How to Dunk Your Reader in the Details (Figuratively)

Every culture tells stories. We keep our history alive this way. We all have rituals, whether they are secular or deeply religious. When you’re worldbuilding, you can communicate a plethora of culture and history through the traditions and festivals your characters observe.

Coming up on December 10th, I’ll teach Christmas in Narnia: Creating Traditions for Fictional Cultures for the Rambo Academy for Wayward Writers. Pardon the frosty pun, but a fictional holiday is an excellent tip to the iceberg of your world’s history. Consider the wealth of similarities and differences of the festivals of lights that originate from the Northern Hemisphere of our planet alone:

During the season of autumn into midwinter, things get darker and colder in most of the NH. The further north you go, the more stark that dark and cold becomes. Many traditions originating in the Northern Hemisphere have celebrations and rituals revolving around light and warmth at this time. India and its diaspora bring us Diwali and Deepavali, two different but similar multi-day festivals of lights, color, and life. Judaism celebrates Hanukkah as the observance of a historical miracle”“eight nights of light produced from barely any fuel oil. A fun side note: we eat fried foods like latkes and donuts on Hanukkah to represent the bounty of the oil! Who wouldn’t love a holiday that prescribes feasting on greasy carbs?

On Christmas, people celebrate the birth of the Christ child, destined to bring light, love, and goodness into a harsh world. As Christianity spread through Europe, this tradition appropriated, fused with, and replaced several midwinter traditions, such as the birth of God of the Wood on the winter solstice. This nature-based deity literally brings the light and warmth back into the world as the days finally grow longer instead of shorter. In addition to a festival of eating and drinking (lots of drinking), popular Christmas tradition involves putting candles and electric lights on everything, particularly an evergreen tree. That tradition did not come from Nazareth.

Notice that these traditions change over time and will even be different in each family or community. Just as no ethnic group is a monolith, neither is any religious or secular culture. There’s so much room here for worldbuilding, not to mention internal as well as external conflict. Some progressive Jewish families have introduced an orange among the symbolic food (roasted egg, lamb bone, bitter herb, et al.) of the Passover Seder plate, meant to remind us of the struggle of women, lgbtq+ folks, and people of color in Judaism as well as all who face intersectional struggles and are often left out of the popular image of the Jewish community.

I have a Jewish mother and an essentially Unitarian father. I grew up with secular Christmas as well as a heritage-rich Hanukkah, but I’ve always gravitated toward Pagan traditions. As a kid, I was particularly smitten with the Egyptian and Greco-Roman pantheons and stories, and I assume this is because I grew up in Miami, Florida. Flowers, fruit, and flowing water made more spiritual sense to me than the scarcity theme prevalent in Abrahamic traditions. This is the sort of subtlety that can communicate the history of a culture; temperate or tropical traditions are more likely to celebrate abundance and indulgence. Desert cultures are more likely to emphasize struggle, scarcity, and abstinence, but also patience and most importantly, charity. It’s no coincidence that Islam, Judaism, and Christianity share these values and emerged from cultures living under harsh political and geographical conditions.

This brings us to another important subtlety of cultural norms. How hot is “hot?” How cold is “cold?” For that matter, how far is “far?” Does “nice” mean polite and friendly, or does it mean kind and empathic? These are the questions that shape so many nuances of a community and its culture, whether macro scale or micro. And don’t overlook the secular traditions”“what does Tax Day tell us about capitalist cultures? What about the Queen’s Jubilee? For that matter, what about Juneteenth?

For more on this, please join me for Christmas in Narnia: Creating Traditions for Fictional Cultures on December 10th. Happy holidays!

Bio:

Evan J. Peterson is an author, game writer, and Clarion West alum. His latest book is METAFLESH: Poems in the Voices of the Monster (ARUS Entertainment), and recent work includes Drag Star! (Choice of Games), the world’s first drag performance RPG. His writing appears in Weird Tales, Arcana: The Tarot Poetry Anthology, and Queers Destroy Horror. Evan’s serial novel, Better Living Through Alchemy, will be published in 2023 by Broken Eye Books. linktr.ee/evanjpeterson can tell you more.

Site: www.evanjpeterson.com
Twitter: @evanjpeterson
Insta: @evan.j.peterson

My mason bees are all hatching and it’s quite entertaining to sit out on the porch and watch the tiny perfect new bees encountering the world for the first time. When they reach the sunlight they stop and preen themselves like cats. Grocery deliveries have become a source of great excitement, and I am currently on Fall of year 2 in Stardew Valley. The move to Portland is on hold for at least a couple of weeks while we figure out where the world is going.

While existence has become more circumscribed for many, my life has, weirdly enough, become a bit more social as a result of recent events. I’ve been doing daily co-working sessions, at least one, sometimes two, each day, for a group that includes a bunch of friends and family, current and former students, mentees, and Patreon supporters as well as trying out some different things like videocalls where we all log on and clean our workspaces at the same time while chatting or Netflix Party.

I wrote a piece for Medium on how to run a successful and productive co-working session, and I cannot recommend them highly enough, although I know that mileage will wildly vary, according to people’s process. If you miss coffeeshop writing or working in an office, though, this may be a reasonable substitute. Remember there are scholarships for the Discord server.

I’ve also been doing some consulting for people turning their material into online versions. If you’re undergoing this process, here’s Things to Consider When Converting Your Live Class Into an Online Version. I also turned in book three of the Tabat series, hurray hurray!

Coming up this weekend:

• Get Weird! How to Make Your Fiction Original, Compelling, and Deeply Weird with Evan J. Peterson Saturday, April 11, 2020, 9:30-11:30 am Pacific Time. Taking cues from classic stories as well as contemporary literature, film, and pop culture, workshop leader Evan J. Peterson teaches you the ways to make your writing original, compelling, and deeply Weird. From witchcraft to spirits to unnameable entities, you’ll learn what makes a story unsettle audiences and stick with them for years.
• Writing Interactive Fiction with Kate Heartfield, Saturday, April 11, 2020, 1:00-3:00 PM Pacific time. If you’ve ever found yourself choosing between possible endings or plot twists, why not try a storytelling format that lets you explore them all? Games and interactive fiction invite the reader to join in the storytelling process, and invite the writer to consider multiple facets of agency, characterization, pacing and plot. Learn some fundamental principles and techniques for interactive formats, or just gain a new perspective on ways to develop your non-interactive prose.



• The Writer’s Guide to Handselling Books (Social Isolation Edition) with Michael R. Underwood, Sunday, April 12, 2020, 9:30-11:30 AM Pacific time. Author and publishing professional Michael R. Underwood shares lessons from a decade of hand-selling books to readers, booksellers, and sales reps. Learn how to put your work into a market context, showcase what makes it special, and connect with readers when selling at conventions. There’s no one way to sell any book, so this class will help you learn to find several different ways to pitch each project for greater success. In this edition, we’ll talk about how to sell books while practicing social isolation via virtual events and social media.
• Fearless Writing: Learning Not to Hold Back with Evan J. Peterson, Sunday, April 12, 2020, 1:00-3:00 pm Pacific Time. What are you afraid to write about? In this class, we create the supportive space to write the things we haven’t yet. We will discover what fears hold us back from writing about the topics and experiences we want to, in the forms and styles we want to. We will move past these fears and write fresh, honest, compelling work. We will practice sharing our writing with one another to dispel the fears of judgment and replace them with encouragement and strength. This class welcomes those writing in all genres and levels of experience and confidence.

Remember that there are Plunkett scholarships for classes; even if you’re strapped for cash, these classes are available. If you’ve enjoyed Rambo Academy classes in the past, please spread word of the school!