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Nattering Social Justice Cook: Supporting The Next Generation

Ancient village with modern kids and bubbles.
Ancient village with modern kids and bubbles.
If you don’t know about DonorsChoose, it’s a great program that lets you support individual classroom projects. I sponsored one in honor of my aunt Nona. Here’s the lovely thank you note I just got.

Dear Cat Rambo,

Thank you so much for your donation to my classroom. Having copies of Persepolis: The Story Of A Childhood has had a dramatic impact on my students as they finish their eighth grade year.

When the students received copies of a book that they were actually interested in, they felt like they were the ones in charge of their learning experience. The decision to design a unit around Persepolis was student driven. Earlier this year I noticed that students were coming to class regularly asking questions about the Middle East and Islam. In student interest surveys, the class overwhelmingly expressed a desire to learn more about these topics. So when students got copies of Persepolis, they felt as if their voices were being heard. When I started the unit, I noticed a big increase in student engagement. “I felt lucky!” Eighth grader De’jean Williams said when the class received the books. “Adults hardly ever listen to us- it’s nice when they finally do.”

The Persepolis books have provided students with a window into life in the Middle East. Students are beginning to understand the complexity of the forces shaping the region. They are deeply engaging with questions about the role of government, culture and religion influencing a society. Middle school is the time when students are first beginning to shape their world-view. Reading Persepolis is helping students in this process. As the United States gets more and more involved in the region, I am so glad that my students understanding of the region is growing.

Thanks again for your generous donation! You are truly making a difference in the lives of young people!!

With gratitude,
Ms. Founds

Want to see students reading diverse, interesting, informative reading that features protagonists like them? Find programs doing just that and help them.

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Want to get some new fiction? Support my Patreon campaign.
Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Why Podcast? Reasons For Writers

Picture of Cat Rambo with a dragon on her shoulder
The human associated with this fine dragon is Goldeen Ogawa (http://www.goldeenogawa.com/).
This Sunday, Folly Blaine and I are teaching another podcasting class. Here’s the description:

Podcasting Basics
Podcasts, both audio and video, are an increasingly popular way to reach an audience. In this two hour session, learn what you need to know to record and edit your own podcast, how to promote your podcast, and what equipment and software to use. As Folly Blaine, Christy records and acts as Podcast Manager for Every Day Fiction, and has also recorded podcasts for Beneath Ceaseless Skies, Wily Writers, and This Mutant Life; Cat is the former fiction editor of Fantasy Magazine and has recorded podcasts for Clarkesworld, Beneath Ceaseless Skies, and Fantasy Magazine. Limited enrollment ““ reserve a slot now!
Sunday, 9:30-11:30 AM PST, February 9
$99

Why might you be interested in podcasting and learning to do your own? Here’s a few reasons:

  • It’s a good way to reach a new set of readers. Many of the people who listen to podcasts prefer that to finding your stuff in text form inline. They’ll listen to your story in the car, while exercising, while working, and other places where text isn’t convenient. And they’re always looking for new, good stuff.
  • It’s a great way to polish your reading aloud skills. As a writer you’ll need to do readings. We’ll give you some tips in the class, but the best way to get better at it? Practice.
  • It makes you comprehend your work in a new way. I always read aloud stories as a last step in polishing them. Combine that with recording a podcast and you’re examining your work in order to figure out how it sounds.
  • Last week, my agent told me that authors who record their own books see a significant bump in sales, but that publishing houses don’t like to have them do it, because they’re unsure of the quality. If you can point to previous podcasting experience, you can back up the suggestion that you read your own work and even have samples of what you can do.

When publicizing “Five Ways to Fall in Love on Planet Porcelain,” I made sure it was available in audio form. Did that help earn it a Nebula nomination? I don’t know, but it certainly didn’t hurt.

Enjoy this advice for writers and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

Prefer to opt for weekly interaction, advice, opportunities to ask questions, and access to the Chez Rambo Discord community and critique group? Check out Cat’s Patreon. Or sample her writing here.

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Offering Online Short Story Workshop

seven sessions. lecture, discussion & workshop.This is the workshop I give every couple of years; I will not be giving it in 2023. There will be two separate one section.

This seven week workshop focuses on the basics of writing speculative fiction short stories, including figuring out and implementing your plot, creating believable and engaging characters, effective world-building, what to do with a story once it’s finished, dealing with editors and markets, and other necessities. Students will have the opportunity to workshop at least one story over the course of the class and will also be writing and sharing weekly writing assignments.

Sessions will be recorded for students and available three days after the live session. You will also have access to the Rambo Academy Discord server and discussion/events/resources there.

Section two: Tuesday 6-8 PM Eastern time September 6, September 13, September 20, September 27, October 4, October 11, October 18.

Cost is $499 for seven sessions. Each session runs two to two and a half hours. All sessions are recorded for student use only. To register, mail me at cat@kittywumpus.net and indicate which section you are applying for and how you would like to pay (Paypal, Venmo, check, etc.) There are three free scholarships in each section. Deadline for applying for a scholarship is August 19.

Testimonials

    • Taking a workshop class with Cat was a great experience. Highly recommended! – Fred Coppersmith
    • Every week is like a shot in the arm of pure encouragement & enthusiasm. -Liz Neering
    • Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah”¦.thanks so much. -K. Richardson
    • Cat is a fun tutor with plenty of experience as both a fiction writer and a professional editor. She has plenty of sound, practical advice to offer, and the writing exercises are enjoyable. A course like this allows you to meet other writers of varying levels of experience and talent, which is a very good way of finding out what you are good at and where your skills need work. It also gives you a bunch of potential writing buddies, which can be very valuable. -Cheryl Morgan
    • Cat Rambo’s classes are both entertaining and edifying. If you are an aspiring writer or editor do yourself a favor and sign up! -Stefan Milićević

Some of the stories produced during this class:
Bo Balder, “The Doll Is Dead”, Penumbra
Nicholas Lee Huff, “Smitten“, Every Day Fiction
Jamie Lackey, “Moving Past Butterfly“, Bastion
Jamie Lackey, “The Path to Butterfly,” Lakeside Circus
Sunil Patel, “Sally the Psychic Alligator“, Fireside Fiction
Frances Rowat, “Palimpsest“, The Sockdolager

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