I’ve been following the controversy with Galaktika with particular interest because there are a number of SFWA members involved. My thanks to A. G. Carpenter for graciously sharing what they found out. In the process of talking to people, I dropped Istvan Burger a mail because I had these questions:
Would all writers be paid, preferably without their having to contact Galaktika?
Would all translators be paid? (my understanding was that the same lack of payment has happened with them.)
For any online stories, would authors be able to request that the story be taken down?
Would a process be put in place to ensure this never happens again?
Here’s the reply:
Dear Cat,
I’m writing on behalf of Istvan Burger, editor in chief of Galaktika.
We’d like to ask authors to contact us directly to agree on compensation methods. You can give my email address to the members. mund.katalin@gmail.com
The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more. So Authors don’t need to withdraw their works. As we wrote in our statement, there is no problem with novels, as all the rights of novels were paid by us in time.
Also let me emphasise again that all the translators were paid all the time!
You can quote my reply. Thank you for your help!
Best regards,
Katalin Mund,
Manager of Galaktika Magazine
Next week SFWA will be sending Galaktika a list of affected SFWA members who need to be compensated. If you’re a member whose work was published in Galaktika and want to make sure you’re on the list, please drop me an e-mail, message me, or leave a comment here.
Later addendum: I requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement. I was told that authors will be able to withdraw their stories from the electronic editions if they so desire.
I see that in December 2011 they published a collective Xmas piece “Presents of Mind” four of us (Connie Willis, Dan Simmons, Ed Bryant, Steve Rasnic Tem) wrote together (we each contributed a short) which was originally published in Asimov’s back in 1986.
“The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more.”
This is a flat-out lie. Nearly ALL back issues are available for ordering on the publisher’s webshop, http://galaktikabolt.hu/. I checked, and every issue from the year 2015 is available now. (The original article on mandiner.hu was about the magazine’s 2015 issues.)
“Later addendum: I have requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement.”
Not only the digital versions are available, but the real, paper issues are too.
Cat, it was just drawn to my attention that a story of mine was printed without permission in Galaktika Magazine back in 2008. I will contact them regarding compensation. Thanks for the work you put into this. And, yes, I am a member of SFWA.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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WIP: Teaser from The Bloodwarm Rain (YA SF)
I’d been feeling queazy for miles “” too much fresh fruit last town, trying to pack in as much as I could “” so finally I tapped Roto on the shoulder and we left the bus during a stretch and pee break. Big Fredo was driving the tents truck and he had a sweet spot for Roto, so he let us climb up into the sheltered spot just behind the cab, where we were sheltered from the wind but still could feel the bite of the air and where, if I needed to, I could lean out and vomit into the sandy gravel of the road.
It made me feel better almost immediately and my mood, which had been gloomy and self pitying (or so Roto kept informing me), lifted, as though the high blue sky overhead were pulling it upwards.
Okay, maybe I had been being kind of a bitch. I shrugged at Roto in apology and he shrugged back. That was one of the nice things about Roto. Once a fight was over, it was done with. It was a quality I envied, and couldn’t begin to claim. I was capable of holding a grudge for years, and had all my life, even though that was only fifteen years so far.
He grinned sideways at me, whiskers twitching, and leaned back to let his upper torso, bare except for the stripes of dun for, smolder golden in the sun. I settled back myself, though I stayed in the shade.
On my right, past Roto, was the steep downward slope of the cliff, covered with slides of shale and wiry brown bushes and past that, a blaze of sunlight on the ocean, dazzling and headache inducing. I looked away and up the mountainside. We were swinging out and around a curve before going inward and Sieg, who was the pace setter up front in his jeep, was, in my opinion, taking it a little fast.
That’s how I saw it. Flash flash. Two blinks of light from far up the mountain ahead of us. Then again. Flash flash.
I squinted up the mountain but didn’t see it again. But I crawled forward, clinging to the netting that held the ranks of tents in place, and tapped my knuckles hard on the cab’s back window. Kali was riding shotgun, her own window open and dreads flying back in the wind. She twisted around to slide the window open.
“I saw someone signaling up ahead,” I shouted.
“We’re on it,” she shouted back. Big Fredo tapped the bead in his ear. Someone else must’ve seen it as well, and gotten to our radio network faster than I had. That was always the story. I was never the hero. My spirits sagged again.
Kali slammed the window shut and turned back to watching the road ahead. I made my slow return to Roto. It seemed to me we had sped up a little but I couldn’t be sure. Maybe it was just my own anxiety.
Roto gave me a questioning look.
“They’re on it, she said.” I shrugged. Not like we could do much about anything. Better to move forward with our eyes open than let them know we had spotted them and they should open fire.
A faded blue sign flickered past. “Rest stop 1 mile Gas Services”
“You know that’s where they’re going to try to hit us,” Roto said. He stopped lounging and leaned forward.
“Yeah, but what else can they do? There’s no other place to turn around.”
We both wriggled back as far as we could, putting furled canvas between ourselves and possible missiles. The smart-canvas of the main tent might stop a bullet but the thick rolls of more ordinary heavy fabric would still foil arrows or darts.
My stomach wasn’t queasy anymore at all. Instead, hot bile chewed at the back of my throat and worry threaded all my bones. We hadn’t brought weapons with us from the bus; June doesn’t like us carrying them around, but when we’re traveling, we’re supposed to have something with us.
Roto had claws and teeth. I had nothing but my own blunt fists and wits.
Gravel hissed under the wheels as we swung left and slowed. I tried to peer out.
Roto put his palm on the top of my head and shoved downward. “Don’t be an asshole, Meg.”
We held still. I could hear the other cars and trucks pulling in, slowing. The turnaround must have been blocked, otherwise Sieg would have used it to lead the whole convoy to circle back as quickly as he could while Vera had our backs. But stopping there meant there was some sort of blockade.
A voice from up ahead. A man’s voice, and one that had meanness in it despite the pleasantness of the words. “And a good afternoon to you folks!”
Car door slamming and then the crunch crunch of footsteps, barely audible over the sound of the last few stragglers pulling in. I knew that if I looked back people would be fanning out as best they could. We all drilled aon what to do on occasions like this, but I’d only been in a few fights. And not since I had become, technically, an adult.
But surely an adult would have known enough to carry at least a knife with them. I glanced over at Roto and was relieved to see that he looked as anxious as I felt.
June’s deep voice, carefully modulated and empty of emotion. “Afternoon, gentlemen.”
I angled my line of sight upward, hoping to catch a glance of Vera. So much depended on what these bandits were carrying. Hopefully, just a few guns, but probably a bit more than that.
“We were just discussing how it looked as though your trucks were too heavily loaded,” the voice said. “We thought maybe we could help you out, maybe take some of the livestock. That way you’ve got less to feed, we’ve got more to feed ourselves with.” He laughed, the sort of laugh where you could easily imagine the sneer that came with it.
June’ voice, so polite. “I’m afraid that the livestock are members of the troupe as well.”
The man mimicked her. “I’m afraid that you don’t have a choice.”
“That’s a point of debate,” June said. “Vera, now.”
Not many people have seen any of the old war machines. Some were disabled, others disabled themselves. We don’t know what side Vera was on back then. Just that she was on ours now.
As part of recent updates at SFWA we recently revamped the Nebula Recommended Reading list to show up in alphabetical order. It’s a stopgap measure until the website gets re-designed, and to my mind has some of the same problems as presenting by order of number of recommendations. In musing that over, I mentioned to webmaster Jeremy Tolbert that I looked forward to the new school of aardvarkpunk we were inspiring. A half hour later this story appeared in my head.
This is a Patreon story, published thanks to the generous support of my patrons on there; they get access to the Chez Rambo Discord server, additional sponsor-only snippets and stories, plus sneak peeks at new drafts, discounts on Rambo Academy for Wayward Writer classes, and a chance to win my monthly giveaway. If you’d like to support indie publishing plus get stories, sign up to support me there!
Aardvark Says Moo
“Aardvark says moo,” says the clown, handing over the balloon animal.
My overly precocious kid squints her eyes. “No they don’t.” She folds her arms. No eight year old should be that definite about anything. Whatever happened to the idea of childish sense of wonder?
“I was being whimsical,” the clown explains. “Do you understand what that word means, little girl?”
Now he’s gone and done it. I could have warned him, but no one had consulted me since moment one of this interaction. The kid went up, the clown looked at her and started twisting a pink balloon around, and then he had to start being all whimsical.
“Whimsy,” my child says, “is playfully quaint or fanciful. A talking aardvark impersonating a cow is just dumb.”
At this point, a supernatural element enters my story. You may think it’d be something subtle, maybe the sort of knife edged was-it-real-or-not stratagem that Henry James could employ, but the fact of the matter was that it was a Valkyrie, walking up to look us over.
Maybe a woman dressed like a Valkyrie, you’re thinking. A costume party might have occurred to you, maybe, which means you’re going off on a total tangent, so lemme say this. Kid’s birthday party. Bouncy castle, hot dogs, cake. The only costume was the clown’s, and it wasn’t a particularly inspired one.
The Valkyrie moreover is real. Realer than real. Like a black hole of realness that made everything around her look like faded plastic. Her armor is made of golden scales. She smells like ozone and honey and looks like an angry supermodel with no makeup. She says, “Kyle Holiday, I have foretold that you die in the line of duty tonight but I will take you to Valhalla.”
“I’m pretty sure there’s been some mistake,” the clown says. “That’s my name, but I’m not going to die.”
“No one thinks they’re going to die,” the Valkyrie says significantly.
“Hang on,” my kid says. “This is my best friend’s birthday party and no one should die at it. She’s delicate. She’ll be traumatized for years. Take it elsewhere. What’s he supposed to die of, anyway?”
The Valkyrie listens to the air for a moment. “Peanut allergy.”
“I’m allergic to peanuts,” clown Kyle says cautiously, “but that’s why I don’t eat anything at these gigs.”
The Valkyrie shrugs.
“No, I mean it,” my kid says. “No one’s dying.” She grabs a napkin from the table and holds it out to the clown. “Maybe you breathe in some peanut particles. Tie this over your nose and face. Then get out. Better a flaky clown than a dead one.”
The Valkyrie says, “Who are you, to interfere with a hero’s death?”
“One, my name is Anna Louise Mayhew,” my kid says, her chin pointed at the Valkyrie, “and two, he’s at a kid’s birthday party.”
This Valkyrie listens to the air some more. This time it takes longer, and she gets a funny look on her face halfway through.
“Well,” she says, when she finally returns her attention to us, “he dies while working. There’s not that many clearly defined hero’s deaths around any more, but he faces down countless children.”
“And delights them,” she adds as an afterthought. She reaches out and tweaks the napkin off the clown’s face. “You don’t need that. You’ll like Valhalla.” She looks at my kid. “You’re Anna Louise Mayhew, huh?”
Something about the way she says it makes me step up and say, “Anna, why don’t you walk your friend to the gate?” I fold my arms, look the Valkyrie over. She’s about twice my size, could snap me like a twig, but she seems relaxed about it all. I say, “How do you know her name?”
“I take her, later on,” the Valkyrie said. “We always future-remember the important ones.”
I’m torn between pride and horror. “What? When?”
“Relax,” the Valkyrie says. She takes a piece of cake and it’s somehow reassuring, makes her seem a little less real and more like someone in a costume. “Not till long after you’re dead. They coax her out of retirement for it. She wins and saves humanity.”
I don’t really want to know anything more than that. I say, “So you’ll forgive her saving the clown?”
“It’s kinda pathetic, taking a clown to Valhalla,” she says. “Sometimes someone screws up the paperwork. This might be one of those times.”
Anna comes back and stands looking at the Valkyrie. I can’t tell if it’s fear or admiration or something else. I imagine her as a little old lady, facing down some unguessable enemy, that same solemn expression. The Valkyrie wanders off and vanishes into sparks that travel up into the sky. No one else seems to notice.
These sorts of things happen around my kid a lot, I’ve noticed. I say, “You were kinda hard on that clown about the moo thing.”
“Well, maybe,” she says. “I don’t like whimsy, though. Aardvark goes moo, how twee is that?”
I bet that Valkyrie’s looking forward to seeing her again.
18 Responses
RT @Catrambo: Answers to Some Galaktika Magazine Questions: https://t.co/ZG6usEVDPL
I see that in December 2011 they published a collective Xmas piece “Presents of Mind” four of us (Connie Willis, Dan Simmons, Ed Bryant, Steve Rasnic Tem) wrote together (we each contributed a short) which was originally published in Asimov’s back in 1986.
“The short stories were published in a monthly magazine, which was sold for two months, so these prints are not available any more.”
This is a flat-out lie. Nearly ALL back issues are available for ordering on the publisher’s webshop, http://galaktikabolt.hu/. I checked, and every issue from the year 2015 is available now. (The original article on mandiner.hu was about the magazine’s 2015 issues.)
“Later addendum: I have requested clarification about the magazine not being available for longer than two months since there seem to be digital editions for sale on the website, which would seem to contradict that statement.”
Not only the digital versions are available, but the real, paper issues are too.
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RT @Catrambo: Answers to Some Galaktika Magazine Questions: https://t.co/ZG6usEVDPL
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RT @Catrambo: Answers to Some Galaktika Magazine Questions: https://t.co/ZG6usEVDPL
Updated with an answer to the question of Galaktika  e-editions: https://t.co/o9UgIfAyyK
RT @Catrambo: Updated with an answer to the question of Galaktika  e-editions: https://t.co/o9UgIfAyyK
The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
RT @Catrambo: The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
RT @Catrambo: The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
RT @Catrambo: The answers that I’ve been able to ascertain about Galaktika Magazine and story payments: https://t.co/HVUqvXnsZM
Cat, it was just drawn to my attention that a story of mine was printed without permission in Galaktika Magazine back in 2008. I will contact them regarding compensation. Thanks for the work you put into this. And, yes, I am a member of SFWA.