Instructions not included.In recent news, I’ve got some stuff in recent bundles. The VanderMeer Winter Mix Tape Bundle includes The Bestiary, which holds my piece, Tongues-of-Moon Toad, and The Other Half of Sky, edited by Athena Andreadis, and containing space opera piece “Dagger and Mask.” The Holiday Fantasy Bundle includes my Christmas R-rated story, “He Knows When You’re Awake” in Naughty or Nice, edited by Jennifer Brozek
I talked about reading the classics in an Another Word piece for Clarkesworld Magazine. What prompted me to write it? Because there’s been a lot of discussion of the classics as though pointing out problems with a piece is the same as crossing it off the list of stuff to be read. I talked about the decision to change the World Fantasy Award bust back in January for Clarkesworld and emphasized that yeah, you can read H.P. Lovecraft and yet not want to accept an award bearing his face, and moreover, your objections could be pretty complicated and nuanced.
Just turned in my edits for “Red in Tooth and Cog,” which appears early next year in a market that’s been a longtime goal of mine, The Magazine of Fantasy & Science Fiction.
Writing wise, I continue assembling Hearts of Tabat into coherent shape. I’m also finishing up a bespoke story, tentatively titled “She Eats My Heart Entire,” for an anthology and I’ve got a couple of others I want to finish up this month, including a Christmas piece that I should get drafted today and at least a couple for the Patreon campaign.
Want access to a lively community of writers and readers, free writing classes, co-working sessions, special speakers, weekly writing games, random pictures and MORE for as little as $2? Check out Cat’s Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.
"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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What I'm Working On
Really pleased with the current project, a continuation and expansion of A Seed on the Wind:
He took a landing towards Neryon neighborhood, a narrow outjut of stone augmented with board and rope buildings dragging at the stone, which was carved with a sinewy overlay of snakes and bees. In midday, it seemed to be drowsing. In a few hours it would begin to stretch and yawn itself awake. The caffeine vendors, selling chai and kaf and a dozen teas would range about filling cups and mugs or doling out thick cups that could later be chewed to mushy fiber for a quick thirdmeal as the evening began in earnest.
He made his way to a sleepy tavern, and slouched in a rear table, nursing leedink, mind thumbing through the possibilities as he fingered the wicker and wood puzzle centered on the table.
He could always go back to Poit. Or Ellsfall. Either of those choices itched him wrong, though.
A being sliding onto the bench across him in the wall niche. The stone shelf under its elbow as it leaned forward. “Pleasance, chum.”
Expensive clothes. Rasp-skinned, narrow-headed, not-human. Flat dark eyes, cold as shadowed caverns. Smile tied on with insincerity.
“Fuck off,” Bill said.
The smile widened, deepened, showed pointed teeth, filed sharper. Gold inlay in the closest one, a design of fish and flowers, a spray of rubies in a line down the front. “An asking for you, Mr. Bill.”
Panicked question stabbed through his stomach. Why did this stranger know his name? He sat back. “What’s that?”
“You know a guy, cook at Fleur, name’s John.”
Chef John. One of the possibilities that had been flickering through his minds. He shrugged. “Don’t ring no chime.”
“All I want is you to takespeak a word or two.”
Bill waited. In the room, the clackclask of pool balls, two youths playing, dressed in leather and thorns. The electric light flickflickered on arcs of white and jasper plastic, stacattoing light.
“Tell him the big companies don’t mind freelancers trading bittybit on the side. But he’s getting bittybig. Needs to step back.”
He hunched his shoulders in a shrug. “Happen to run into him, may say. What’s the what if I do?”
The stranger’s fingerscales were pointed, each tipped with a flower of gold, a stinger of steel, as it spread them as though to smooth the shrug away from the air.
“Bittybit money for you, friend. Just come here an asking.”
When I first began to fall through the floor, I didn't know what was happening...More free fiction, this time a piece that originally appeared in Cream City Review, in an issue guest-edited by Frances Sherwood.
When I first began to fall through the floor, I wasn’t sure what was happening. The kitchen seemed oddly distorted. The stripes of the wallpaper slanted a little to the left; the orange light of sunset lay over them like a flare of panic. My parents noticed nothing.
My mother was eating a fish sandwich, the McDonald’s wrapper neatly folded in front of her as she dabbed on mayonnaise. My father scraped the pickles and onions off his hamburger with his forefinger, which was streaked with the thick red of ketchup. Only my brother saw and looked at me as the chair’s back legs pierced the linoleum beneath my swinging feet and I tilted back with agonizing slowness.
I didn’t want to say anything at first. We usually didn’t talk much at the dinner table. Most of the time we didn’t eat at the table at all. My father brought home paper bags of food and set them on the counter so we could each take our share and vanish. Sometimes I sat on the grille of the heating vent. Warm air blew around my body. My brother crouched near me, both of us reading.
My father would take a glass of wine and his food and sit in front of the television. We could hear him twisting the dial back and forth to avoid the commercials. My mother sat in the living room near us, reading one of the romances which she devoured like french fries. We read science fiction and fantasy.
“Catherine’s falling,” my brother said.
My mother looked up. The chair angled more abruptly and I was on the floor. The chair was sprawled in front of me. Its back legs had nearly disappeared. I could see the ragged edges of the holes, like mouths forced open by stiff wooden rods.
My mother picked me up. I was crying now. My father pushed his chair back and looked at the floor. He continued to chew.
“That linoleum’s rotten,” he said. “I’ll have to fix it some time this weekend.”
Perhaps that makes him sound like a handyman, a fixer, someone who put things together. He wasn’t. Our house was broken hinges, stuck doors, worn carpets. Rather than take out a broken basement window, he piled dirt on the outside. To insulate it, he said. It made the basement a little darker, but that added to the mystery.
I liked to play there. Behind the furnace, there was a little space like a room. It smelled of house dust, dry air, and whiskey. I found a marble in a corner, amber colored glass. It was scratched in places where it had rolled across the cement floor. It would have been beautiful when it was new. When you held it up to your eye and looked through, everything was different, everything curved and bled together.
I took a half burned white candle from our dining room table down there. It was this which led to the basement being declared off-limits. My mother found the candle and thought I had been lighting it.
I liked having the candle there, in case there was a disaster, a tornado, an explosion, a nuclear bomb. Sometimes it was frightening in the basement. There were holes in the walls that led out in little tunnels and you couldn’t be sure something wasn’t watching you when your back was turned. I stuck the candle in a bottle. There were a lot of bottles down there, piled behind the furnace.
I could see the holes in the ceiling, between two smoke black beams, where the chair legs had gone through. The light from the kitchen came into the basement.
A month went by before the holes were repaired. We avoided the dent in the floor with its two accusing circles. Sometimes I imagined I felt the floor soften beneath my feet elsewhere in the kitchen and quickly stepped sideways. My brother and I watched each other when we were in the same room, as though afraid one might disappear and leave the other here alone.
Finally my father called a man in a blue hat, who came and tapped mysteriously in the basement. My brother and I sat up above, crosslegged on the floor, and watched the linoleum smooth itself out as he replaced the boards. The holes remained.
In the other room, my father watched a golf tournament. We could hear his breathing and sharp grunts whenever a putt rolled smoothly across the grass, heading into the hole like a ball with a purpose. When the man came up, my father offered him a beer and had my mother write out a check.
We went out to Happytime Pizza that night. The restaurant was clean; there were no holes in the floor. The windows were diamonds of colored glass, lead running like angry veins between them. The sunlight came through them and painted my father’s face with red and dark blue.
I reached my hand into a patch of green lying on the table’s surface and then took it out. No one was watching me. My mother and father held the menu between them. There was a wet ring on the wood of the table from my father’s beer glass. I put my hand into the color again and moved it back and forth, letting the light paint my hand as though smoothing it with color.
My brother kicked me gently under the table and moved his hand into the green too. We held our hands on either side of it, letting the very edge of the color bleed onto our hands, not daring to move in.
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