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Retreat, Day T-7

picture of a sleeping cat
Willow, sleeping in her net.
It feels like I have been here a shorter time than I have, but it’s been great and I have gotten so much work done. I’m filling in gaps on Hearts of Tabat right now and happy with its progress. I wrote a bunch of stories and one poem. I walked on the beach and among the redwoods, and I got to spend time petting a bunny, and watching deer. I saw a grey fox and a barn owl swooping along late at night and covey after covey of quail, including a mama with six bitty little perfect quail running as fast as they could to keep up with her. Tonight I’ll lie out under the stars and watch the Perseid meteor shower from probably the best vantage point I’ll have in my life.

I spend literally less than a day at home, then get a haircut in the morning and head off to Sasquan in Spokane with my bestie, the fabulous Caren Gussoff. I’ve posted my convention schedule here, and if you’re wondering what sort of SFWA events I’ll be attending, here’s a video about that:


I’m working on a blog post about how to create videos like that — it’s much easier than you think. But you should make time for the SFWA auction, because there are some frickin’ amazing and very much one of a kind things for sale, including authors doing your voicemail message, supplying creative profanity, critiquing stories, and Tuckerizing (including one award winning novelist’s very first Tuckerization ever.) And lots of signed books, including ones from Worldcon toastmaster David Gerrold, George R.R. Martin, and Guest of Honor Vonda McIntyre.

I’ll also be spending a good bit of time at the Wordfire Press booth — please stop by and say hi (and buy a book if you like — I’ll have copies of both my new novel and story collection Near + Far!). If you’re coming to the con and are a vegan or vegetarian, here’s a handy list of food options.

In various news, Rappacini’s Crow will be reprinted in the BCS Best of Anthology and Abyss & Apex has accepted a novella that Bud Sparhawk and I wrote together, “Haunted.”

Tor.com had a nice piece about the SFWA cookbook — I’ll have copies of that with me for sale and there will be copies at the SFWA table in the Dealers Room and in the SFWA suite.

Here’s a piece from what I’ve been working on lately, near the beginning of Hearts of Tabat:

“Why do you always pick this teahouse when you are troubled?” Leonoa asked.

Adelina’s eyebrow raised and she smoothed a hand self-consciously over the garnet silk of her blouse. “I wasn’t aware that I did,” she said. And then, with mock severity, “That is the peril of associating with artists, Gilly. They are often dangerously observant.”

Gilly laughed nervously.

“But it makes sense. At one point,” Adelina said, “I became convinced that I was aberrant.”

Leonoa gave her a sidelong glance, but Adelina continued. “I thought I was different from all the other merchant children of my age, in that they all seemed very concerned with some sort of invisible game of unexplained points.”

Gilly frowned in noncomprehension.

“They all cared deeply about this game, and part of it was caring what other people thought ““ or more importantly, said ““ about each other. And I, honestly and completely, did not care what most people thought of me. My mother, the nurse who had raised me until the age of thirteen, my poetry tutor”¦ I did care about what they said, but no one else.”

“You were a prodigy,” Leonoa said wryly.

Adelina shrugged. “Perhaps not a prodigy. But I was one of those children who are capable of discerning the layers of adulthood mysteries that were truly not mysteries at all but simply things that adults were either too busy or bored or whatever to explain or which they thought were inappropriate for children for some reason or another.”

“Was there a moment of revelation?” Gilly asked. Her eyes were downcast, her voice a little lower. She’s flirting with me.

Adelina checked Leonoa’s expression and the wry flicker when the little woman realized she’d been caught amused and watching.

Not this one. Ah, Vyra Serena, send me someone eloquent, who loves words and will woo me with them, not innuendos and touched knees.

“I was given a child’s catechism of the Trade Gods,” she said, pulling her leg away from Gilly’s as she sat back.

Gilly looked nervous in the way one sometimes does when anticipating someone else is about to reveal some overly religious sentiment. Leonoa, who had heard this story before, maintained a polite, amused silence.

“The Trade Gods are an analysis of the way the world works,” Adelina said. “The ebb and flow of coin, of trade, of wants and necessities. Everything is there in the religion, because that is what it is. It is not that a God who is the personification of Coinage or Surplus or Fairspeaking, walking the street, the way the ignorant speak of such things.” She rolled her eyes. “Every religion is that ““ a way of understanding and teaching about the world.”

“But there is a natural order to things,” Gilly protested. “Surely someone came up with that.”

Adelina shook her head, one quick definite shake. “Not at all. As you said, a natural order, one that could not but happen to arise. It is the only thing that could given the circumstances.”

Gilly chewed her lip in perplexity, trying to summon a reply.

“It is not so,” Leonoa said. “There is no natural order, just happenstance. The reason that Humans are elevated over Beasts is that we are more numerous and they have not been able to successfully ally.”

Gilly’s eyes widened.

“Please,” said Adelina. “Before you get us all hauled in for Abolitionism, at least lower your voice when making such pronouncements.”

Leonoa pursed her lips but took a silent sip of tea.

ETA: And HEY I am part of this great Women in SF Bundle through the end of the month. Catherine Asaro, Janis Ian, Nancy Kress, Vonda N. McIntryre, Linda Nagata, Jodi Lynn Nye, Mike Resnick, Kristine Kathryn Rusch, and Judith Tarr — holy smokes can you really pass that up when you can get all that for as little as $15?

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Reading and Gaming Highlights of 2023

I read more than I watch or listen, and so here are highlights from this year of the close to 200 books I read or reread in 2023. I get the majority of my reading from NetGalley, BookBub deals, ARCs, and the library. I include publication dates so I can remember what I will recommend for Nebula reading; bolded titles are eligible for award stuff this year; titles in italics indicate a forthcoming title.

Here are some of my favorites in speculative reading from this year:

  • F.M. Aden – The Bride of Death (Northern Light Press, March 1, 2024) – Lovely fairytale retelling.
  • Emma R. Alban – Don’t Want You Like a Best Friend (Avon, Jan 9, 2024) YA – queer Victorian romance with a whiff of The Parent Trap.
  • Cassie Alexander – AITA? (2021) – Fun paranormal sexy romance.
  • Julia Armfield – Our Wives Under the Sea (2022) Lovely, eerie horror.
  • Rachel Aukes – The Lazarus Key Waypoint, (Jan 8, 2024) – Thriller with fish & wildlife officers going up against dinosaurs
  • Bridget E. Baker – The Birthright Series, 2020. Solid space opera, and I liked the PoV changes from book to book. I read the first three and will be picking up the other five when I get the chance.
  • S.A. Barnes – Ghost Station (April 9, 2024) Great psychological thriller on a space station.
  • Redfern John Barrett – Proud Pink Sky (Amble Press, 2023) Linked short stories of a gay homeland. Enjoyed this a lot.
  • Stephen Baxter and Terry Pratchett – The Long Earth Parallel earth series, 1st of four.
  • Melissa Blair – A Broken Blade (2021) – Solid YA fantasy, first of three books.
  • Marie Brennan – The Market of 100 Fortunes (Aconyte, Feb, 2024) Loved this Legend of the Five Rings tie-in novel.
  • Tobias Buckell – A Stranger in the Citadel (Tachyon Publications, 2023), Terrific world-building and a librarian questioning that world.
  • Octavia E. Butler – Mind of My Mind. Rerelease of work by one of my favorite writers. Everyone should read Octavia. Over and over again.
  • Sebastien Castell – The Malevolent Seven (2023). Absolutely solid and fun fantasy that lives up to the excellence of Castell’s other works.
  • Heidi Catherine – The Whisperers of Evernow (2019) Interesting premise, YA.
  • Beth Cato – A Thousand Recipes for Revenge (47North, 2023) I love Cato’s work and this was no exception. Plus — food and fantasy! First of 2 and I’ve already preordered the sequel.
  • P. Djèlí Clark – The Dead Cat Tail Assassins (Tor, April 23, 2024) Delightful secondary world fantasy.
  • David Clawson – My Fairy Mother is a Drag Queen (2017) – Fun Cinderella retelling. YA.
  • Lex Croucher – Gwen and Art are Not in Love (Tor Macmillan 2023). YA queer romance, fun and frothy.
  • Alex Evans – I Am a Barbarian (BooksGoSocial, Dec 17, 2023) Fun YA secondary world fantasy.
  • Philip Jose Farmer – Lord of the Trees (2012), The Mad Goblin (2013) Typical crazy-ass Farmer and a certain amount of (literal) cock-swinging.
  • Brandon Gillespie – Atom Bomb Baby (2023) Strong whiff of Fallout fanfic about this book, but in a good way.
  • Nicole Glover – The Conductors (2021) Loved this alternate history with magicians running the Underground Railway; first of two books
  • Kim Harrison – American Demon (2020) I always enjoy Harrison and this was no exception.
  • Christina Henry – The House that Horror Built (Berkeley, June 14, 2024) Solid horror about the cinema, nicely creepy.
  • Kevin Hincker – The Ghost with a Knife at Her Throat (August 13, 2023) I adored this urban fantasy, which had some cool twists. First in a series and I’m picking up the rest.
  • S.J. Himes – The Necromancer’s Dance (2016) First in an urban fantasy series of the vampires/werewolves ilk, fun gay fantasy with lots of action.
  • Dara Horn – Eternal Life (2018) Is living forever a boon or a curse? Lotsa historical texture.
  • Kat Howard – An Unkindness of Magicians, A Sleight of Shadows (2023) Loved this duo of mannerly magician books.
  • Sarah Zachrich Jeng – When I’m Her (Berkley, March , 2024) Compelling story of female friendship.
  • Mary E. Jung – Blossom and Bone (2022) Cozy fantasy feel to this series that I really enjoyed, first of a 3 book series.
  • T.J. Klune – In the Lives of Puppets (2023) Terrific SF retelling of Pinochio. One of my favorite reads of the year.
  • Tim Lebbon – Among the Living (Titan Books, Feb 6, 2024) Lebbon is always good, and this is solid and compelling.
  • Ann Leckie – Translation State (2023) More in Leckie’s complex and compelling SF universe, along with one of my favorite characters of all time, Qven.
  • Britney S. Lewis – The Undead Truth of Us (2021). YA zombie with a lot of emotion to it.
  • Megan Mackie – Death and the Crone (2023) Enjoyed this older woman romance in Mackie’s Lucky Devil setting.
  • Melissa Marr – Remedial Magic (Tor, Feb 20, 2024) Cozy fantasy with a lovely lesbian romance.
  • J.R. Martin – The Engineer’s Apprentice (2023) Solid beginning to a steampunk series.
  • Zoe Hana Mikuta – Off With Their Heads (Disney, April 24, 2024) Great queer Alice in Wonderland riff with Gideon the Ninth vibes.
  • Jo Miles – Dissonant State (2023) Fun space opera that has me looking for the beginning of the series.
  • Premee Mohamed – The Siege of Burning Grass (Rebellion Publishing, March 12, 2024) If you buy one book in 2024, this should be it.
  • Sunny Moraine – Your Shadow Half Remains (Tor, Feb, 2024) Creepy horror of the everyone is the enemy apocalypse variety.
  • Silvia Moreno-Garcia – Silver Nitrate (2023) Sharp-edged horror set in cinematic history.
  • Tamsyn Muir – Harrow the Ninth (2020), Nona the Ninth (2022) I loved Gideon and Harrow but bounced hard off the third book for some reason.
  • Patrick Ness – The Rest of Us Just Live Here (2015) – YA and I LOVE this book about what it’s like to not be the Chosen One so much.
  • Naomi Novik – A Deadly Education (2020), The Golden Enclaves (2022) Fabulous entry into the genre of magic schools.
  • Allison Saft – A Dark and Drowning Tide (Random House, Sept 17, 2024) Loved this secondary world fantasy frenemies to lovers take on a murder mystery.
  • Lilith Saintcrow – A Flame in the North (Orbit, February 13, 2024) I always enjoy Saintcrow and this was a pleasurable read but I like her more modern fantasy stuff considerably more.
  • Robert Shearman – We All Hear Stories in the Dark (2022). I’m still working my way through this massive three volume set and enjoying it enormously. Highly recommended if you love short stories.
  • A.J. Steiger – Eye of a Little God. (January 2, 2024). Well-executed psychological horror.
  • Neal Stephenson and Nicole Galland – The Rise and Fall of D.O.D.O. (2017) Great time travel corps stuff with a fun romance. There’s a sequel, which I need to pick up.
  • Andrew F. Sullivan – The Marigold (2023) Fabulously unhinged horror.
  • Lavie Tidhar – The Circumference of the World (2023) His usual brilliance, so much lovely stuff in this!
  • K.B. Wagers – A Pale Light in the Black (2020) Fun start to a series.
  • Khan Wong – The Circus Infinite (2022) Terrific SF with a runaway teen with special powers.
  • Z. J. Ryder – Twisted Neuros (2023) I love this story of an AI trying to figure out its own existence.

In anthologies and collections, I recently began a project to go through all my anthologies and collections to see which I want to keep. So far that’s included:

  • Space Opera, edited by Brian Aldiss. Keeping for historical relevance more than any innate quality.
  • Light Years and Dark, edited by Michael Bishop. Keeping for the high degree of original fiction, the quality of writers and works, and the editorial vision.
  • The Black Science Fiction Society’s Genesis: An Anthology of Black Science Fiction Book One, edited by Jarvis Sheffield. Keeping for the breadth of established and new voices.
  • A Larger Reality: Speculative Fiction from the Bicultural Margins, edited by Libia Brenda. Keeping because I love books with the stories in the original language as well as English, plus the range of established and new voices.

In my short fiction reading club, in which we read classic stories of F&SF, we read: Ray Bradbury’s “The Fog Horn,” Karen Joy Fowler’s “Standing Room Only”, Robert Heinlein’s “All You Zombies,” and “The Green Hills of Earth,” Anne McCaffrey’s “The Ship Who Sang,” Vonda N. McIntyre’s “Of Mist, and Grass, and Sand,” C.L. Moore and Henry Kuttner’s “Vintage Season”, Clifford Simak’s “Desertion,” Connie Willis’ “A Letter from the Clearys”, and Roger Zelazny’s “Auto-da-Fe.” I’ve found these craft-focused sessions, which are part of my Patreon community, illuminating and useful in terms of learning more about F&SF history as well as craft tips and tricks.

In video/computer games, I started playing the early version of Baldur’s Gate 3 in early September, and I’ve been obsessed with it. Earlier in the year, I was playing Sun Haven and really enjoyed it, along with occasional bouts of Darkest Dungeon. If you’re a Stardew Valley fan, you will like Sun Haven, because there’s a lot of similarities and fun writing. I continue to play Pokemon Go on my phone.

RPG-wise I’m running a live game of D&D 5e and playing in two f2f homebrew D&D campaigns, one virtual D%D campaign plus Esper Genesis on Twitch. That sounds like more than it really is, which is a chance to game once or twice each week. Early in the year, I played in a game of Apocalypse Hearts run by Lowell Francis and want to recommend the Open Hearth gaming community for people interested in finding interesting story-focused games to play online. I also used the Party Backstory Generator tool by Justin Sirosis in my D&D game as the session 0 and found people really grooved with it and generated some interesting connections.

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Notes From the Patreon and Other Forms of Crowdfunding Workshop

I recently taught a Patreon and Other Forms of Crowdfunding workshop for Clarion West, focusing on running an effective Patreon, and thought I’d provide some of the notes from that.

When I first started on Patreon, I remember one elderly SF writer calling it “hipster panhandling,” and I dunno… I’ve been pretty happy that I’ve stuck with it, and I know I’m giving my patrons a solid value in return for their support. It has been interesting to see some attitudes shift towards crowdfunding in general, particularly with the rise of self-publishing as a valid career approach, and nowadays it seems like Kickstarter is driving many anthology projects.

Some background for those that might want it: Crowdfunding is a way of funding (perhaps a one-time project, perhaps a long-running or ongoing entity) that depends on small contributions from many people. It can be a one-time donation or an ongoing one, like a subscription. Examples of cowdfunding platforms include Patreon, Kofi, GoFundMe, IndieGoGo, Kickstarter, and Onlyfans. Patreon can be subscription or per-creation; I’ve chosen to go the subscription route.

I have been running my Patreon for a number of years now and have hooked it into my school. Along with other benefits, supporters get discounts on classes and, at higher levels, free classes. I try to post on at least a weekly basis, and to include snippets of what I’m working on. In March, I’m bringing back the story discussion group and adding one to look specifically at books on writing craft. Those events are recorded on Zoom, and the story group has been a lot of fun, particularly when we’ve had the authors in to talk about the stories as part of the discussion. I’ve tried all sorts of things over the years: weekly AMAs, recipes, serial fiction (still need to finish that one up!), etcetera, and my patrons have been patient with the various convulsions over that time.

Currently Patreon provides me somewhere between $1400-1500 per month, depending on monthly fluctuations (I am on the Premium plan, rather than the free version, which means Patreon takes less.) Some of that incoming money then flows out to pay guest teachers, depending on which classes people sign up for. Here’s the list of what’s coming up, and you can see it’s 50% guest teachers, 50% my own classes. But it ends up being a nice chunk of money that helps stabilize an income that can be pretty erratic otherwise, and which comes primarily from writing and teaching.

That money doesn’t magically fall out of the sky, though. (Alas!) It’s not a question of someone happening to read one of my stories and thinking “I loved that” and searching me out on the Internet to find out if I’ve got a tip jar on my website. That would be lovely, certainly. But it takes a level of fame and exposure I, and most writers, lack.

Plus that’s not really how tipping works, people dumping money in random containers without much reason. You have to give people something in exchange for that, even if it’s a fleeting experience. It doesn’t have to be carefully composed and polished — sometimes a random picture of a pet being cute will turn out to be one of the most popular things you’ve ever done. Authenticity is one of the best things you can give. I often provide snippets of what I’m working on, or take a look at something that I want to think about, like examining a paragraph of description to see how it works.

The most important thing that I can tell you is that Patreon or other crowd-funding efforts require work. That’s something that you have to factor in when you want to start one up. You need to figure out how to provide value for your patrons in a way that works for you. For me, hooking it into my online school was a terrific fit.

Patreon provides the tools I need, although I will continue to gripe about not being able to find old posts easily. More than anything else, I make use of the Discord server that Patreon provides me. They handle getting patrons on there, but one time out of twenty or so, I end up having to troubleshoot. The Discord server also hosts a number of students, friends, other Rambo Academy Faculty, etc, and is the place where a lot of activity gets coordinated. We’ve finally achieved enough of a critical mass that it’s a lively and entertaining community, with channels devoted not just to writing stuff, but community exchange like pet pictures and such. While on the road right now I haven’t been able to access the server and I have been sorely missing checking in.

There are a number of extra benefits like that when creating a Patreon campaign. I focused on growing that community when the pandemic started, and it’s one of the things that kept me sane and productive in the last couple of years. It’s been a great thing seeing so many students and mentees publishing in recent years, and it feels important to be making a contribution to the F&SF community not just in terms of “here’s my content, enjoy” but helping drive events and gatherings.

I think of Patreon as a side-gig, one of the freelancing projects that make up my work flow. Like any side-gig, you want to not let it derail you from the most important stuff, nor do you want to get overly dependent on it. One of the best things you can do as a writer is cultivate those small springs where you can, doing things like sending out reprints, getting speaking engagements, etc. Patreon can become a pretty good source of revenue, but it takes time, thought, and effort.

I recently did the Patreon Creator survey and that made me aware I’m not promoting mine quite as heartily as I should be, and that I’m not using every aspect. For one, I will confess that I do not look at the exit surveys when someone decides to stop, even though I really should. That’s because I had someone say something hurtful enough in one few years back that I made the conscious choice to just assume everyone’s doing it for financial reasons and just not worry about it anymore.

And that’s another thing about Patreon that I need to underscore – it can be a source of incredible encouragement, but it can also be a place — most particularly when you start out — where you feel like you’re howling into the void without anyone answering back. That one step forward, two steps back feeling can really start to come into play if you get a few people dropping off at a bad time. Build in some armor for yourself, however you need to, and remember this is your campaign. You get to do it the way that works for you, and it’s okay to experiment.

Overall, writing is a sporadic and inconsistent financial existence. One month you’ve got a hefty advance check and then the next it’s just a handful of things like that 2.23 royalty from Smashwords. A Patreon or other crowdfunded campaign can be incredibly helpful in evening some of that out — but it’s not a magic fix that will do it effortlessly.

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