Five Ways
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So Long, and Thanks for All the Fish

The Nebulas this year were an amazing, dazzling, staggering blur, and an overall splendid time. (I got a selfie with William Gibson plus shared french fries with an astronaut!). But there was one sad thing for me, which was that in all the shuffle and mistimings, I didn’t get a chance to deliver the speech I’d prepared.

I’ve been spending some time post-Nebulas thinking and reflecting on everything I’ve learned from the SFWA Presidency, and all the valuable things I’ve discovered and learned as a result of my time in office. Over the next few weeks, I’ll publish the blog posts I have been putting together, one dedicated to each year, and then a final recap. It seemed a logical thing to kick that series off by sharing that speech, which contains a number of things I wanted to say to the SFWA family at large. I hope this serves.

Six Nebulas ago, Steven Gould approached me. He needed someone who’d be willing to run for Vice President the following year, picking up a one year term as SFWA made the transition to staggering the terms of the Vice President and President. He promised me it would be only a one year obligation. Insert hollow laugh here.

July 1st will mark a big transition in my life: after five years on the SFWA board, spending one year as Vice President under Steven Gould, and then two terms as President. I have spent more time on the SFWA board than most people do getting their college degree, and that is an odd thought. General wisdom is that the SFWA Presidency eats a book a year; I have definitely found that true, and I suspect a large number of stories got consumed as well. I am looking forward to becoming actually productive again.

But there have been a multitude of compensations. A wealth of friendships. An abundance of moments that delighted my heart or that felt like tremendous victories. There is a tendency to label SFWA governance toxic, to imply that it destroys the soul and hollows one out. I am pleased to report that this is not actually the case, that I have found it, on the whole, a community that is welcoming and well-intentioned, though not always graceful in expressing it. I step down feeling the better for the five years in which I have learned and grown.

I have presided over both the first and the second all-female President/Vice President teams in SFWA history, the first time M.C.A. Hogarth and myself, the second time Erin Hartshorn and myself. I had thought that perhaps now handing the Presidency over to Mary Robinette Kowal represented another historic first, only to find this was not so. The first female to female SFWA Presidency exchange actually took place in 2003, when Sharon Lee handed the reins over to Catherine Asaro. I’m taking part in a panel tomorrow called “We Have Always Been Here,” about women in science fiction and this underscored that truth. We have indeed always been here, doing much of the work that drives this community.

Three women have been working with me side by side every moment of this remarkable journey, and all three remain with SFWA, for which you are all very lucky. I ask them to stand as I mention them, and for a round of applause at the end, because without them I could not have stayed the course.

The first is Sarah Pinsker, who agreed to come onto the board at the same time I did and who has remained a Director at Large whose thoughtful, considered presence has contributed enormously to discussions, as well as seeing through multiple projects, including but not limited to the Baltimore Book Festival and the Mentoring Program, and being a consistent voice for marginalized writers.

The second is Oz Drummond, who has been part of the financial team first under the inestimable Bud Sparhawk, and then under the equally awesome Nathan Lowell, and who has worked to learn more about how a nonprofit 501C3 works than anyone else I know. I have seen much of Oz’s surroundings during our weekly SFWA video calls, as well as her cats, the wild turkeys, and various backyard deer. I will greatly miss those conversations.

The third is Kate Baker, our Executive Director, with whom I have fought shoulder to shoulder against the forces of chaos, miscommunication, and random bad luck. I cannot say enough about Kate, or we would be here forever, but suffice it to say, any team she is on is lucky to have her. Not just love, but mad props to you, Kate, for the amazing job you’ve done during my five years on the board.

And finally, thank you to you all, not just the people in this room, but the SFWA members watching or reading from afar. Thank you for your trust, your advice, your support, and your friendship. Thank you for the many times you reached out to tell me I was doing a good job. And thank you to the ones who weren’t afraid to call me on it when you thought I wasn’t. I have tried to validate your trust and, like you, to be welcoming and well-intentioned, though not always graceful in expressing it. I hope these inadequate words meet with your approval. And congratulations to Mary Robinette again, with many thanks for being willing to run for the office.

End speech and then we would all go drink and listen to the Alternate Universe acceptance speeches, which is perhaps where this speech should have been delivered. 🙂

As I said up above, in coming weeks there will be posts recapping some of the highs and lows, occasionally drawing back the SFWA curtain.

As I’m composing them, I’m asking you for a favor. If there is some SFWA moment that has been particularly meaningful for you in the past five years, I’d love to hear about it. I’d also love to know if there is a SFWA volunteer or volunteers that have helped make your experiences with SFWA positive. This is YOUR chance to give them a shout-out; drop me an e-mail about it!

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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The Ninjas of Griefcom: More on Galaktika Magazine, SFWA, and International Writers

fullsizerender-37If you’re not familiar with SFWA’s official statement on Galaktika, here it is. If you’re unfamiliar with the situation overall, here is A.G. Carpenter’s write-up and here is Bence Pinter’s Hungarian article.

The SFWA statement is the result of a lot of work behind the scenes on the part of SFWA’s Grievance Committee, and I’d like to use this opportunity to both thank that committee and explain why it’s one of the answers to “why should I join SFWA?” (There are, in my opinion, a number of others.)

When I first became aware of what Galaktika had done, at first I had difficulty comprehending the scale of it. Surely it had to be a few stories rather than just one or two…but no, it was, literally, dozens. Then three figures worth of stories. Holy criminently.

The excuses that were sent to me as well as others over the course of the investigation chronicled here were manifest and sometimes a bit whiney. I was told that one author’s had been told their book had cost the company money and that therefore they owed it to the company to allow their work to be reprinted as advertisement for the other work.

In all of this, my hands were tied. What, realistically, could SFWA do, given legal and travel costs?

The answer was, actually, a decent amount in terms of keeping those affected informed and negotiating on their behalf, mainly because of the ninjas of Griefcom. Griefcom is the informal name for SFWA’s Grievance Committee, a small group of volunteers led by John E. Johnston III. I love John, whose politics are diametrically opposed to mine and with whom I share amiable political bickering and frequent recipes, and who feels as fiercely as I do that writers deserve both pay and control over their own work.

Griefcom’s members handle different areas: Ian Watson was the point person for the Galaktika issues and drafted the report on which I based SFWA’s formal statement about the magazine after much discussion with Johnston, Watson, and the SFWA board. Other members include Michael Armstrong (Novels), John Barnes (Work Made For Hire/Bookseller Relations), Michael Capobianco (Special Projects), Elizabeth Anne Leonard (Mediator), Lee Martindale (Senior Mediator), Ron Montana (TV and Film), and Eric James Stone (Short Fiction). Right now we are looking for someone experienced with game issues; drop volunteer@sfwa.org a line if you’re a member interested in volunteering.

Griefcom’s main weapon is the fact that it operates behind the scenes, and goes public only when necessary, which is why they came and asked me to make a statement about the situation. From my vantage point, I get a better picture than most people of what Griefcom does, and it’s a lot. Want to protect yourself so you won’t need their intervention? Read your contracts and never sign anything you don’t understand. Griefcom has been negotiating with Galaktika on behalf of several writers for months; they finally decided it was time to say something publicly.

Will Galaktika shape up? It remains to be seen. I hope so, and SFWA will revisit the matter in three months to follow-up and let folks know what Galaktika has done in the interim.

Is this actually a matter that SFWA should concern itself with? Absolutely. Recently it’s been underscored for me that people perceive SFWA as an American entity, but the truth is that we have a substantial international contingent. Worldcon in Finland poses a chance to spread that message, and so here’s a few things that I’m doing.

  • SFWA members scanning the most recent copy of the Singularity, SFWA’s bi-monthly e-newsletter for members, to find volunteer opportunities, will have noticed that I have a call out for translators. My plan is to get the SFWA membership requirements and questionnaire translated into as many languages as possible; I have commitments for Chinese, Filipino, Finnish, French, Klingon, Portuguese, Russian, and Spanish versions and am pursuing others. If you’re interested in helping with that effort, please let me know.
  • At the suggestion of Crystal Huff, I’m thinking about programming that might spread the message, such as a panel on the internationalization of SFWA. Such a panel would work for many conventions, I would think, but debuting it in Finland seems like a great idea (although we might sneak peek it at the Nebulas next May in Pittsburgh.)
  • I’m mulling over what form something connecting translators and F&SF writers might look like. Translating fiction requires not just ability with the language, but a writerly sensibility, an understanding of how to make the sentences fluid and compelling and three dimensional. So maybe something where potential translators could submit a listing of translation credits along with sample of their own work, translated into the languages they’re adept in, backed up with the ability for SFWA members to post testimonials. This seems like something the field needs; if anyone’s aware of existing efforts along these lines, please let me know?
  • Maybe it’s time for a new version of The SFWA European Hall of Fame, this time The SFWA International Hall of Fame. That seems like something for me to discuss with our Kickstarter contact. She and I have been discussing a 2018 project, reviving the Architects of Wonders anthology, but this might make a good interim effort. (Speaking of Kickstarter, SFWA partners with over three dozen institutions and companies, including Amazon, Kickstarter, and Kobo to make sure member concerns and suggestions are passed along as well as new opportunities created. If you’d like to be on the Partnership committee handling these monthly check-ins, drop our volunteer wrangler Derek a line at volunteer@sfwa.org.)

I’m actively soliciting feedback and suggestions for other ways to help spread the world that SFWA isn’t just for Americans. Let me know what you think.

(And, gah, I know I need to poke the gamewriting stuff along. I thought the Board was getting it done in my absence. I apologize, gamewriters. We ARE working on it. So many plates, all spinning so busily.)

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What I'm Looking Forward to about This Year's Nebula Conference Programming: An Appreciation of Kate Baker

Back when I was VP of SFWA, Executive Director Kate Baker told me she had a dream. “I want to make the Nebula conference -the- premier conference for professional F&SF writers,” she said. “Something that no one wants to miss. A conference so good that if someone has budget for only one convention each year, that’s the one they know they’ll get the most value out of.”

It seemed like a pretty good goal to me. After all, the Science Fiction & Fantasy Writers of America is over fifty years old, has close to 2000 members, including some pretty impressive names, has and continues to do major work in the field protecting professional F&SF writers, and gives out one set of the industry’s major awards as well as the recognition of the SFWA Grand Mastership.

It’s five years later, and in my opinion, Kate’s done what she set out to do. She didn’t do it alone, of course. She had the help of a whole lot of amazing SFWA staff and volunteers, including the amazing Terra LeMay and Steven H Silver. Mary Robinette Kowal got turned loose on programming the last couple of years and has been doing a stellar job. And others have made their mark with additions, such as the Nebula Award Alternate Universe Acceptance speeches or the mentoring program led by Sarah Pinsker or (I’d like to think) two I’ve contributed: the volunteer appreciation breakfast as well as the spouses and partners reception that have been regular features (and I hope will continue to do so!) Or the Book Depot, because I don’t know of ANY other con that takes as much care to make sure that its authors — including the indies — can sign and sell their books there. And there’s a fancy Nebula website, which remains a work in progress as more and more gets added to it, preserving the history of the Awards.

We’ve only got a small fraction of the schedule so far, with plenty of new stuff getting added every day, but here’s some highlights.

  • Panels about interesting things that may lead to story ideas, like the Future of Death, Realistic Military in Fiction, and Megatrends in the Near Future.
  • That mentoring program has grown every year, and now we do it at WorldCon as well. People new to the Nebulas can go knowing they’ll have someone there to explain stuff and fill them in on the etiquette of things as well as provide a friendly face and introduce them to people.
  • Interesting, innovative programming that comes in a variety of forms, including the Ignite talks and office hours, stuff that ranges all over the place and includes things like deep dives into Facebook advertising or what life aboard a space station is like.
  • A chance to explore some new areas of fiction, such as one of the several Interactive Fiction or Writing for Hollywood panels.
  • Plenty of panels aimed at indies and hybrids like myself, including the Self-Publishing Committee Town Hall, which should have plenty of crunchy info about recent and upcoming self-publishing events.
  • Panels that talk about practical things, such as combining parenthood and writing, productivity tools, or make-up basics for writers about to make media appearances.
  • The yearly What Teens Are Looking For in YA is a great panel that features actual teens talking about what they like to read and how they discover it, which is always informative. I think this is the 5th year (?) for this panel.
  • Memorials to a few of our lost greats, such as Ursula K. Le Guin and Vonda N. McIntyre. SFWA’s got a lot of history, and the Nebulas give us a chance to celebrate some of the folks we’ve lost each year.

I don’t mean to imply that the old version of the Nebulas was not what they promised to be. They were a chance to mingle and meet, but programming was usually slim and single track at best, and sometimes the topics were very broad indeed. They didn’t feel like a professional conference so much as a party. That’s fun, but it doesn’t give members stuff they actually need to be successful at what they do.

So…well done, Kate. You deserve a lot of applause for the effort you’ve led and you did exactly what you said you would do. The Nebulas now also stay within their budget, which is impressive, and has made enormous strides towards paying for itself, an important thing at a time when we see SFWA’s budget changing and adapting to the new publishing landscape.

It’s my last Nebula weekend as SFWA president, so I’ll be flitting around with a lot of relief on my face. Please say hi, but more importantly, please tell Kate and her team how much you’re enjoying the conference. I’m really going to miss working with this group of fabulous, amazing, talented people.

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