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Finishing a Novel

abstract image to represent the documents of TabatToday I finished Hearts of Tabat. Sure, I’ll go back and do some smoothing before sending it off to beta readers on Monday, but the book is done, the scenes are there, and (roughly) in the order they should be. The last scene took a lot of circling — I went out and walked five miles, came back, poked at it, went into the other room and made some notes, came back and kept pecking away.

I felt resistant to getting that last scene down on paper — I know that after a year and half with this book I am simultaneously exultant that it is, finally, done and sense has been wrestled from the seething mass of incoherence, and at the same time reluctant to let go of what has occupied a substantial part of my head for quite some time.

It’s an odd floaty but incomplete feeling. I feel as though I’m not sure what I should be doing, and a little anxious yet jubilant. There is a certain fear that beta readers will get something and go, “this is not a book”. Particularly when I’m trying something a bit adventurous with the structure, which I’ll save talk of for another time. I think they’ll like it; it’s as rich in Tabatian flavor as the first book and considerably more things happen in this one, to address the main criticism of that first.

Since I haven’t posted any stories on Patreon this month, I put up the first three chapters, but only for patrons. I figure they make the writing of the novels possible by supporting the stories. If you’re a patron, I look forward to hearing what you think.

I know that I need to read through the draft at least once and make sure all the names are correct; they shifted around a lot during the writing and most of the characters have gone through at least two permutations (Ariadne/Adelina, Skilto/Sebastiano, Crocofissia/Serafina) as have some of the surnames. There’s also some scraps of notes I’ve jotted down: loose ends to tuck into the narrative here and there.

But it feels as though there are a lot fewer redundant passages in Hearts than in Beasts, mainly because this manuscript hasn’t, like its poor counterpart, had multiple editors and agents leave their mark on it.

I’m also reassured that being SFWA President will not destroy my career; I wasn’t sure I would be able to finish a book while in office, but here you go. I promised Wayne if I didn’t get two done this year I wouldn’t run again; now I’m halfway.

At seven, I’ve got a Mandarin lesson via Skype, but I’d rather play Fallout. However, I will be good, and make poor Grace listen to my vowels and exhort me to “practiss, more practiss” before I will go indulge. Tomorrow I will plunge in the other big project due at the end of the month and frantically plow through that, but for the rest of the night, I get to play video games and not feel a gram of guilt for doing so.

May is for getting the YA novel finished; it’s currently about half written. I finally figured out the title, which is Conflagration.

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To Write Short Stories, Read Short Stories

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It's hard to pick favorites, but I did in this post.
I find that when I read short stories, more short stories of my own come to me and I believe Delany when he says that you can’t write anything better than the best stuff you’re reading. Here’s ten of my most accessible favorites, mostly speculative fiction, but with a few lit writers in there as well.

Kurt Vonnegut, Jr. – Vonnegut is the best of the best, and I don’t just say that because he’s a fellow Hoosier. Welcome to the Monkey House is a great collection to start with and one that I read over and over in high school, but I’m also fond of Look At the Birdie, published posthumously.

Carol Emshwiller – Also amazing, also doing things so skillfully that plain language manages to become part of such a lovely construction that the grain of the words seems ornamental as well as story material. I just love Emshwiller, and getting to publish one of her short stories during my time at Fantasy Magazine was a highlight. I particularly recommend I Live With You and Report to The Men’s Club.

James Tiptree Jr. – For some of the most wonderful titles around, for some of the most subversive and interesting spec fic ever, look no further than Tiptree, aka Alice Sheldon, who shaped the field to the point where they named an award after her. Her Smoke Rose Up Forever and Brightness Falls From Air are both good starting points. (Julie Phillip’s biography, James Tiptree, Jr.: The Double Life of Alice B. Sheldon, is a fascinating read that brings even more to the stories.) And the award anthologies are FULL of good stuff that shows some of the best in the field.

Philip K. Dick – Dick does ideas, and amazing ones, but he’s also a really solid writer. Start with the volume edited by Jonathan Lethem, Selected Stories of Philip K. Dick. Like Tiptree, this is one of the people who didn’t just subtly shape the field of spec fic but banged their name into the side of it with a sledgehammer.

Donald Barthelme is one of the writers that falls into the literary side of things, but spec fic readers that like slipstream will find him well suited to their tastes. Sixty Stories should be sitting on your shelf.

Grace Paley is also literary, but holy cow, just go buy her three slim little books of fiction (which is all we have, sadly) and read them. Enormous Changes At the Last Minute, The Little Disturbances of Man, and Later the Same Day are the titles. Having Grace at my dinner table asking for a second helping of the pumpkin cheesecake and warning us all that at some point of the meal her false teeth might fly out of her mouth and that if that happened, the last thing she wanted was for anyone to pretend it hadn’t happened, was one of the greatest moments of my time at Hopkins.

O. Henry is a classic, prolific short story writer. Some stories have aged better than others, but going through his collected works is a good use of time for a short story writer. Three things he’s good at: plot construction, pulling on the heart strings, and dialogue.

Joan Aiken did more than write some great YA fiction. She’s also got a ton of good short stories. Many are adult, but The Serial Garden, which contains all her Armitage family stories, is full of good fantasy.

Theodore Sturgeon was prolific and has done some amazing speculative stories t. The nice thing if you’re a bibliophile is that North Atlantic Press does a complete edition of his short stories (which I covet and wouldn’t mind for Christmas if any spouses named Wayne are reading this), starting with Volume I, The Ultimate Egoist.

James Thurber is another writer that I hit in high school and who I read over and over. His letters are actually one of the books that shaped my life: his good humor in the face of adversity shines in them. Flash fiction admirers should check out Fables for My Time.

Enjoy this writing advice and want more like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Recent Reading: Wolves, Wives, Knives, Curses, A Hospital, and a Henchgirl

The works read but yet to be reviewed are piling up, so here’s a new roundup to clear away part of the deluge.

The Mere Wife by Maria Dahvana Headley is a retelling of Beowulf from the monster’s point of view, set in a possibly not-so-future world where the rich live in protected enclaves. Stark and beautifully told, the story raises the question of who the actual monsters are and whether they haven’t been residing in us all along. (Farrar, Straus and Giroux; release date 17 July 2018)

A Treacherous Curse by Deanna Raybourn is the second in what feels very much like a series, following A Perilous Undertaking. It reads a lot like Elizabeth Peters’ Amelia Peabody series but with a much more sexually outspoken protagonist named Veronica Speedwell and a dose of fantasy. I initially thought Speedwell’s love interest was Bram Stoker, which actually turned out not to be the case. A fun, light read. (Berkeley Original, 2018)

The Year of the Knife by G.D. Penman is entertaining urban fantasy in the police procedural tradition, and will remind the reader of a Ben Aaronovitch novel with a slightly smaller cast. Meerkat has been putting out some very solid stuff, and this is another example of that. (Meerkat Press, 2017)

Two graphic novels, very different from each other, round out the list. The first is Freedom Hospital: A Syrian Story by Hamid Sulaiman, winner of the English PEN Award. This book is graphic, a brutal and heart-wrenching introduction to conditions in Syria in 2012. The art is simple, sometimes with the quality of a slogan stenciled on a wall: I could image image after image from the book used in that way. Recommended but not light reading. (Interlink Publishing Inc., 2018 American Edition)

Henchgirl, by Kristen Gudsnuk, comes from Dark Horse Books and is a fun exploration of the economics of supervillainy, particularly for the minions and henchfolk just trying to make an honest living. Clear and charming drawing with a nice sense of whimsy. (Dark Horse Books, 2017)

You can read this at http://thegreenmanreview.com/books/recent-reading-wolves-wives-knives-curses-a-hospital-and-a-henchgirl/

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