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Reading and Gaming Highlights of 2023

I read more than I watch or listen, and so here are highlights from this year of the close to 200 books I read or reread in 2023. I get the majority of my reading from NetGalley, BookBub deals, ARCs, and the library. I include publication dates so I can remember what I will recommend for Nebula reading; bolded titles are eligible for award stuff this year; titles in italics indicate a forthcoming title.

Here are some of my favorites in speculative reading from this year:

  • F.M. Aden – The Bride of Death (Northern Light Press, March 1, 2024) – Lovely fairytale retelling.
  • Emma R. Alban – Don’t Want You Like a Best Friend (Avon, Jan 9, 2024) YA – queer Victorian romance with a whiff of The Parent Trap.
  • Cassie Alexander – AITA? (2021) – Fun paranormal sexy romance.
  • Julia Armfield – Our Wives Under the Sea (2022) Lovely, eerie horror.
  • Rachel Aukes – The Lazarus Key Waypoint, (Jan 8, 2024) – Thriller with fish & wildlife officers going up against dinosaurs
  • Bridget E. Baker – The Birthright Series, 2020. Solid space opera, and I liked the PoV changes from book to book. I read the first three and will be picking up the other five when I get the chance.
  • S.A. Barnes – Ghost Station (April 9, 2024) Great psychological thriller on a space station.
  • Redfern John Barrett – Proud Pink Sky (Amble Press, 2023) Linked short stories of a gay homeland. Enjoyed this a lot.
  • Stephen Baxter and Terry Pratchett – The Long Earth Parallel earth series, 1st of four.
  • Melissa Blair – A Broken Blade (2021) – Solid YA fantasy, first of three books.
  • Marie Brennan – The Market of 100 Fortunes (Aconyte, Feb, 2024) Loved this Legend of the Five Rings tie-in novel.
  • Tobias Buckell – A Stranger in the Citadel (Tachyon Publications, 2023), Terrific world-building and a librarian questioning that world.
  • Octavia E. Butler – Mind of My Mind. Rerelease of work by one of my favorite writers. Everyone should read Octavia. Over and over again.
  • Sebastien Castell – The Malevolent Seven (2023). Absolutely solid and fun fantasy that lives up to the excellence of Castell’s other works.
  • Heidi Catherine – The Whisperers of Evernow (2019) Interesting premise, YA.
  • Beth Cato – A Thousand Recipes for Revenge (47North, 2023) I love Cato’s work and this was no exception. Plus — food and fantasy! First of 2 and I’ve already preordered the sequel.
  • P. Djèlí Clark – The Dead Cat Tail Assassins (Tor, April 23, 2024) Delightful secondary world fantasy.
  • David Clawson – My Fairy Mother is a Drag Queen (2017) – Fun Cinderella retelling. YA.
  • Lex Croucher – Gwen and Art are Not in Love (Tor Macmillan 2023). YA queer romance, fun and frothy.
  • Alex Evans – I Am a Barbarian (BooksGoSocial, Dec 17, 2023) Fun YA secondary world fantasy.
  • Philip Jose Farmer – Lord of the Trees (2012), The Mad Goblin (2013) Typical crazy-ass Farmer and a certain amount of (literal) cock-swinging.
  • Brandon Gillespie – Atom Bomb Baby (2023) Strong whiff of Fallout fanfic about this book, but in a good way.
  • Nicole Glover – The Conductors (2021) Loved this alternate history with magicians running the Underground Railway; first of two books
  • Kim Harrison – American Demon (2020) I always enjoy Harrison and this was no exception.
  • Christina Henry – The House that Horror Built (Berkeley, June 14, 2024) Solid horror about the cinema, nicely creepy.
  • Kevin Hincker – The Ghost with a Knife at Her Throat (August 13, 2023) I adored this urban fantasy, which had some cool twists. First in a series and I’m picking up the rest.
  • S.J. Himes – The Necromancer’s Dance (2016) First in an urban fantasy series of the vampires/werewolves ilk, fun gay fantasy with lots of action.
  • Dara Horn – Eternal Life (2018) Is living forever a boon or a curse? Lotsa historical texture.
  • Kat Howard – An Unkindness of Magicians, A Sleight of Shadows (2023) Loved this duo of mannerly magician books.
  • Sarah Zachrich Jeng – When I’m Her (Berkley, March , 2024) Compelling story of female friendship.
  • Mary E. Jung – Blossom and Bone (2022) Cozy fantasy feel to this series that I really enjoyed, first of a 3 book series.
  • T.J. Klune – In the Lives of Puppets (2023) Terrific SF retelling of Pinochio. One of my favorite reads of the year.
  • Tim Lebbon – Among the Living (Titan Books, Feb 6, 2024) Lebbon is always good, and this is solid and compelling.
  • Ann Leckie – Translation State (2023) More in Leckie’s complex and compelling SF universe, along with one of my favorite characters of all time, Qven.
  • Britney S. Lewis – The Undead Truth of Us (2021). YA zombie with a lot of emotion to it.
  • Megan Mackie – Death and the Crone (2023) Enjoyed this older woman romance in Mackie’s Lucky Devil setting.
  • Melissa Marr – Remedial Magic (Tor, Feb 20, 2024) Cozy fantasy with a lovely lesbian romance.
  • J.R. Martin – The Engineer’s Apprentice (2023) Solid beginning to a steampunk series.
  • Zoe Hana Mikuta – Off With Their Heads (Disney, April 24, 2024) Great queer Alice in Wonderland riff with Gideon the Ninth vibes.
  • Jo Miles – Dissonant State (2023) Fun space opera that has me looking for the beginning of the series.
  • Premee Mohamed – The Siege of Burning Grass (Rebellion Publishing, March 12, 2024) If you buy one book in 2024, this should be it.
  • Sunny Moraine – Your Shadow Half Remains (Tor, Feb, 2024) Creepy horror of the everyone is the enemy apocalypse variety.
  • Silvia Moreno-Garcia – Silver Nitrate (2023) Sharp-edged horror set in cinematic history.
  • Tamsyn Muir – Harrow the Ninth (2020), Nona the Ninth (2022) I loved Gideon and Harrow but bounced hard off the third book for some reason.
  • Patrick Ness – The Rest of Us Just Live Here (2015) – YA and I LOVE this book about what it’s like to not be the Chosen One so much.
  • Naomi Novik – A Deadly Education (2020), The Golden Enclaves (2022) Fabulous entry into the genre of magic schools.
  • Allison Saft – A Dark and Drowning Tide (Random House, Sept 17, 2024) Loved this secondary world fantasy frenemies to lovers take on a murder mystery.
  • Lilith Saintcrow – A Flame in the North (Orbit, February 13, 2024) I always enjoy Saintcrow and this was a pleasurable read but I like her more modern fantasy stuff considerably more.
  • Robert Shearman – We All Hear Stories in the Dark (2022). I’m still working my way through this massive three volume set and enjoying it enormously. Highly recommended if you love short stories.
  • A.J. Steiger – Eye of a Little God. (January 2, 2024). Well-executed psychological horror.
  • Neal Stephenson and Nicole Galland – The Rise and Fall of D.O.D.O. (2017) Great time travel corps stuff with a fun romance. There’s a sequel, which I need to pick up.
  • Andrew F. Sullivan – The Marigold (2023) Fabulously unhinged horror.
  • Lavie Tidhar – The Circumference of the World (2023) His usual brilliance, so much lovely stuff in this!
  • K.B. Wagers – A Pale Light in the Black (2020) Fun start to a series.
  • Khan Wong – The Circus Infinite (2022) Terrific SF with a runaway teen with special powers.
  • Z. J. Ryder – Twisted Neuros (2023) I love this story of an AI trying to figure out its own existence.

In anthologies and collections, I recently began a project to go through all my anthologies and collections to see which I want to keep. So far that’s included:

  • Space Opera, edited by Brian Aldiss. Keeping for historical relevance more than any innate quality.
  • Light Years and Dark, edited by Michael Bishop. Keeping for the high degree of original fiction, the quality of writers and works, and the editorial vision.
  • The Black Science Fiction Society’s Genesis: An Anthology of Black Science Fiction Book One, edited by Jarvis Sheffield. Keeping for the breadth of established and new voices.
  • A Larger Reality: Speculative Fiction from the Bicultural Margins, edited by Libia Brenda. Keeping because I love books with the stories in the original language as well as English, plus the range of established and new voices.

In my short fiction reading club, in which we read classic stories of F&SF, we read: Ray Bradbury’s “The Fog Horn,” Karen Joy Fowler’s “Standing Room Only”, Robert Heinlein’s “All You Zombies,” and “The Green Hills of Earth,” Anne McCaffrey’s “The Ship Who Sang,” Vonda N. McIntyre’s “Of Mist, and Grass, and Sand,” C.L. Moore and Henry Kuttner’s “Vintage Season”, Clifford Simak’s “Desertion,” Connie Willis’ “A Letter from the Clearys”, and Roger Zelazny’s “Auto-da-Fe.” I’ve found these craft-focused sessions, which are part of my Patreon community, illuminating and useful in terms of learning more about F&SF history as well as craft tips and tricks.

In video/computer games, I started playing the early version of Baldur’s Gate 3 in early September, and I’ve been obsessed with it. Earlier in the year, I was playing Sun Haven and really enjoyed it, along with occasional bouts of Darkest Dungeon. If you’re a Stardew Valley fan, you will like Sun Haven, because there’s a lot of similarities and fun writing. I continue to play Pokemon Go on my phone.

RPG-wise I’m running a live game of D&D 5e and playing in two f2f homebrew D&D campaigns, one virtual D%D campaign plus Esper Genesis on Twitch. That sounds like more than it really is, which is a chance to game once or twice each week. Early in the year, I played in a game of Apocalypse Hearts run by Lowell Francis and want to recommend the Open Hearth gaming community for people interested in finding interesting story-focused games to play online. I also used the Party Backstory Generator tool by Justin Sirosis in my D&D game as the session 0 and found people really grooved with it and generated some interesting connections.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Opinion: More Fuel for the Recent Baenfire

In the couple of days since I first spoke about the furor evoked by Jason Sanford’s criticism of a specific subforum of Baen’s Bar, the discussion boards sponsored by Baen Books, for encouraging armed insurrection and white supremacy, a good bit has happened*.

One notable outcome is that DisCon has removed Toni Weisskopf as a Guest of Honor, making this statement:

DisCon III condemns the violent and hostile content found within Baen Books’ forums. We also cannot condone the fact such content was enabled and allowed to ferment for so long. We want to make it clear abusive behavior is not, and will not be, tolerated at DisCon III. Such behavior goes entirely against our already established policies concerning inclusivity and creating a welcoming environment for our members, which can be found here: https://discon3.org/about/inclusion/.

We knew simply saying those words with no actions to back them up would be unacceptable. Too often, we have seen individuals and organizations say they are on the right side of issues yet do nothing to act on those words. We knew we had to take a hard look at our own position and take action based on our established policies.

As a result, after discussion with her, we have notified Toni Weisskopf we are removing her as a Guest of Honor for DisCon III.

Many authors and some con-runners have weighed in on the choice, from all sides of the fence.

nowadays speech on the Internet has been weaponized, used by world powers as part of today's fourth-generation warfare.Some of the writers championing free speech are, in my opinion, working from a notion of a past version of the Internet, the world of the Well and lively debate and intellectual exchange and alla that. That ignores the fact that nowadays speech on the Internet has been weaponized, used by world powers as part of today’s fourth-generation warfare.

It cannot be mentioned often enough that the events of January 6, the ones Republicans and other conservatives are working so hard to downplay and erase, was not a case of a rowdy bunch busting up a Starbucks. It was an organized effort that destroyed and stole government property, in which people died and it would not have taken much more for a pre-planned section of that mob to use the chaos in order to kidnap and kill government officials. Camestros Felapton illustrates this in an infographic here.

Expressing admiration and support for an armed insurrection is not illegal, nor is talking about how you and your family were there watching the events from the sidelines, as with one longtime Baen author. Nor is discussing how to engineer the downfall of American cities
or opining that people of color were the best to recruit to wage violence, as another longtime Baen author was. But the Baen forums, by multiple accounts, had been swarmed in recent months by new users who found the established culture welcoming. If you don’t think domestic terrorists weren’t going through them with an eye to recruitment, you are — in my opinion — somewhat naive as to how the Internet works. The FBI is not. Many excellent related points are made here.

David Weber’s stated he won’t go to cons that disinvite guests. I agree that often these dis-invitations happen in a way that ignores the fact that a GoH appearance is something that is scheduled months in advance, and which you shape other events and appearances around, sometimes saying no to those other gigs as a result. Inviting/disinviting is essentially saying “here is a shiny special thing for you” and then yanking it away, no matter what emotions the person doing the yanking are experiencing. Disinviting someone shouldn’t have to happen and cons need to be better about that.

By that, I mean inviting a GoH needs to include anticipating situations in advance by doing due diligence. If a potential guest is advocating something your attendees are going to find awful in their social media and not showing signs of moving away from that, then maybe they’re going to say something in their social media further on down the road that would make you disinvite them. Maybe be smart now and avoid being awful to them — because how awful does being uninvited to something that was a celebration of you, that you would have been looking forward to enjoying have to be? Disney tried this with the firing of Gina Carano, a move based less on wanting to do the right thing than to avoid controversy further on down the road — and sure enough, Carano followed pattern and created it, at which point it was revealed that Disney had severed the relationship with her months earlier.

At the same time, there are obvious circumstances under which I would definitely expect a convention to dis-invite a guest no matter at what point they arose. Criminal behavior is real high on that list. I once worked for a company where a guy brought a live grenade to a meeting. Not wanting to be in the same physical space as that guy anymore was, in my opinion, pretty valid.

As far as Weisskopf’s removal as GoH goes, it’s not a call that anyone would have made lightly, particularly given that they had to know that either way there was going to be considerable, outspoken public opinion about it. Running conventions is tough, and people who do it invest literal years in bidding for and running a WorldCon. Fan conventions like WorldCon are usually not for-profit events, as opposed to comic-cons, which are profit-driven. As such, I find it dubious that any amount of public calls or attention would sway the decision.

Taking down all of the forums rather than the ones specifically mentioned was a reasonable choice in many ways. If it had only been the politics subforum, the next, absolutely inevitable thing to happen would have been for the users to immediately move into other forums and thrash around disrupting those with their protests.

hell hath no fury like a user who can't log in to get their daily fixAt the same time, taking down all of the forums made uninvolved people inconvenienced by the act and very angry as as a result. I can speak from experience that hell hath no fury like a user who can’t log in to get their daily fix, and I suspect a good deal of the conflation of Sanford’s article about the forums and a coordinated attack on the publisher comes from the removal of the forums in their entirety.

Is Weisskopf’s removal a punishment for that choice — as it will surely be read? I don’t think so. It’s more a product of what a convention is, and what it represents, and wanting to honor guests who’ve made the field more awesome.

Weisskopf has definitely done some awesome things, including inspiring other women by becoming the owner and leader of Baen. Since taking over for Jim Baen in 2006, Weisskopf has created and implemented an innovative e-publishing program light years ahead of the efforts of other publishers, established the Jim Baen Memorial Short Story Award, the Baen Fantasy Adventure Award, and the Baen Best Military SF & Adventure SF Reader’s Choice Award. She co-chaired DeepSouthCon 50 in 2012 and served as the official Editor of the SFPA, the Southern Fannish Press Alliance, and edited an history of Southern Fandom.She has edited six anthologies, in which she’s helped find and nurture new voices. Baen itself is responsible for some terrific writers, including Lois McMaster Bujold. It cannot be overlooked that it is an indie publisher in times increasing dominated by corporate alliances.

There is no question all of that adds up to exerting a major, positive force on the field. And that’s what you want in a GoH, partially because you expect they will also be a major, positive influence on the programming. As I’ve talked about before, programming is an art. Who you pick as GoH is part of that. Often programming starts with the GoHs and fills in around them. And one of the (reasonable) expectations of a GoH is that they participate in a hearty chunk of programming. The GoHs are the literal faces of the convention, smiling out from the convention advertising and program books.

Bearing that in mind, DisCon had to ask was Is supporting a place where a bunch of people spend their time expressing their hatred of other members of the F&SF community something that makes a field more awesome? as well as What do we do, knowing that a choice to keep Weisskopf will be read as an endorsement of those words?

Words that support an armed coup. Words saying people with differing political beliefs should be killed. Words urging violence towards other people.

We talk about free speech, but with free speech comes responsibility for one’s words. Baen cannot disavow responsibility for those words, regardless of whether or not they happened because someone was asleep at the wheel. One of the reasons a business cannot ignore the importance of moderating any boards that they run is that they are responsible for the words posted on there. They can’t just turn over the keys to the car and say “drive this where you like.” They’re still enabling that car to bounce along the highway, swerving to hit any pedestrian it suspects of being from a particular group. It’s still their vehicle. And when you are a leader, whether you like it or not, you are responsible for what is happening under your leadership, whether you’re aware of it or not, because that’s part of the role. Weisskopf is not an employee of the company. She doesn’t just run it, but is one of its owners and profits from what it chooses to do. And that’s part of the choice.

Baen can continue as it has, and lean even harder into its conservative audience by choosing to enable and host the “liberals aren’t people” rhetoric, but if it does, it means they’re definitely saying “here is our very specific bunting-draped market niche,” and leaving a lot of other readers, a number of whom are liberal, out in the cold. That choice is also one that says “hate’s a good marketing strategy,” which may be savvy capitalism but I personally think equates with ethical bankruptcy.

If Baen makes that choice, it will not be the only entity using that; we’ve had four years of government based on exactly that, and it will continue to be profitable for the people printing the QAnon t-shirts or assembling the dogwhistle factories for quite some time. We’ve seen some of the usual uninvolved suspects jump into the fray trying to garner attention. My hope is, that with time and the rise of generations that have seen this approach and how hollow it is, hate will stop being so popular. I, for one, hail our new Tiktok and Hive overlords exercising the most punk attitude of all: kindness.

Or Baen can be what it claims to be, and work to appeal to a wide range of readers, some of whom are being driven off by the current rhetoric being encouraged there on the forums the company sponsors and runs. That’s not a novel approach. Most publishers actually choose this one.

I’m nudging up against two thousand words in my polishing of this, and I suspect the overall event is becoming one of those things a lot of people are devoting words to on the Internet. I do want to talk in an essay sometime about online swarming and the ethics of authors siccing their readers on people, but I’ll yield the microphone for now.

*Sanford has been forced to take his Patreon and Twitter private, while members of an organized campaign, in between composing clever and usually highly inaccurate sneers about his writing career, have been contacting his employers demanding he be fired for expressing his free speech outside of that job. Cognitive dissonance? That doesn’t seem to have dissuaded them. As a co-owner of Baen, Weisskopf faces a bit less economic pressure from the fall-out of his article than Jason and his family do.

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Useful Gifts for Writers: The 10% Solution by Ken Rand

This is the most useful book on writing I have ever found, and it’s the only one I will actually buy to give to people. I ended up writing the introduction to the 10th anniversary edition, because I know the publisher and, well, I’ll let that introduction tell its own story. The “Patrick” referred to in it is Patrick Swenson, the publisher who owns Fairwood Press.

For the past few years, I have been covertly getting people to go up to Patrick at conventions and ask when the electronic edition of this book would appear. Why? It might be that I have a prankish mind that was devoted to making him believe there was a vast groundswell awaiting this book. But actually, that’s the truth, because I’ve been pushing this book for years, less for prankish reasons than because I think it’s so useful for new writers.

The 10% Solution is not a cure to all your writing woes. It’s not a tool that helps with everything. But it is a great little book that will make you a better writer if you use it at the right stage in the process. The time to employ it is in that last pass before you send the story out into the world. I think of it as a lint-brush, something that tidies things up and makes sure every sentence that you’re sending out into the world to represent you is doing so beautifully, showing off that you can construct clear and error-free sentences that do exactly what you want them to be doing.

I don’t remember the circumstances when I first ran across The 10% Solution, but I do know that since then I have given out multiple copies and recommended it to literally hundreds of people. Why? Because it works and effectively shows you how to polish a piece of work in a way that shows you are at the professional level. For not just fiction but nonfiction.

Yes, it’s a pain in the butt. Yes, the first time you apply it to a manuscript it will be a huge pain in the rear end that may well lead you to curse aloud, calling down vile imprecations on my head. Yup and yup. I’ve been there too. But it’s worth it. After you’ve done it a few times, your unconscious mind gets tired of that labor and begins making changes before you write, tightening up and clarifying your prose in a way that will make it better.

Don’t believe me? Don’t try to apply it to a book then, but test it out with a short story or essay. Do give it a full chance, not skipping any steps, doing the actual “now I am searching on ly, now I am searching on of” steps. And keep a copy of the original, then look at them side by side. If your original prose is so golden that this didn’t substantially improve it, well then, perhaps this is not the book for you. But for the rest of us, it’s an awesome one.

Thank you, Patrick, for finally listening to all those people I kept sending up to you. I swear you won’t regret it. I know I won’t.

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