NaNoWriMo 2015: Day 3

I just got back from a trip that included a couple long plane rides. I’m a very fast reader and finding a long, well-crafted series immersive enough to make me forget that my back is aching, the kid behind me keeps kicking the seat, and all the other discomforts of travel. Airport bookstores are usually full of stuff I’ve already read, so I try to load my e-reader with an abundance beforehand. Here’s a few that have stood me in good stead in the past few months.

Most recently, Kate Elliott’s The Novels of the Jaran (Jaran, An Earthly Crown, His Conquering Sword, and The Law of Becoming), which come as a single ebook bundle that Immensely satisfying space opera mixed with nomadic life with the Jaran on their unexpectedly pivotal planet. Elliott has become one of my goto writers (another favorite is Walter Jon Williams) – I know anything I pick up by her will be a satisfying and sustaining read.

Martha Wells’ The Books of the Raksura is fantasy, following the adventures of one of the Raksura, Moon, as he finds a new home and family, only to have to defend them. Moon is a character who shines; you desperately want him to be happy, and his path towards that is deeply engaging. And the most recent book, The Harbors of the Sun, is out now!

Max Gladstone’s The Craft Sequence. I had read the first three of these, but another nicely-priced ebook bundle let me pick them up all together and read them that way, which I highly recommend. They connect in a interesting and convoluted way that makes the series do what a series should – create a whole that is greater than the sum of the individual books. Awesome fantasy with a modern flavor and a delightfully careful attention paid to economics.

Kristine Smith’s The Jani Kilian Chronicles is military-flavored space opera with a strong and engaging protagonist, games with linguistics, and plenty of action. A protagonist who is flawed, fearless, and feisty, and a romantic life that adds to the book but is certainly not the focus. Not quite military SF but close, I guess – I’m never sure where space opera ends and military SF begins.

Short stories are not something I would normally take on a vacation – they’re candy, not sustaining rations. But there’s a lovely series collecting all of Theodore Sturgeon’s work that I’ve been picking up book by book, using them as rewards. I’m up to Volume Five of those, The Perfect Host. And yay! All of them seem to be available on the Kindle. If you’re an F&SF short story writer, Sturgeon is one of the people you should read, in my opinion, to see how brilliantly and beautifully he does things.

Part of today is going to be spent sorting through my spreadsheet of what stories are out where and getting stuff out. That’s one of the really tedious things about being a writer – all the paperwork.

So how do I track submissions and figure out where to send them?

I have an Excel spreadsheet. One page has short stories that are circulating, a second does the same with flash pieces, a third tracks sold stories, a fourth audio reprints, and a fifth foreign reprints. When a rejection comes in, I mark the story on the sheet as freed up and put it in bold red. Once it’s been submitted, I switch the color to blue. That lets me look over the sheet and get an idea of what needs to go out. Right now it’s looking pretty red, so I’ve compiled a list of five flash pieces and ten short stories that need to go out, making a note of the word count.

After that I usually go to a market list, usually Duotrope.com or Ralan.com and look. I have some markets that stories always go through, but once they’ve been through those, it becomes a matter of finding the right place. I’ll look to see what anthologies are open first and see if I’ve got anything that fits into a particular theme.

Another system that can be used to track submissions is the excellent Story

Before I submit anywhere, I read their guidelines and do my best to read an issue or two (if they’re free online fiction, I don’t think there’s any excuse for not doing a little research there.)

Things that up a market’s attractiveness:

• Good pay – I make my money through writing and editing, so this is a big factor to me.
• Fast response time – When sending via snail mail, for instance, that adds at least a couple of weeks to the response time. A good resource for checking how fast they’re responding is the Black Hole.
• Circulation – Do people read the magazine? Is it getting discussed/reviewed? Are many year’s bests coming from its pages?
• Good editor – A good editor is a joy to work with.

Audio reprints and foreign markets are usually separate passes, since I’m working with different lists there – the best of the stuff that’s been published. I absolutely would be lost in looking at the latter if I didn’t have Douglas Smith’s Foreign Market list. I’ve been bad about audio reprints and need to get more of those circulating, so that will probably come after this pass.

Enjoy this writing advice and want more like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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