Five Ways
Subscribe to my newsletter and get a free story!
Share this:

Tracking Story Submissions

Mechanical Fortune Teller at Pike Place Market
One of the problems with submissions is the guesswork involved - there is no way to predict what market will love a particular story.
Part of today is going to be spent sorting through my spreadsheet of what stories are out where and getting stuff out. That’s one of the really tedious things about being a writer – all the paperwork.

So how do I track submissions and figure out where to send them?

I have an Excel spreadsheet. One page has short stories that are circulating, a second does the same with flash pieces, a third tracks sold stories, a fourth audio reprints, and a fifth foreign reprints. When a rejection comes in, I mark the story on the sheet as freed up and put it in bold red. Once it’s been submitted, I switch the color to blue. That lets me look over the sheet and get an idea of what needs to go out. Right now it’s looking pretty red, so I’ve compiled a list of five flash pieces and ten short stories that need to go out, making a note of the word count.

After that I usually go to a market list, usually Duotrope.com or Ralan.com and look. I have some markets that stories always go through, but once they’ve been through those, it becomes a matter of finding the right place. I’ll look to see what anthologies are open first and see if I’ve got anything that fits into a particular theme.

Another system that can be used to track submissions is the excellent Story

Before I submit anywhere, I read their guidelines and do my best to read an issue or two (if they’re free online fiction, I don’t think there’s any excuse for not doing a little research there.)

Things that up a market’s attractiveness:

  • Good pay – I make my money through writing and editing, so this is a big factor to me.
  • Fast response time – When sending via snail mail, for instance, that adds at least a couple of weeks to the response time. A good resource for checking how fast they’re responding is the Black Hole.
  • Circulation – Do people read the magazine? Is it getting discussed/reviewed? Are many year’s bests coming from its pages?
  • Good editor – A good editor is a joy to work with.

Audio reprints and foreign markets are usually separate passes, since I’m working with different lists there – the best of the stuff that’s been published. I absolutely would be lost in looking at the latter if I didn’t have Douglas Smith’s Foreign Market list. I’ve been bad about audio reprints and need to get more of those circulating, so that will probably come after this pass.

Enjoy this writing advice and want more like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Perefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get Fiction in Your Mailbox Each Month

Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.

Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

You may also like...

The Last Week of 2011

Cartoon of Cat Rambo
Done at PenguinCon, but alas I don't have the name of the artist!
It’s the last week of 2011, a year that has, like most of them, had its good and bad moments. I remain hopeful about the future, and glad to be in this world, and I look forward to seeing what happens in 2012. I plan to fill it with writing, editing, and teaching. (And a certain amount of reading and playing video games and that sort of thing.)

Speaking of the productive part of those goals, I just sent off the last batch of feedback to someone on their NanoWriMo novel. I’ll remind folks that this is the last week to do so if you want to take advantage of my editing offer for NaNoWriMo novels mentioned here: http://www.kittywumpus.net/blog/2011/12/06/nanowrimo-what-now/

A couple of people have asked about my doing an edit of their stories for workshops like Clarion West or Clarion. I am willing to do a look over of the developmental edit type, where I suggest to you what needs to be amplified, eliminated, or otherwise changed, but I won’t do a sentence by sentence one, since you need to be getting in on your own merits, in my opinion.

Next week I’ll be announcing the next round of classes – stay tuned for some cool possibilities (in my opinion!)

...

Teaser from A Still-untitled Steampunk Piece

Photo of mechanical wheel, taken at the Henry Ford Museum in Detroit.
I'm enjoying writing in a steampunk world. It allows for a lovely texture, and description drawn in a different way than my usual. I'm also enjoying the protagonists who have emerged, particularly Pinkerton agents Elspeth and her companion, Artemus West.
This snippet from the story I’m currently working on is set in the same world as recent pieces “Her Windowed Eyes, Her Chambered Heart” and “So Little Comfort in This World.”

Elspeth folded her hands in her lap, trying to keep her brows from knitting. She hated trains.

They were dirty, with bits of smut and coal blown back from the massive brass and aluminum steam engine pulling them along, and engrimed by successions of previous passengers.

They were noisy, from the engine’s howl to the screech of the never-sufficiently-greased axles as they rocketed along the steel rails with their steady pocketa-pocketa-pocketa chug seeping up through the swaying floor.

And they were oppressively full of people, all thinking things, all pressing down on her Sensitive’s mind, making her shrink down into the hard wooden seat as though the haze of thoughts hung like coal-smoke in the air and if she sank low enough, she’d avoid it.

She glanced over at her fellow Pinkerton agent, who returned her look with his own slightly quizzical if impersonal gaze. All of the curiosity of their fellow passengers was directed at him, perhaps the first mechanical being they’d ever seen, with silver and brass skin and curly hair, eyebrows, and moustache of gilded wire.

“They shouldn’t be keeping us back here,” she said for the third time in as many minutes. “If we’re his assigned bodyguards, they should let us up to inspect his compartment.”

“The porter said he’d tell them we were here,” Artemus said in precisely the same tone he’d used the first two times he’d said these words.

...

Skip to content