Five Ways
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Manipulated picture of linoleum print by Cat RamboReally pleased with the current project, a continuation and expansion of A Seed on the Wind:

He took a landing towards Neryon neighborhood, a narrow outjut of stone augmented with board and rope buildings dragging at the stone, which was carved with a sinewy overlay of snakes and bees. In midday, it seemed to be drowsing. In a few hours it would begin to stretch and yawn itself awake. The caffeine vendors, selling chai and kaf and a dozen teas would range about filling cups and mugs or doling out thick cups that could later be chewed to mushy fiber for a quick thirdmeal as the evening began in earnest.

He made his way to a sleepy tavern, and slouched in a rear table, nursing leedink, mind thumbing through the possibilities as he fingered the wicker and wood puzzle centered on the table.

He could always go back to Poit. Or Ellsfall. Either of those choices itched him wrong, though.

A being sliding onto the bench across him in the wall niche. The stone shelf under its elbow as it leaned forward. “Pleasance, chum.”

Expensive clothes. Rasp-skinned, narrow-headed, not-human. Flat dark eyes, cold as shadowed caverns. Smile tied on with insincerity.

“Fuck off,” Bill said.

The smile widened, deepened, showed pointed teeth, filed sharper. Gold inlay in the closest one, a design of fish and flowers, a spray of rubies in a line down the front. “An asking for you, Mr. Bill.”

Panicked question stabbed through his stomach. Why did this stranger know his name? He sat back. “What’s that?”

“You know a guy, cook at Fleur, name’s John.”

Chef John. One of the possibilities that had been flickering through his minds. He shrugged. “Don’t ring no chime.”

“All I want is you to takespeak a word or two.”

Bill waited. In the room, the clackclask of pool balls, two youths playing, dressed in leather and thorns. The electric light flickflickered on arcs of white and jasper plastic, stacattoing light.

“Tell him the big companies don’t mind freelancers trading bittybit on the side. But he’s getting bittybig. Needs to step back.”

He hunched his shoulders in a shrug. “Happen to run into him, may say. What’s the what if I do?”

The stranger’s fingerscales were pointed, each tipped with a flower of gold, a stinger of steel, as it spread them as though to smooth the shrug away from the air.

“Bittybit money for you, friend. Just come here an asking.”

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Blogging on YouTube: Some Reasons For Writers

One interesting way to spread your social media presence is to use video clips via YouTube. YouTube allows you to post and share videos, which most blogging platforms allow you to embed in your posts. Like any social media effort, this takes time. You should consider whether or not the benefits outweigh the amount of your valuable time (which should be used for writing primarily!) creating videos and using them for blogging via YouTube requires.

Benefits of blogging on YouTube for writers:

  • adds visual interest to your website
  • creates a channel to pull in potential readers
  • allows you to rehearse readings
  • maximizes those read-aloud revision passes

Adds visual interest to your website: Images are a plus for a website, breaking up blocks of text and making the page more enjoyable to your reader’s eyes. Embedded clips that she or he can click on are even more enjoyable, providing the benefits of an image while also allowing them to interact with the page by clicking on the player.

Creates a channel to pull in potential readers: When you create an account on YouTube, you are creating a channel for your videos. Other YouTube users can subscribe to your channel. When they mention your videos on their social networks (and surely the clever content you create will make them want to pass it along!), viewers drawn to your channel learn enough about you that (hopefully) they’ll want more, clicking through to your website or seeking out your work to buy.

Allows you to rehearse readings: Most of us don’t do much public performing, and we all know practice makes perfect. Recording yourself reading a piece, which is one of the simplest ways to create content (you could put the audio over still images if you’re shy of showing your face) and listening to the playback is a great way to learn your strengths and weaknesses and find things you should work on for public readings.

Maximizes those read-aloud revision passes: Reading pieces aloud is a vital part of my revision process, and one I urge on those capable of following suit. And if you’re going to be reading aloud anyway, why not get the most for your effort and record it as well?

Here’s a sample video that I did that promoted both Armageddon MUD and a story of mine:

That video is an early (and somewhat mortifying) effort, but it was also pretty easy to do. It was recorded using my computer’s webcam. Nowadays I’d add better editing and titling, at a minimum, but at the time it was cool, particularly since we were the only MUD I know of doing anything like that. Next week, I’ll talk about the basic mechanics of recording for video podcasts via YouTube and the tools you’ll need.

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Exploring Near + Far's Interior Art: Row 2 (Giveaway Day Two)
Art by Mark W. Tripp for Cat Rambo's Near + Far interior
Row 2

This week sees the book getting officially launched on Wednesday. This week I’ll be doing a series of five posts about the interior art. Comment on a post to be entered to win one of three pieces of Near + Far jewelry; comment on all five posts and you’ll be entered five times.

Here’s the second row of pieces. I was talking to someone last night about why it made me so happy to use Mark’s art: he’s been showing it to me for close to two decades and I’ve always wanted to use it to illustrate something.

So, left to right: Image #1, which has a funky little seahorse feel. When looking at Mark’s pieces, I tended to use the older stuff for “Near” stories and newer for “Far”. This one went with VocoBox ™, an early story about what would happen if cats could talk. (And I think it’s fairly accurate in that regard.) My cat is named Raven, much like the cat in the story, and this is my way of preserving him, because he’s been a great cat. 🙂

Image #2 has a sparse feel to it, and there’s one of those funky little eyes peering out at you. It accompanies the story “Not Waving, Drowning” (a title shamelessly taken from Stevie Smith, because it’s so terrific), which is about the harder side of telepathy, which always seemed to me like a terrible, terrifying superpower.

Image #3 is another earlier one, and it makes me think of the idea of spaceships as living things. It accompanies RealFur, a story about the relationship between people and objects, a theme which gets explored in “Therapy Buddha” as well.

Image #4 accompanies a story that appeared in Talebones, “Memories of Moments, Bright As Falling Stars”. It’s a cypberpunk-influenced story, and one I like a lot for its grungy and sometimes eccentric world.

Image #5 also accompanies a story influenced by the cyberpunk movment, “10 New Metaphors for Cyberspace.” It’s a flash piece, or perhaps a prose poem, depending on your definition, trying to think about how we might have seen cyberspace if Gibson hadn’t shaped it so definitively.

If I picked a favorite from this batch, it would be either #2 or #5. We still haven’t seen the one that I have as a tattoo yet, or the one that I’m thinking about for a new tattoo. 😉

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