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Pilot's Varsity Disposable Fountain-Pens

I do a good bit of writing by hand, usually in a large hardbound sketchbook, although I sometimes like the feel of a nice narrow yellow-lined pad or the sprawl of an enormous expanse of drawing paper. And to write on these, while sometimes I’ll wander over into glitter gel pens or fine-point felt tips, my favorite is the Pilot Varsity disposable fountain pen.

Depending on where you’re getting it, the price varies from $3-10, with the high range of that usually appearing in fancy stores aimed at writers, which will strategically place a mug of them near that stack of leatherbound, gilt-edged journals locking with tiny moon and star clasps whose splendor will prove so intimidating to live up to that you will never actually use it. Overall, it will prove much cheaper to buy yours at an art supply store, which is where I get mine, since I go through at least a few each month.

I like writing with this pen because it never feels as though the nib and paper are dragging at each other. The nib could best be described as medium, somewhere well between broad point and narrow. The pen comes in a variety of shades and shows clearly what color it is at both the top and the bottom. For me, the availability of the color depends on how recently the store’s restocked, but the web tells me it comes in black, navy blue, red, green, pink, purple, and turquoise blue.

My only quibble with the pen is a small one that may not apply to many people’s experience. I am tough on pens. They end up jammed in purses, pockets, lost in coat linings, moved from one book bag to another. And so if your treatment of your possessions is overall gentler, which it probably is, you may not experience the same results I do, which is that about one in twenty pens ends up not exploding so much as getting a bit drippy to the point of ink-stained fingers.

You can read this review at http://thegreenmanreview.com/what-nots/making-words-flow-with-pilot-varsity-fountain-pens/

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This is the most useful book on writing I have ever found, and it’s the only one I will actually buy to give to people. I ended up writing the introduction to the 10th anniversary edition, because I know the publisher and, well, I’ll let that introduction tell its own story. The “Patrick” referred to in it is Patrick Swenson, the publisher who owns Fairwood Press.

For the past few years, I have been covertly getting people to go up to Patrick at conventions and ask when the electronic edition of this book would appear. Why? It might be that I have a prankish mind that was devoted to making him believe there was a vast groundswell awaiting this book. But actually, that’s the truth, because I’ve been pushing this book for years, less for prankish reasons than because I think it’s so useful for new writers.

The 10% Solution is not a cure to all your writing woes. It’s not a tool that helps with everything. But it is a great little book that will make you a better writer if you use it at the right stage in the process. The time to employ it is in that last pass before you send the story out into the world. I think of it as a lint-brush, something that tidies things up and makes sure every sentence that you’re sending out into the world to represent you is doing so beautifully, showing off that you can construct clear and error-free sentences that do exactly what you want them to be doing.

I don’t remember the circumstances when I first ran across The 10% Solution, but I do know that since then I have given out multiple copies and recommended it to literally hundreds of people. Why? Because it works and effectively shows you how to polish a piece of work in a way that shows you are at the professional level. For not just fiction but nonfiction.

Yes, it’s a pain in the butt. Yes, the first time you apply it to a manuscript it will be a huge pain in the rear end that may well lead you to curse aloud, calling down vile imprecations on my head. Yup and yup. I’ve been there too. But it’s worth it. After you’ve done it a few times, your unconscious mind gets tired of that labor and begins making changes before you write, tightening up and clarifying your prose in a way that will make it better.

Don’t believe me? Don’t try to apply it to a book then, but test it out with a short story or essay. Do give it a full chance, not skipping any steps, doing the actual “now I am searching on ly, now I am searching on of” steps. And keep a copy of the original, then look at them side by side. If your original prose is so golden that this didn’t substantially improve it, well then, perhaps this is not the book for you. But for the rest of us, it’s an awesome one.

Thank you, Patrick, for finally listening to all those people I kept sending up to you. I swear you won’t regret it. I know I won’t.

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