magician’s eyes were green as new grass and the black beard on his chin, which grew to a double point, was oiled and smelled of attar-of-roses. He considered her as though this was the smallest of debates, and finally stepped forward.

“We are still evenly matched,” he said.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

Superhero Fiction

So here’s the list of fiction(ish) drawing on comic book super-hero trophes, generated here.

Novels:

  • Michael Bishop, COUNT GEIGER’S BLUES.
  • Michael Chabon, THE AMAZING ADVENTURES OF KAVALIER AND CLAY.
  • Tom DeHaven, IT’S SUPERMAN!
  • Jennifer Estep, KARMA GIRL.
  • Minister Faust, FROM THE NOTEBOOKS OF DR. BRAIN.
  • Austin Grossman, SOON I WILL BE INVINCIBLE.
  • Jonathan Lethem, FORTRESS OF SOLITUDE.
  • George R.R. Martin, the WILD CARDS series.
  • James Maxey, NOBODY GETS THE GIRL.
  • Perry Moore, HERO.
  • Tim Pratt, THE STRANGE ADVENTURES OF RANGERGIRL.
  • John Ridley, THOSE WHO WALK IN DARKNESS and WHAT FIRE CANNOT BURN.
  • StephSwainson, THE YEAR OF OUR WAR.

Short Stories:

  • Charles DeLint, “Bird Bones and Wood Ash”
  • A. M. Dellamonica, “Faces of Gemini”
  • Carol Emshwiller, “Grandma”
  • Jim Hines, “Sidekicked”
  • Jim Hines, “Stormcloud Rising”
  • Vylar Kaftan, “Blank Sezra”
  • James Maxey, “The Final Flight of the Blue Bee”
  • Tim Pratt, “Captain Fantasy and the Secret Masters”
  • Cat Rambo, “Acquainted with the Night”
  • Cat Rambo, “Ticktock Girl”
  • Benjamin Rosenbaum, “The Death Trap of Doctor Nefario”

Poetry:

  • Jeannine Hall Gailey, FEMALE COMIC BOOK SUPERHEROES

...

Documents of Tabat: A Brief Treatise on Magical Energy and The Practice of Eating Beasts
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. I'll release them at the end of April in e-book form; careful readers will find clues to some aspects of Beasts of Tabat in them. -Cat
What are the documents of Tabat? In an early version of the book, I had a number of interstitial pieces, each a document produced by the city: playbills, advertisements, guide book entries. They had to be cut but I kept them for this purpose. I’ll release them at the end of April in e-book form; careful readers will find clues to some aspects of Beasts of Tabat in them. -Cat

A Brief Treatise on Magical Energy and
The Practice of Eating Beasts,
Being A Primer for Elementary Students
of the College of Mages
by Sebastiano Silvercloth
(private publication of the College of Mages)

To understand the basic principle behind this practice, one need look no further than the custom of keeping Oracular Pigs, common among larger merchant households. Since such Beasts are capable of seeing only matters in its own physical future, they must be kept in places where their warnings of fire, attack, or other household disasters will involve the household, such as outside but near the kitchen, or beside outlying buildings of importance.

When the time comes that the Pigs foretells its own death (or shows signs of concealing such a prophecy), it is slaughtered and prepared for a feast in which the entire household takes part. The pig is consumed in the belief that its oracular powers may be acquired; some gamblers swear by a diet of such flesh.

Absorption of magic energy through ingestion of the flesh that held it is at the heart of many magical rituals. In truth, the roast pork and other meats are of little use to the consumers in the manner they desire. Luck is not a transferable quality. But it does advantage them in other ways: such consumption is known to increase life span dramatically, to prevent some illnesses, and cure others. The longevity of many of those able to afford the practice is augmented, while those with flatter purses lead richer lives.

Some Beasts and animals are much richer in magical energy than others, depending on their race’s characteristics. Almost every by-product and physical bit of a Dragon, for example, is highly valuable in that regard. The wings, which are typically removed from captive Dragons, are dried, while the meat is powdered and used as an ingredient in the alchemical cooking for which the Chefs of Tabat are famed. The leather is employed in the construction of aerial apparati and some armors, though the cost of such is prohibitive enough to keep them from the ordinary soldier’s wardrobe.

Dryads are similarly prized, for once they have taken on their ultimate form of a rooted tree, the wood of their bodies becomes steeped in magic over the course of season after season, and yields great quantities of energy when treated and burned in special furnaces. Such fuel supplies much of the energy that drives the city and gives its citizen the rich life we enjoy, and the trade boats are always on the look-out for Dryad groves, in order to collect the substantial bounty the city pays for their trunks.

For the most part, though, the effect created by partaking of a Beast or magical animal’s body is slight. Both Fairy blood and honey are faintly hallucinogenic in nature, but one would have to ingest vast quantities, such as the blood of two or three dozen Fairies (depending on the ingestor’s body weight and susceptibility to the drug) to experience anything appreciable. Still, the creation of dishes incorporating such substances have become an art for which Tabat is famed throughout the world. This reminds us that such knowledge may well be turned to practical purpose without suffering scorn. While pure Magicians pursue abstract knowledge, others help keep the College and city functioning through their willingness to put aside such lofty pursuits.

***
Love the world of Tabat and want to spend longer in it? Check out Hearts of Tabat, the latest Tabat novel! Or get sneak peeks, behind the scenes looks, snippets of work in progres, and more via Cat’s Patreon.

#sfwapro

...

Skip to content