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Guest Post: Kyle Winter on The Power of Passive Representation

Treading the waters of diversity is tricky because we never want to disrespect the struggles that women, people of color, the LGBTQ community, or others have had to endure. As writers, we often want to include people like this in our stories because their stories are powerful and can make a difference. This sometimes manifests itself as ‘the gay friend’ or ‘the black friend’ or if you’re really batting for a home run ‘the gay black friend’. This character is great for diversity. He shows that those people exist and that we shouldn’t be afraid of them. But over time, if we see the gay black friend over and over it creates a subliminal message that all gay black men behave a certain way, and that can damage the community. I think we should allow those characters to break the mold and keep it to themselves.

Gender identity, skin color, and sexual orientation don’t affect your ability to do things. Period. There’s no reason a gay man can’t be a hardened combat veteran and there’s no reason a straight man can’t enjoy ballet. The fact that we use these stereotypes reflects our perceptions of society. It acts as a shorthand for the reader / viewer to go “Oh, he’s the gay guy, I get it!” and we can immediately paint a picture of who that person is without digging any deeper. While it’s great to include someone like this in your story, you may actually do more harm than good by treating them this way. Why? Because you’re adding to society’s confirmation bias. If every time someone sees a gay man on TV or reads about them in a book and they behave like a giddy teenage girl, then we will continue to think that’s how all gay men behave. Not that there’s anything wrong with a flamboyant personality, but it can be an oversimplification of the gay community.

What if, instead, we put a gay man in a position of power? The NBC show Brooklyn 99 does this with the character Captain Raymond Holt. He’s a stoic, calculating man that comes off cold but everyone loves him anyway. Just because he lacks flamboyance doesn’t make him any less gay. He still has a pride flag on his desk and there are many episodes with his husband, but he’s not treated any different because of his sexual preference. Yes, there are some episodes about his struggles as a gay black man in the NYPD because that is a story worth telling, but his skin color and sexual orientation never interfere with his ability to perform his duties. That’s because they literally have no bearing on his performance, and his entire team treats him the same as they treat everyone else. Imagine the impact that has for people who have never met a gay man like him. For some people, it never occurs to them a gay man could behave that way. For some people, that character is eye-opening and possibly life-changing.

Wizards of the Coast, a gaming company that owns Dungeons & Dragons and Magic: The Gathering (among others), often portrays people of color as their flagship heroes. They even have several prominent non-binary characters, which they’ve supported despite friction from some members of the community. Imagine the impact when someone who’s never played one of these games, in an industry that has traditionally been dominated by white dudes, thumbs through one of the rule books and sees a heroic character that looks like them. The imagination stirs as we consider the possibilities of being that character. It makes us feel like we could be part of that adventuring group, part of the epic story that will be written as a legend in years to come. All because of some simple artwork!

Placing these characters front and center, without necessarily making their differences the focus of the narrative, can have a profound effect on society. By having these characters represented in our stories we are saying, “This is how life is, these people exist and they don’t need to be treated any different than you or I.” This silent diversity becomes powerful representation for these communities. It reinforces the idea that we are all equal. If a child sees a hero that looks like them on the cover of a book, or on a movie poster, it tells them they could be that hero. It tells them there are other people with their unique traits in the world and that those people can accomplish great things. It tells them they aren’t alone.

Does this mean you can’t tell a story about a person of color’s struggles? Of course not. Am I suggesting that a woman’s climb to the top of her field isn’t worth hearing about? No. I’m saying that if we fast-forward through the struggles these people face every day and portray them as successful heroes then maybe society will treat them like heroes. In the end, we all want equality. We want a world where our gender identity, skin color, sexual preference or any other part of our being is accepted without a second thought.

Why not nudge society in that direction by telling stories where that is already true?


Headshot of Kyle WinterBIO: Kyle Winter is an author who is terrible at writing about himself, especially in the third person. He considers himself a genre-fluid author, dabbling in science-fiction, fantasy, pulp and others. He is an avid gamer, whether it be video games, tabletop RPGs, miniatures, board games or card games nothing is safe. For the past nine years he has routinely gotten beat up at his Brazilian jiu-jitsu classes and enjoys every second. You can visit his website www.TheKyleWinter.com or connect with him on Twitter @TheKyleWinter.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

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Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

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Guest Post: What Happened to Sabrina?

As I drank my morning coffee and scrolled through Twitter one morning, I stumbled upon a preview for the Chilling Adventures of Sabrina. At first, I didn’t quite realize where it was from. The name sounded familiar, them it hit me! It was a reboot of Sabrina the Teenage Witch. I was instantly intrigued. I thought, if the executive producers of Riverdale worked on it, it must good right?

Sabrina from the Chilling Adventures of Sabrina.
Before I get into talking about the gritty Chilling Adventures of Sabrina, I should start at the roots. Now, I understand comparing a sitcom to a gritty satan loving Netflix original is quite silly, but hear me out.

I am one for originals so let me start with Sabrina the Teenage Witch. Of course I had watched the new version first, but for the sake of old times, I revisited the original. And may I say, it was everything I missed. Hilda and Zelda’s relationship was like every sister’s relationship. They would get on each others nerves but in the end they always looked out for each other. Sabrina was also their pride and joy and would do anything for her!

Hilda, Zelda and Sabrina from Sabrina the Teenage Witch.

Sabrina, in the sitcom, I found to be very brave and thoughtful. The moment she found out she was a witch, she used her magic for her friends and yes, sometimes her uses could be selfish. However, all of her uses of her magic, no matter what it was used for, came from the heart. Especially when it came to Harvey, who as you may know is her soulmate. Despite him being her boyfriend throughout the series, it never stopped Sabrina from pursuing her dream. Sabrina had also always been passionate about her studies and succeeding. This is part of the reason why I have always loved her as a character.

Salem takes the cake though. He is a comedic gift from the Gods. I mean it when I say Salem is the best character on the show. As most of you probably know, Salem is their family cat and has been with Hilda and Zelda for years. Salem is their familiar, but Salem has a backstory which is undeniably hilarious. Salem was originally a witch, but after attempting world domination, he was sentenced to hundreds of years of being a cat. Despite him being a cat, that doesn’t stop him from causing tons of shenanigans throughout the series. This just gives him more character.

Salem from Sabrina the Teenage Witch.

Yes, it may be goofy and yes, it may not be gritty, but it’s lighthearted. Sometimes, you just need a little laugh.

Now that I have clearly state my love for the 90s sitcom, I should state my thoughts on the Chilling Adventures of Sabrina.

Now, in this series being a witch is no surprise for Sabrina unlike in the Sitcom. She has known she was a witch since she was little and in this series, her parents have passed leaving Hilda and Zelda (including her cousin Ambrose, who was not in the sitcom) to take care of her. In the sitcom, Sabrina isn’t allowed contact with her mortal mother or her mother will be turned into a ball of wax. Her father, in the sitcom, was out traveling and working. The way they approached her parents in the Netflix series was just rather bleak.

Salem the cat in the new series, does not talk. He also does not have his awesome backstory not to mention that Sabrina attains Salem by summoning her own familiar. I would have nothing against this way of approaching introducing Salem. In fact, it is more or less that I’m angry that Salem doesn’t talk. He doesn’t bring anything to the table in the new series. Salem, in fact, is hardly shown in the show despite him being very important in the sitcom version.

Salem from Sabrina the Teenage Witch.
You may say that it’s petty of me to be upset about a cat, but Salem is apart of the Spellman family, so to not include him in the new series seems ridiculous to me.

Now, let’s talk about Harvey. This is something that I hold a lot of thoughts on. In the sitcom Harvey is a doof. He’s goofy and somehow never found out that Sabrina was a witch for years. Netflix must’ve upped Harvey’s IQ because he does not skip a beat in the new series. Not to mention the fact that despite Harvey being Sabrina’s boyfriend, he was always sort of a side character.

In the Netflix series, you are introduced to Harvey’s family. Of course, you’ve had some backstory for Harvey in the sitcom. You knew his parents were together, he had sibling and his dad worked as an exterminator. In the Netflix series, Harvey has a brother and a dad, and his dad works in a mine. His dad, in the Netflix series, is rather aggressive and abusive, which was never established in the sitcom.

My final comparison about Harvey comes to his reaction to when he finds out that Sabrina is a witch. In both series Harvey is clearly did not handle Sabrina being a witch very well. In the sitcom Harvey ends up breaking up with Sabrina for a very short moment. Towards the end of the series, Harvey ends up patching up things with Sabrina. In fact, they end up becoming very good friends like they did in the beginning of the sitcom. In the Netflix series, Harvey wants to end all ties with her. He acted like being a witch was the equivalent of being a monster. In fact, even when Sabrina tries to patch things up and help Harvey, he still treats her like a monster.

Harvey and Sabrina from Sabrina the Teenage Witch.

This leaves me to my final thoughts. I would like to end this post talking about how the two series deal with the topic of witches. In the sitcom, they treated witches differently than in the Netflix series. In Sabrina the Teenage Witch, all the witches lived harmoniously. They had their own government, The Witches Council, and lived in what they called the Other Realm. However, some witches chose to live in the mortal realm, which is earth.

In the Chilling Adventures of Sabrina, they use cliche witch backgrounds. They make them seem quite evil when they really are not. Of course I am not saying there aren’t any witch stereotypes in the sitcom. In the sitcom, they have their familiars and also make potions in cauldrons, however, those do not compare to the stereotypes portrayed in the Chilling Adventures of Sabrina. In the Chilling Adventures of Sabrina, they portray witches like every media platform does. This bothered me the most.

From the Chilling Adventures of Sabrina

I love the sitcom because it is not full of stereotypes. It doesn’t make witches out to be Satan loving monsters. Not all witches, in my opinion, are Satan loving monsters. I understand they wanted to make a gritty remake, but what made the sitcom so original to me was how lighthearted it was, even if they did touch up on difficult topics.

The way Netflix portrayed witches to me was something that I’ve seen so many times before. Making witches Satan worshippers is so. . .overused and not at all true. Today, there are people who identify as witches who do not worship Satan. I find the use to having a “dark baptism” and celebrating their “lord Satan” in the Netflix series is stereotyping and frankly, rude.

From the Chilling Adventures of Sabrina
I’m not saying the Netflix series is all bad. There are aspects of the show that are enjoyable. However, it was not my favorite. I found there to be a lot of things I did not enjoy. Not to mention, there are things I would definitely tweak, but overall, the editing was well done and I believe it was well produced. Although, I’d take a goofy talking cat in a silly sitcom any day.

Lou is a writer of rom coms, eater of pizza, lover of 90s boybands and cat enthusiast. You can follow her on Twitter at @aweosmewriter.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines.

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Guest Post: Robyn Bennis Provides a Debut Author's Guide to Social Anxiety

People frighten and confuse me.

It’s not their fault. Well, sometimes it is, but that’s a topic for a different day. Today, I’d like to take you on a journey into the awkward glory of social anxiety. If you don’t suffer from this annoying malady, this article may not be for you, though I’d appreciate it if you’d keep reading anyway, because my second book just came out and heaven knows I need the exposure.

Most people don’t peg me for socially anxious, and I don’t blame them for missing it. I’m chatty enough with people I know, and I’m always the first to throw out an inappropriate comment. Indeed, in groups of more than three but fewer than seven, with at least two friends present, I can be absolutely effervescent. You might even say that I’m the life of a very limited range of small parties.

But if you get me in a crowd and tell me to mingle, you had better be ready for a nervous breakdown.

Have someone you need me to introduce myself to? Sorry, they look really busy sitting alone at that table, quietly refolding their napkin. Maybe later, when they’re not so preoccupied.

Got a small favor I should ask of a friend? That feels too much like imposing.

Trying to make me the center of attention? Then the center of attention is going to be a cloud of dust where I was just standing.

Want me to maintain more than a tenth of a second of nervous eye contact with you? Whoa, save something for marriage there, Speedy McTooFast.

Even with the wonderful and supportive friends that I’m lucky enough to have, I always manage to sabotage any attempt at helping me. “You looked like you wanted to be alone,” they’ll say, the day after a party. Inevitably, it’ll be a party that I spent standing in the corner, faking Barkleyesque interest in a potted fern, paralyzed, afraid to approach any of the clusters of conversation.

The real problem is that my own brain conspires against me, particularly at gatherings of other writers. “No, they’re too good for you,” it says. “One of them has a Hugo. What the hell do you have?” If I intentionally seek out a less-intimidating group, I still find ways to scare myself away. “Oh, think you’d fit in better with them? Didn’t you say a few words to two of them an hour ago? They’re probably exhausted with you after that.” Even when my wonderful friends try to help, my traitorous brain sabotages their efforts. “What, them?” it asks. “Those friends who specifically told you to join them anytime, that you were always welcome, and specifically mentioned that they were making it their mission to help you socialize? Well, that just proves they’re tired of your nonsense, doesn’t it? Better duck out before you ruin their night.” And then my brain cackles evilly as I make my way to the exit.

If this seems familiar to you, don’t despair, because there is something you can do about it: go see a psychiatrist.

Sorry, were you expecting a treatise on coping mechanisms? A weird old trick, perhaps? Yeah well, the weird old trick is to see a psychiatrist already. Because, if your social anxiety is so bad that the above is familiar, then any coping mechanisms you possess are probably being employed as excuses to not get the help you need.

If, on the other hand, the above feels like a gross exaggeration of your social anxiety, then perhaps I do have a handful of weird old tips for you.

Perhaps the most important thing is to have someone on your side. I am extremely lucky to have talented and fearless people who want me to succeed, and it has helped immeasurably. Now, this may seem like a bit of a paradox. Social anxiety can make recruiting your friends not just a Herculean task, but a mild imposition on them, and therefore an impossible request. “How can I make such a request,” you say, “as worthless and unworthy as I am? My friend surely has better things to do””like staring into space or streaming the complete run of She’s the Sheriff. I can’t let them waste their time on me.”

To get over this, the first thing you have to do is acknowledge that your brain is lying to you. I mean, Suzanne Somers is great and all, but that show just doesn’t hold up. Good acting can only go so far in saving such a horrible premise.

Oh, and your brain is also lying about your worthlessness. You are worthy and deserving of the help of others. But seriously, who the hell thought that show was a good idea?

The second most important thing is to force yourself to do the things you dread. Stand in sight of your friends at that social event. Believe in their sincerity when they wave you over. Promise yourself that you’ll say hello to those people you talked to earlier. If you must stare at your feet, put one in front of the other until you find yourself in front of that guy with the Hugo and you have no choice but to shake his hand. You needn’t be afraid. He probably won it in an off year, anyway. It’s not like he’s Ted Chiang, or something. I mean, unless he really is Ted Chiang, in which case you should probably just run.

The point is, throw yourself into the very situations you’re most afraid of, to teach yourself that they will not end in tears, chaos, and disaster. Outflank your lying brain by maneuvering yourself into social obligations you can’t back out of. When there’s nowhere to go but forward, that’s where you’ll go, and you’ll learn the terrain along the way. And when you screw it up, don’t get mad at yourself. Treat it as a training exercise instead.

Oh, and if you happen to see me at a convention? Come on over and say hello. I don’t bite, except when cornered.

Robyn Bennis is a writer and biologist living in Madison, Wisconsin. The latest book in her Signal Airship series is By Fire Above, which Publishers Weekly calls an “introspective study of the morality of war in a fantastical steampunk setting.” She has run from Ted Chiang on at least one occasion.

Follow her on Twitter. Find her website here.

Want to write your own guest post? Here’s the guidelines.

Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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