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Guest Post: Mystery Cults and the Secret World of the Occult in Urban Fantasy by Laurence Raphael Brothers

In my romantic-noir urban fantasy novella The Demons of Wall Street, magic and the existence of demons are secrets kept hidden from most people. Only a relatively small number of sorcerers, bankers, and their agents are in on the conspiracy, on the order of thousands of people worldwide.

Cover of THE DEMONS OF WALL STREET.The premise of magic-done-only-in-secret is not exactly an original conceit, and indeed it has become so familiar over not just years but generations of fantasy literature that it is hardly something to be questioned when it appears. It’s a convenient explanation for how magic can possibly exist in our familiar and ostensibly non-magical world.

Still, the idea of a very widely-kept secret to which thousands of people are privy may seem rather implausible. Surely someone would let the information slip? But as it happens, there are quite a few historical examples of widely-held secrets that were kept so well we aren’t sure what the truth of them was anymore.

I refer you first to the mystery cults of the classical world. In ancient Greece, and subsequently throughout the Hellenized and then the Romanized world, a great many people subscribed to the mystery cults of Eleusis, Samothrace, and (in Roman times) Mithras, among others. These cults required terrible binding oaths from their aspirants, and in many classical-period cities, substantial percentages of the middle and upper classes were members. But we don’t know, apart from a few scattered hints, what the cults believed, what their rituals were, or how members were expected to recognize and support one another outside of the ritual centers. It might be that the masonic phrase “I have seen the sun at midnight” was originally part of the Eleusinian mystery, which we know had something to do with the myth of Demeter and Persephone. But then again, that might be just wishful thinking on the part of the masons based on some modern invention. The names of the deities worshipped by cultists at Samothrace were forbidden to be uttered aloud, and while it’s believed they were mostly chthonic female members of the Greek pantheon, we really don’t know for sure. And even the cult of Mithras, to which millions of Roman legionaries and a great many other citizens belonged (including the emperor Julian the Apostate) is almost opaque to us now. There was probably the sacrifice of a bull involved at some point, but we know very little more than that of their beliefs and practices.

In any event, during this period of around 2,000 years (1600 BCE to 400 CE), everyone was well aware of the existence of the mystery cults, but the members kept their secrets quite effectively, as hardly a scrap of period writing survives that reveals any of their hidden knowledge; indeed, even elliptical references and allusions are rare.

And so, through folk culture, literary memory, and possibly even through the survival of cult remnants outlawed by the Catholic Church, the idea of secret organizations, hidden rituals, and underground magical practice was passed into medieval and then modern times. Early Christianity often assumed the form of a secret cult during the time in which it was forbidden, and splinter groups such as the various gnostic sects became hard-to-extirpate heresies that survived well into the 1400s. These heretic cults changed form from time to time as individual groups were scattered or forced underground, but eventually many of their beliefs were incorporated into the nonconformist branches of Protestantism, and thus into some present-day sects.

There’s no era of recent European history in which secret organizations didn’t thrive, and in many cases, we have only vague knowledge of their dissemination and indeed of their actual beliefs and purposes. Consider for example the 18th century Illuminati, made famous by Robert Anton Wilson and Robert Shea’s gonzo novels starting with The Illuminatus! Trilogy published in 1975, and revived yet again on a more literary basis by Umberto Eco in Foucault’s Pendulum in 1988. It seems Adam Weisshaupt organized some quasi-masonic lodges in Bavaria and elsewhere that might have been political, might have been magical, or might just have been the Enlightenment equivalent of an old boys’ social club with a few secret forms and rituals thrown in for fun. Who knows, really? No one living. But even today we have quasi-secret organizations with wide membership like the various masonic groups, whose rituals are admittedly only officially secret. But there are also a great many more serious, smaller groups, including the various descendants of the Golden Dawn and the organizations founded by Aleister Crowley and his disciples, who include, at just one remove, L. Ron Hubbard. The bizarre pulp-science-fictional beliefs ascribed to Scientology’s elite, while no longer secret, are certainly consistent in style with their many predecessors.

Which brings us back to urban fantasy and its pervasive notion of magic performed in secret behind closed doors by organizations of oath-sworn initiates that any of us might trip over or better yet be invited to join.

Is this mere wish fulfillment? Escapism? Fantasies of power and transfiguration? Certainly. But these are fantasies with the most distinguished of heritages, wending their way back to ancient times, and given the imprimatur of the greatest writers and thinkers of antiquity one must concede there is a certain solemn majesty to the idea.

So if you read The Demons of Wall Street (first in a series, the sequel The Demons of the Square Mile will be out at the end of the year or early in 2021!), I do hope you’ll enjoy it; the novella’s purpose is entirely to entertain. But should the notion of a secret organization of sorcerers and financiers hiding in plain sight in the boardrooms of the great firms of Wall Street give you pause, consider this little essay as a preemptive justification of a grand conceit passed on from earliest antiquity all the way to the present day.

Buy the book here.


Headshot of Laurence Raphael Brothers.BIO: Laurence Raphael Brothers is a writer and technologist. He has worked in R&D at such firms as Bell Communications Research and Google, and he has five patents along with numerous industry publications. His areas of expertise include Internet and cloud-based applications, artificial intelligence, telecom applications, and online games.

He has published many science fiction and fantasy stories and is a member of Science Fiction and Fantasy Writers of America.

Find out more about Laurence Raphael Brothers on his website.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

This was a guest blog post.
Interested in blogging here?

Assembling an itinerary for a blog tour? Promoting a book, game, or other creative effort that’s related to fantasy, horror, or science fiction and want to write a guest post for me?

Alas, I cannot pay, but if that does not dissuade you, here’s the guidelines.

Guest posts are publicized on Twitter, several Facebook pages and groups, my newsletter, and in my weekly link round-ups; you are welcome to link to your site, social media, and other related material.

Send a 2-3 sentence description of the proposed piece along with relevant dates (if, for example, you want to time things with a book release) to cat AT kittywumpus.net. If it sounds good, I’ll let you know.

I prefer essays fall into one of the following areas but I’m open to interesting pitches:

  • Interesting and not much explored areas of writing
  • Writers or other individuals you have been inspired by
  • Your favorite kitchen and a recipe to cook in it
  • A recipe or description of a meal from your upcoming book
  • Women, PoC, LGBT, or otherwise disadvantaged creators in the history of speculative fiction, ranging from very early figures such as Margaret Cavendish and Mary Wollstonecraft up to the present day.
  • Women, PoC, LGBT, or other wise disadvantaged creators in the history of gaming, ranging from very early times up to the present day.
  • F&SF volunteer efforts you work with

Length is 500 words on up, but if you’ve got something stretching beyond 1500 words, you might consider splitting it up into a series.

When submitting the approved piece, please paste the text of the piece into the email. Please include 1-3 images, including a headshot or other representation of you, that can be used with the piece and a 100-150 word bio that includes a pointer to your website and social media presences. (You’re welcome to include other related links.)

Or, if video is more your thing, let me know if you’d like to do a 10-15 minute videochat for my YouTube channel. I’m happy to handle filming and adding subtitles, so if you want a video without that hassle, this is a reasonable way to get one created. ???? Send 2-3 possible topics along with information about what you’re promoting and its timeline.

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Guest Post: Writing with Cannabis by Derek Nason

Do you like getting high sometimes? Do you like writing? Have you always suspected that these two activities would go really well together but didn’t know how?

Well, here’s how.

I’m going to share my favorite buds to write with and also leave you with some tips on how to find your own favorite.

For the purpose of clarity, assume that you will be consuming dried cannabis flower. If smoking or vaping dried flower is not possible or desirable for you, there will be more near the end about edibles, oils, etc. But for now, continue as though smoking isn’t a problem for you. Not all strains are available in forms besides dried flower. The industry is still young. And still, disappointingly, subject to prohibition laws in some places.

If you’re new to cannabis, it can be hard to know where to begin. Same if you’re new to buying legal weed. In like, a store.

Some of us have spent years consulting little more than a “˜field’ or a ‘dealer‘; neither of whom care whether they’re giving you indica, sativa, or a hybrid.

Broadly speaking: indica gives you a “˜body-high’ and sativa a “˜brain-high’. You might assume that since writing is a creative activity, you’d always be looking for sativa. But don’t sleep on indica. Remember: you will be physically using your body to write your story. We haven’t evolved into a singularity yet.

My preferred strains for a solid, two-hour writing session in the morning or afternoon are all hybrids. My favorite two are Jack Haze and Mac-1.

Jack Haze is more sativa-tending and Mac-1 is more indica-tending. Jack Haze is available from 7 Acres, which is an easy to find brand.

Mac-1 was bred by Capulator’s Cut and is only available to companies that meet their conditions for cultivation. The easiest way to find a store selling Mac-1 in your area is to use Leafly. The Mac-1 I smoke is by Edison.

Both strains provide an uplifting, energetic boost, propelling you through ultra-clear thoughts as though you’re taking the greatest shower you’ve ever had. If your brain is bushed from storming for your WIP, it will suddenly alight with suggestions.

However Mac-1 also has more of the physical effects you might look for in an indica. This can be helpful if one of your writing barriers is anxiety.

The Science is still catching up to the generations of wisdom from the consumers on this, but I believe indica targets more of the body’s CB2 cannabinoid receptors. CB2 receptors are abundant in the gastrointestinal tract.

With indica, the effects on the vagus nerve in our tummies is immediate. And anxiety treats our vagus nerve like a punching bag.

My favorite straight-up anti-anxiety strain is Sensi Star, which is widely available. I’ve had the 7 Acres and Spinach brand Sensi Stars and they’re both great. If I’m having more anxiety than usual, I might sprinkle a bit in with my Jack Haze or Mac-1.

If physical pain is a barrier for you, I recommend a more potent indica such as I.C.C. (aka Ice Cream Cake), or Wappa 49. I also recommend you see a medical professional and look into medical cannabis.

If neither anxiety nor pain are a barrier to you, and you’re someone who would be too easily distracted by, for instance, how good it feels to wiggle your toes right now, you might do better with a sativa. Your CB1 receptors are most abundant in our brains and Cannabis sativa aims right for them. There are literally too many good sativas to recommend. The easiest thing would be just to try them all.

Keep in mind that brainy sativas are more likely to give you paranoia. If you suspect paranoia would be a writing barrier for you, choose a low THC% strain, or a strain with a more balanced ratio of THC:CBD, or avoid sativa altogether.

If you don’t like to smoke but still want to give writing with cannabis a try, edibles and edible oil are a nice way to go. A cheap way to explore this is to buy an indica oil, a sativa oil, a CBD oil, and find a combination that works best for you. The cheapest brand I’ve found anywhere is Soleil.

If you’ve never taken edibles before, you need to approach with caution. Smoking gives you the peak of a high immediately. Whereas with edibles, you will be high for 2-4 hours before you even reach the peak. And you will be stuck at that peak for another couple of hours.

And some effects of a dried flower will be heightened. Indicas will have your skin feeling tingly for longer. And sativa will give you a prolonged change in your perception of time.

For some, 8 hours is too long a time for time not to exist. For me, it’s perfect.

If you find a strain you like in dried flower like but don’t like smoking, and you also perchance enjoy baking, you can get a butter infusion kit. A homemade cookie is actually my favorite way to consume.

Finally, take your time. And don’t be intimidated by all the choices and the jargon. Not all weed jargon is necessary to enjoying weed.

Don’t worry about “˜terpenes’, ‘tasting notes’, or any of that. That’s just pothead stuff. And potheads like me fetishize pot. How it smells or tastes has no bearing on how it makes you feel. Or in any case, the causal links are too acute for beginners””or even some seasoned potheads””to discern.

As a final note, I just want to add that if your area is still under prohibition laws, or if it only recently became legalized, please consider donating to a local marijuana legal defense fund. No one on Earth should be serving a prison term for cannabis.


Derek Nason lives and writes in Saint John, New Brunswick, Canada, where he owns and operates a special care home for men with mental illness. His speculative fiction has appeared in Fusion Fragment, Abyss & Apex, and anthologies by Gehenna & Hinnom and Belanger Books. He can be found on twitter @dereknason.


If you’re an author or other fantasy and science fiction creative, and want to do a guest blog post, please check out the guest blog post guidelines. Or if you’re looking for community from other F&SF writers, sign up for the Rambo Academy for Wayward Writers Critclub!

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Guest Post from Mercedes M. Yardley: Find Your Literary Voice

Mercedes YardleyI grew up in a time where we were taught to conform. If you want to write like the Greats, then study the Greats. Creative Writing professors often told us to choose a writer we admired and then write a poem or short story copying their style.

It accomplished what it set out to do, I suppose. We became more familiar with the writers we studied. We could pick out nuance and detail that were unfamiliar before. At the end of class, we emerged with a greater understanding of Faulkner, Frost, and Dostoevsky.

The only problem is that the woman sitting to the left of me wasn’t Faulkner. I wasn’t Frost. And the man in the front row never wanted to be Dostoevsky.

Authors have their own unique voices, and it’s a shame not to use them. Writers write because they care. They have something to say. They want to spread a message or they want to chat with their readers. They want to tell you things. Describe things. How is an author supposed to accurately express themselves when they have, in essence, learned to speak using somebody else’s voice?

Enough of that. You are YOU. The greatest thing you can bring to the literary table is yourself. Faulkner has already taken his seat. Do you know who should be sitting in the chair next to him? You. You have wonderful things to discuss.

Here are a few exercises and ideas that can help you find your own unique writing voice.

1. Write yourself a letter.

It doesn’t matter what kind of letter. What are you saying? What words do you use? Are you formal or folksy? Do you speak to yourself like a friend or is there a respectful distance there?

This exercise helps in a couple of ways. First off, it forces you to sit down and write, which is the first step. It’s also not meant to be daunting. Who cares about your literary success more than you? Nobody, that’s who. So write yourself a letter. Don’t judge yourself. This is a time to see what flows from your pen (or computer) when nobody is looking.

2. Record yourself talking about your upcoming project.

You can do it via audio or video, but the idea is similar to letter writing. What types of phrases do you use? Are you excited about the project? Now record yourself discussing a different project, preferably one that is in a dissimilar vein than your first project. Project #2 has a different ambiance, yes? Different subject matter? How do you sound while discussing it? Are your words the same?

3. Write a list of your favorite words.

Why are these your favorite? What makes them part of your vocabulary?

I had a member of my writer’s group say that he could always detect my work because I would use the words “broken” and “exquisite” quite often. And while this made me laugh, I realized that I do have choice words, and they convey exactly what I want to say. I’m not saying to use repetitive words in order to form voice, but to keep a lookout on your unique word set. These choices make you the writer you are. They’ll give you a hint on what your voice sounds like.

4.Realize that you might have more than one voice.

We discussed that one author doesn’t necessarily sound like another. And you might not necessarily sound like yourself all of the time. Perhaps that doesn’t make sense, but let’s go back to step 2, where you recorded yourself discussing two different projects. Two diverse projects might have two separate voices.

I realized that I have two distinct voices. One is a smart aleck type of voice with sarcasm and swagger, and it usually comes out while writing first person. I also have an elegant, much more ephemeral voice that uses higher and more lyrical language. This tends to come out when I’m writing in third person, and this voice is what I’m more noted for. But until I figured this out, I found it confusing. I wasn’t sure exactly why I sounded one way for one project and so different for another. I just wrote what I felt like writing, but other writers discussed the concept of “voice” so much that I became insecure and made the effort to figure mine out.

5. Write. Write a lot.

You won’t discover your literary voice in any other way. These suggestions can help, but we all know the only way to become a better, more informed writer is to read and write. But by being able to identify your literary voice, you’ll be able to more easily convey the sense of your work to others. This will help immensely when pitching your work, and will hopefully lead to even more opportunities for you.

Write on, my friends.

Bio: Mercedes M. Yardley is a dark fantastic who wears red lipstick and poisonous flowers in her hair. She is the author of Beautiful Sorrows, Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Nameless, and her latest release, Pretty Little Dead Girls: A Novel of Murder and Whimsy, from Ragnarok Publications. Mercedes lives and works in Sin City, and you can reach her at www.mercedesyardley.com.

#sfwapro

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Enjoy this writing advice and want more content like it? Check out the classes Cat gives via the Rambo Academy for Wayward Writers, which offers both on-demand and live online writing classes for fantasy and science fiction writers from Cat and other authors, including Ann Leckie, Seanan McGuire, Fran Wilde and other talents! All classes include three free slots.

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