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Chez Rambo in the Time of the Pandemic, First Week of April Check-in

My mason bees are all hatching and it’s quite entertaining to sit out on the porch and watch the tiny perfect new bees encountering the world for the first time. When they reach the sunlight they stop and preen themselves like cats. Grocery deliveries have become a source of great excitement, and I am currently on Fall of year 2 in Stardew Valley. The move to Portland is on hold for at least a couple of weeks while we figure out where the world is going.

While existence has become more circumscribed for many, my life has, weirdly enough, become a bit more social as a result of recent events. I’ve been doing daily co-working sessions, at least one, sometimes two, each day, for a group that includes a bunch of friends and family, current and former students, mentees, and Patreon supporters as well as trying out some different things like videocalls where we all log on and clean our workspaces at the same time while chatting or Netflix Party.

I wrote a piece for Medium on how to run a successful and productive co-working session, and I cannot recommend them highly enough, although I know that mileage will wildly vary, according to people’s process. If you miss coffeeshop writing or working in an office, though, this may be a reasonable substitute. Remember there are scholarships for the Discord server.

I’ve also been doing some consulting for people turning their material into online versions. If you’re undergoing this process, here’s Things to Consider When Converting Your Live Class Into an Online Version. I also turned in book three of the Tabat series, hurray hurray!

Coming up this weekend:

  • Get Weird! How to Make Your Fiction Original, Compelling, and Deeply Weird with Evan J. Peterson Saturday, April 11, 2020, 9:30-11:30 am Pacific Time. Taking cues from classic stories as well as contemporary literature, film, and pop culture, workshop leader Evan J. Peterson teaches you the ways to make your writing original, compelling, and deeply Weird. From witchcraft to spirits to unnameable entities, you’ll learn what makes a story unsettle audiences and stick with them for years.
  • Writing Interactive Fiction with Kate Heartfield, Saturday, April 11, 2020, 1:00-3:00 PM Pacific time. If you’ve ever found yourself choosing between possible endings or plot twists, why not try a storytelling format that lets you explore them all? Games and interactive fiction invite the reader to join in the storytelling process, and invite the writer to consider multiple facets of agency, characterization, pacing and plot. Learn some fundamental principles and techniques for interactive formats, or just gain a new perspective on ways to develop your non-interactive prose.
  • The Writer’s Guide to Handselling Books (Social Isolation Edition) with Michael R. Underwood, Sunday, April 12, 2020, 9:30-11:30 AM Pacific time. Author and publishing professional Michael R. Underwood shares lessons from a decade of hand-selling books to readers, booksellers, and sales reps. Learn how to put your work into a market context, showcase what makes it special, and connect with readers when selling at conventions. There’s no one way to sell any book, so this class will help you learn to find several different ways to pitch each project for greater success. In this edition, we’ll talk about how to sell books while practicing social isolation via virtual events and social media.
  • Fearless Writing: Learning Not to Hold Back with Evan J. Peterson, Sunday, April 12, 2020, 1:00-3:00 pm Pacific Time. What are you afraid to write about? In this class, we create the supportive space to write the things we haven’t yet. We will discover what fears hold us back from writing about the topics and experiences we want to, in the forms and styles we want to. We will move past these fears and write fresh, honest, compelling work. We will practice sharing our writing with one another to dispel the fears of judgment and replace them with encouragement and strength. This class welcomes those writing in all genres and levels of experience and confidence.

Remember that there are Plunkett scholarships for classes; even if you’re strapped for cash, these classes are available. If you’ve enjoyed Rambo Academy classes in the past, please spread word of the school!

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Want to get some new fiction? Support my Patreon campaign.

 

"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Critclub a Few Days In

A few days ago, I implemented #Critclub, tying the Chez Rambo Discord server more tightly into the Rambo Academy for Wayward Writers and providing a way for F&SF to swap critiques online. People seem excited about this, and the Patreon campaign has seen an uptick. A few people have taken me up on the offer of scholarships – thank you!

A nice little bump of people have appeared on the channel as a result and we’ve been doing things like sorting out how the critiquing system will work. We have added the first custom emoji, a rainbow kittywumpus 🙂 courtesy awesome community moderator, Frances KR.

Writing sprints and discussion of process as well as substantial amounts of con discussion have all taken place, as well as some swapping of market news and much use of the rejoice and venting rooms. In short, happy small steps towards the sort of thriving writing community I’m hoping to build, happening at a manageable rate and letting people invest in it by helping shape it.

On September 19, 5 – 6 PM Pacific time, participants will be able to submit live questions for the class I’ll be doing for Gregory Wilson’s channel on Twitch, “Applying Algorithms” in which I’ll talk about how to use the rules of storytelling to make your fiction more effective. This is the fourth of these classes I’ve done, and they’re always a lot of fun, plus a chance for me to beta test classes I’m thinking about teaching.

In other news I’ve been working away on checking the edits from my editor for Tor novel, You Sexy Thing, which will come out in November of 2020, and putting together an initial list of potential blurbers to send him. At the same time, I’m getting The Five, the MG space opera I’ve written, ready to go out to beta readers, and prepping to add some scenes with writing sprints next week. After that I’ll turn back to getting Exiles of Tabat (due out May 2020 from Wordfire Press) ready for beta readers and writing the sequel to You Sexy Thing, tentatively titled Devil’s Gun.

If you’re at the Pacific Northwest Writers Association next weekend, please come to my workshops! I will have postcards with a free class on them, plus books for sale. 🙂 Similarly if you’ll be at the Surrey International Writers Conference in October, please check out my classes there! Can’t make it to either of those? I do have some live classes coming up; you’ll always find the latest news and most comprehensive list of those listed here.

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New Classes, Including Short Story Workshop, and Small Changes

This year I’ll be alternating two months of offering classes followed by two months of focusing on other work. In theory this should have been Jan-Feb, but it’s more like Feb edging into March. After that the next round will be May-June, and then September-October. I am also doing some price raising, reasoning that since I haven’t done it since the school started fifteen years ago, it’s a bit overdue. As always, there will be plenty of Plunkett scholarships.

I’m pleased to say we’re moving ahead on the next Wayward Wormhole, and 60% of our faculty is locked in so far. I hope to make an announcement about that soon.

Writing Short Stories Multi-Session Workshop

I will be offering a 6 week session of my writing short stories workshop on Saturdays, 12:30-3:00 PM Eastern time, starting February 3, 2024 and going through March 9.

In these six sessions, we will cover plot and story structure, character, world-building, style and technique, and how to move forward to begin (or continue) selling short stories. Each class will consist of lecture, discussion, and writing exercises for the first half and then turn to a critique of each other’s work. Students are expected to turn in at least one story for workshopping as well as critiquing each other’s stories.

To apply, please mail cat@kittywumpus.net a 1000 word writing sample (does not need to be a complete piece) as well as a brief (1-3 paragraph) statement about why you’d like to take the class. If accepted, the cost is $400 for Patreon supporters and other Rambo Academy community members; otherwise $500. There will be three Plunkett scholarships.

Single Session Workshops

Cost is $89 for Patreon supporters, otherwise $119. To register mail cat@kittywumpus.net with the name of the class and how you’d like to pay (Venmo, Paypal, check, something else.) There are three Plunkett scholarships in each class.

SCHEDULE

February 4, 12:30-2:30 PM Eastern Time

Replying to Other Stories with Cat Rambo

Stories shape writers, who spend part of their writing replying to, refuting, celebrating, and exploring those texts. Some stories have inspired plenty, such as Godwin’s “The Cold Equations,” Tiptree’s “The Women Men Don’t See,” or Le Guin’s “Those Who Walk Away from Omelas.” How do you draw on these stories without plagiarizing or leaning too heavily on a reader’s understanding of them? How do you figure out the stories that have inspired you, and how do you use them to make your own?

Join Cat for a workshop in which we’ll talk, listen, and exercise what we’ve learned in order to come away with useful tools as well as a list of possible story ideas and tips on which markets may find such stories appealing.

February 4, 4-6 PM Eastern Time

Generation Upon Generation: Writing Families with Cat Rambo

Almost every character has a family, one that has shaped their psyche deeply. How do you write characters in a way that demonstrates the complexities of family relationships and power struggles? How do you show the interactions between the generations and how they clash and complement each other?

Join Cat for a workshop in which we’ll talk, listen, and exercise what we’ve learned in order to come away from this class with a greater understanding of how to write family relationships, including practical tips, techniques, and exercises.

February 11, 12:30-2:30 PM Eastern time

Project Management for Creatives with Jennifer Brozek

How do you stay on top of the daily demands of being a writer? How do you plan — and carry out that plan — for a novel? How do you make sure one aspect of writing doesn’t swallow up all the rest? Basically, how can a writer stay in control of the daily chaos of existence even when you have multiple projects going at once?

Join Jennifer Brozek for a workshop about how to create a plan that helps you get where you want to go and how to do it without burning out.

February 11, 4-6 PM Eastern time

Creating and Updating Your Newsletter with Cat Rambo

With social media falling apart, more and more writers are returning to newsletters. How do you get started putting out a newsletter? What should – and shouldn’t – you include? What platforms are available, and are they worth paying for? Where do you find interesting visual images to use in your newsletter? How do you go about getting more subscribers?

You will come away from this class with a plan for starting (or restarting) your newsletter and consistently sending it out with interesting content that helps you sell books.

February 18, 4-6 PM Eastern

Rosemary Claire Smith – The Art of the Book Review

Some avid readers want to become reviewers, talking about the fiction they love — and sometimes hate. How do you go about creating a book review that is fair, interesting, and spoiler free? Should you post reviews on platforms like GoodReads and LibraryThing? Where else might you publish such pieces apart from your own blog? Is it possible to get paid for reviews? How do you obtain advance readers copies before books are published? Who does those anonymous reviews in Publishers Weekly?

Join Rosemary Claire Smith to talk about the time-honored art of the book review, and its promises and pitfalls.

February 25, 12:30-2:30 PM Eastern time

Beats, Chapters and Scenes: Ins and Outs of Story Units with Cat Rambo

What’s the difference between a chapter and scene, and at what point in the process do you need to worry about it? What are story beats and how can you use them to move the story along and keeping it emotionally engaging for the reader? Is there a maximum or minimum length for any of these things? Do you even need to think about them, or will you just hamper the writing flow by doing so?

Join Cat Rambo for a workshop in which they teach you how to use story units to their best effect.

March 3, 12:30-2:30 PM Eastern time

Dial Up Your Dialogue with Cat Rambo

Want to make your dialogue more interesting, intriguing, and indicative of character behavior? How do you know to leave in and leave out? How can you use dialogue to successfully deliver vital information? How do you make characters distinctive through their voices?

Join Cat Rambo for a workshop in which they teach you the ins and outs of dialogue.

March 3, 4-6 PM Eastern time

Rewriting and Editing Short Stories with Cat Rambo

Students have found that learning to trust their editing skills has made them more productive when producing early drafts. This class combines lecture, discussion, and in class exercise to help you develop a rewriting practice tailored to your own particular strengths and weaknesses as well as one that lets you know when a story is ready for submission. Topics include how to edit at both the sentence and story level, working well with writers/editors, considerations when writing for anthologies or for franchises, and how to finally let go of a piece and get it out there.

March 10, 12:30-2:30 PM Eastern time

Money Management for Creatives with Jennifer Brozek

Money makes the world go round, and in today’s society your dollar has to stretch farther than it has before. In Money Management for Creatives, Jennifer teaches core fundamentals of money management, debt reducing techniques, and an understanding of how money awareness can work for you. The class includes hands-on tasks, examples of the techniques used, and a discussion about the emotions of dealing with money.

Join Jennifer for a session in which she teaches you how to make the most of your money while handling the often erratic flow of writing income.

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