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WIP: No Clue What the Title Is Yet

Photograph of a diagram showing the different kinds of starting points for a story.
A story in very rough form.
Working on a far future space story that is getting very complicated with its gender stuff. This is one of the things that annoys me sometimes about future space stuff — that it superimposes early 21st century (sometimes earlier) gender patterns in a way that I know is hard to avoid but which infuriates me when it’s unquestioned. I just reread The Pride of Chanur (OMG how is that out of print in hardcopy??) yesterday and love the way Cherryh handles the question.

Hence this story of two cultures clashing, and both the gender norms and the norms around the sex act are getting tangled up in interesting ways.

Anyhow, this is currently the story’s beginning (and is a good candidate to remain the beginning):

“It can’t be avoided, Tom,” Gayathri said to her spouse. “I know it’s Age-Come for Suzette and Bit, but they must deal with an outsider visiting. To keep Grace, they must be taken in by one of the Lines, and everyone else is dealing with emergencies right now. i can’t create a diplomatic incident over the feelings of two family members. They must learn to adapt.”

“It’s not the quarters that’s a problem,” they grumbled. “Since Bethany and Besa moved over to their new Line, we’ve had extra. But Gaya, this means adjusting all my meal planning.”

“A few more servings here and there”¦”

“Individualized cakes with names on them for the party, for one,” they said. “And the centerpiece was a fondant scene of the family. Now how will I incorporate them?”

“I’ll send you a couple of images from her press kit. Dress her in scarlet, that’s the Corps color for women.”

They frowned at her. “They dress in different colors? What do they do about in-betweeners or asexuals?”

“The Corps doesn’t allow them.”

They rolled their eyes. “One of those.” They eyed her. Her own insistence on keeping the same gender without ever attempting other forms or sexualities was a sore point in the relationship. While not unknown, it was eccentric enough that Tom found it embarrassing.

“A wealthy one of those, with money to invest on the behalf of her coalition. You will be nice.”

In the end the tiny fondant image of the Gräfin was easy enough. A little twiddling let Tom print a sugar face, which they affixed with a dab of icing. They’d been working on faces for the family members for a month: seven generations would be represented, which they privately thought a poor showing, but Gaya’s family was so much newer than the one they’d married out of. And cooking for that family on such an occasion had been making food for several hundred. Tom might have had more help in their family of origin, but there would have been considerably more work.

Still, the loss of Bethany, the most interested in kitchen work, had grated on them. Bethany had known how to help, how to clean up after Tom as they moved through the kitchen as well as how to supply whatever it was that was needed, prepping the mutual mise en place to perfection. And the pair known each other’s depth of perception, could tease each other with tastes, ask advice on building a sauce that reached past acid and sweet to take on other notes and textures.

They tapped air bubbles out and tamped the face down with a toothpick, then set it in the diorama to one side, clearly an onlooker. They relented and moved it a few inches further in. The poor woman couldn’t help it that she came at an odd time.

The diorama sprawled, a meter in diameter, on the kitchen’s center counter. They circled it, looking it over in the lime-tinted sunlight cast through the rear windows that overlooked slopes of garden leading down to the lake, an expanse that would have swallowed the massive house entire without a thought, its surface glutted with water-lilies.

In a week the swollen cream-colored heads would burst into blossoms, soft explosions that would happen as dusk settled, while the nightbirds sang, and the children would have an Age-Come that let them step into new roles and responsibilities if they chose. Sometimes children decided they did not want it yet and retreated. Tom didn’t think Bi would. They had borne the baby, carried it within their body till birthing time, and that gave the two of them a special knowledge of each other. Suzette had come into the family as a baby when one of their parents had married in, and the affection Tom held for them was the same as that towards most of the two dozen children: pride and affection, but perhaps not to the same fierce degree they experienced when teaching Bit “” not cooking skills, to their chagrin, since the child expressed no interest, but other basics, like how to tie a knot or do daily chores.

Tom had been expecting them for a while, but they came late to breakfast and inspected the diorama dutifully, without focus or remark, before sitting down.

Turning from the heat counter, Tom slid a plate of pancakes in front of the child, who inspected it with the same lack of interest the diorama had evoked.

Jitters. “Having second thoughts? Should I move your figure to the sidelines? You wouldn’t be the first.”

A headshake in reply. You try not to press them, let them grow at their own pace, but they do it to themselves. “It’s only one change, one of plenty in your life. Take it at your own pace, however you like.”

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6 Responses

  1. Cat, this seems more like Lois McMaster Bujold than C.J. Cherryh (faves of mine either way). But I’m about to reread PRIDE OF CHANUR myself, more for how she keeps that intense narrative drive going than for gender issues. But I’ll have to read for both now.

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Making the Most of GoodReads

Picture of a daisy(This originally appeared on the SFWA blog.)

Goodreads is the largest reader community site in the world, with over thirteen million members. Goodreads was recently acquired by Amazon, creating worries that the site would change, but Amazon has said they do not intend to make changes. Users can track their reading, find or make book recommendations, and discuss what they’re reading. Goodreads lists self-published books as well as those from professional presses.

Goodreads reaches outside its own site, supplying reviews to Powell’s Books, USA Today, the Los Angeles Public Library, the Columbus Metropolitan Library, and Kobo, among others. It supplies lists of books to the popular website Listopia, such as “Best Books of 2012.”

Beyond that, however, Goodreads offers authors tools that they can use to promote books. Using Goodreads, you can create giveaways, post excerpts, and help Goodreads readers discover your books.

When someone joins Goodreads, they create a profile that shows their reading side. Your profile includes optional information such as a photo, location, date of birth, website, reading interests, and a brief bio. Fill it out but be aware that after you’ve added an author profile, the second profile will be what most people see, rather than this one.

Goodreads allows you to maintain lists of what you’ve read, what’s on your to-read list, and what you’re currently reading. Each of these is referred to as a shelf.

You also have a newsfeed, which is displayed on your Goodreads home page, and shows recent news from friends and authors you are following as a fan. You can see what Goodreads events they are attending, whose reviews they are following, when they rate, add, or review a book, and so forth.

As a writer, you can expand your basic profile by adding an author profile and joining the over sixty thousand authors participating in the Goodreads author program. How do you add an author profile? It’s simple. Find one of your books on Goodreads and look for the “Is this you?” link at the bottom. Click on that to claim the book. It will take a few days for Goodreads to confirm you are the author, but they will mail you when your profile has been updated.

Now that you’re a Goodreads author, you’ve got access to a dashboard of new and interesting tools. On the home page, click on “Visit your dashboard,” which should appear near the top on the righthand side. The page that opens up should have Author Dashboard up in the top righthand side under the Goodreads toolbar. You’ll see it displays stats like number of works, which is the number of works attributed to you, and the number of fans and friends.

That section may seem a little mystifying. What’s the difference between “added by unique users,” “fans,” and “friends”? When you are looking at someone’s profile, you can opt to become a fan or add them as a friend. (If they’re not a Goodreads author, the option to add them as a friend will not appear. Goodreads automatically creates pages for authors.) If you are friends with someone, both people have to have approved the relationship, and each will have their reviews and comments displayed in the other’s newsfeed. If you are a fan of someone, their reviews, comments and blog posts will appear in your newsfeed, but they will not see yours. Added by unique users does not affect your newsfeed at all but is the number of people who have added one or more of your works to one of their shelves.

You’ll see all of your works listed in the “My Books” section under your statistics, along with statistics for each, including the number of ratings, the average rating, the number of Goodreads reviews, how many people have it on their to-read shelf, and how many people have it on their currently-reading shelf. You can drill down on each listing: while I don’t believe you can currently add ebooks, you can edit the book’s information and see Goodreads statistics for how many people have added, rated, reviewed, or included that title on their “to-read” list.

Beneath that is your blog. I am still looking for an easy way to push a WordPress blog post to one’s Goodreads blog, but so far I haven’t found one. There are plenty of Goodreads related WordPress plugins (http://wordpress.org/extend/plugins/tags/goodreads) but the majority of them allow you to display data from Goodreads on your site, such as a list of what you’re currently reading. Generally I mirror a few, but not all of my blog posts, here, because it’s a pain in the butt.

One of the most useful Goodreads Author Tools is their Giveaway system. Go to their giveaway page and you’ll see a wide variety of giveaways, which you can sort by which are ending soon, which are most requested, which are from popular authors, and what’s been recently listed. Goodreads makes it very easy to enter giveaways and allow requesters to add the book to their to-read shelf/. You can set the dates for the giveaway, as well as what countries it’s available in, if you don’t want the cost of shipping something overseas. It does not cost anything to list a giveaway, but be prepared to follow through. You cannot give away e-books as a giveaway, so you will have to bear the cost of shipping.

This is handy because Goodreads promotes the giveaways for you. Over 40,000 users sign up for giveaways on a daily basis, according to Goodreads, which means that mentions of your giveaway are appearing in the newsfeeds of their friends, as well as being accessible from the main giveaway page.

For the best experience, I suggest going through GoodRead’s Author Tutorial, as well as the abundance of other documentation they’ve provided. You’ll want to investigate groups as well as how to run an author Q&A. You can create trivia questions that drive interest in your book or publicize book signings and other promotional events. You may want to add some of its widgets to your blog or website or even pay to use its Self-Serve Advertising platform.

Enjoy this advice about social media for writers and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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Guest Post: My Take on Critique Groups (C.M. Michaels)

I’m going to be experimenting with including some guest content on my blog, primarily authors talking about their books. If you’re interested in participating in that, please drop me a line.

Cover for DANGEROUS WATERS by C.M. Michaels (Publisher: Freya's Bower)Here author C.M. Michaels talks about critique groups:

In my opinion, the ability to get real-time feedback from people knowledgeable about your genre that you trust explicitly””but who are still willing to offer constructive criticism””is the most helpful tool in a writer’s arsenal.

For a critique group to be successful, each of the conditions summarized above needs to be met.

  1. Composed of people you trust ““ I’ve seen a lot of online critique group sites pop up recently. These sites make the formation of groups far easier, but they miss out on one of the most essential requirements for collaborative input to be effective. Trust. I’m not just speaking of the risk that someone you have never met will pilfer your amazing idea for a new book (or even actual chapters), which is all too real. The lack of trust also makes you more defensive and less open to receiving even well intentioned feedback that they share. Selecting a critique group comprised of close friends and relatives alleviates both issues.
  2. Composed of people knowledgeable in your genre ““ So you’ve taken the first step and found a group of close friends and relatives who are willing to join your new critique group. That’s wonderful! Are all of them familiar with your genre? If not, I’d suggest that you keep looking. That may sound harsh (especially if they volunteered for your non-paying gig) but if they aren’t fans of the genre the pushback you receive could have as much to do with their dislike of your type of book as with what you are actually writing. Even if they are just uninformed about the genre rather than being biased against it, they still don’t have any benchmark to gauge your book against. Contrast that with someone who has read all the popular series you aspire to emulate. They can give you candid feedback that draws upon a mutual understanding of the essential elements for a book in your genre to be a hit.
  3. Composed of people willing to offer constructive feedback ““ This makes the selection of your critique group members far more difficult, as you need to ensure that the relatives and close friends you select are going to be willing to share negative feedback and take you to task. Getting a bunch of “this is great” comments may boost your ego, but it does nothing to improve your novel. No one is inherently excluded””your parents, sister, brother, boyfriend, may make great group members””it just depends on the nature of your relationship. And you also need to be open to receiving constructive feedback from them. If your boyfriend tells you he kept falling asleep during your prologue, as he didn’t see where you were going with your in depth knowledge dump on the Greek pantheon, will you listen to him and make the chapter more focused, or will it start a fight between you? Be honest with yourself. Having people tell us our creations are less than perfect stings. Make sure you select people you will not hold a grudge against.
  4. Able to provide real time feedback – We all know it’s much easier to make major storyline changes before the entire draft is written, and input on dialogue, narrative voice, syntax and character development received for one chapter can be leveraged as you work on future chapters. So in order to be effective your group needs to meet regularly, once every 1-2 weeks. As an added bonus, meeting frequently also gives you intermediate deadlines to target, since you need to have written something for them to review. Posting the chapters out on a Skydrive a couple days in advance of each meeting will give everyone a chance to read it beforehand and come prepared with their input.

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Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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