With 2020’s vicissitudes, I haven’t been doing any book signings this year. I suspect 2021 will be much the same, which is one reason I’m getting book plates made for some of those upcoming books: one for the Tabat books, one for Carpe Glitter, and a very cool “Cat Rambo” one that combines some of the motifs and symbols important to me. In the meantime, I’ve picked up some simple bookplates to use.
Want to give one of my books to someone and include a special touch? Drop me an e-mail telling me who you want the bookplate made to, and which book you’re planning on putting it in, and I’ll put a signed bookplate in the mail to you. Or want it signed to you for one of the books you already have or are planning to acquire? I’m happy to do that too.
Want your own bookplates? I got mine through Bookplate Inc. I got some extra to stick in books I occasionally loan out; that way they may come back to me. I’m still trying to remember who I gave my collection of Zenna Henderson stories to.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
~K. Richardson
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For K.C.
There are so many of us who write, and so many voices that get drowned out. I want to tell you about one of them. I want to tell you about my friend K.C. Ball.
She wrote short stories as well as novels, and I edited her collection, Snapshots from a Black Hole. She was talented and terrific at including emotion, while at the same time she was capable of spinning out a shaggy dog story to groaningly effective length.
K.C. was always conscious of time nipping at her heels, particularly after a heart attack where her wife Rachael (literally) saved her life with CPR. At the same time, she was a private and introverted person, not well-suited to the sort of buy-my-book shilling that’s sometimes necessary to be heard over the crowd. She kept hoping for more support from the networks she saw supporting other people, particularly some of the young white males whose work was appearing at the same time that she first started getting published. I met with her a couple of times to go over stories, but as time passed, she seemed more and more discouraged, feeling as though she was flinging work out into the void and not hearing much back.
She was trans, and older than me by a couple decades, and sometimes seemed bemused by the times we live in. I kept urging her to submit her stuff to places like the Lambda Awards, but she was reluctant. “Those aren’t for me,” she said, and I left it at that, albeit reluctantly. She could be a little cranky, a little morose and pessimistic, and sometimes I’d tease her into a better mood, and sometimes I’d let her be. She’d worked as a prison guard, and sometimes her outlook on the world was as cynically informed by that as you’d expect, but her stories were full of heroes and people living up the idea of being better. She loved superheroes.
I ran into her two years back at the grocery store, on Christmas Day, and she seemed pleased that I ran over to greet her. Now I’m regretting not being better about keeping in touch after she fell away from the writing group we shared, despite the fact that we were living so much closer to each other now that I’ve moved to West Seattle.
And now she’s gone, fallen to another heart attack, and she never really got the chance to “break out” the way many writers do, which is through hard work, and soldiering on through rejection, and most of all playing the long game. If you want to read some of her kick-ass work, here’s the collection I edited, Snapshots from a Black Hole and Other Oddities.
I’m so sorry not to able to hear your voice any more, K.C. I hope your journey continues on, and that it’s as marvelous as you were.
At least a glass saucer or plate will get added to this project as "petals," but the painting part of the process is pretty much done. I've used both sides of the plate in order to create additional depth. The center piece is a wooden stopper for a long-ago broken decanter. It's decorated with metallic paint pen. I'll finish it off with a layer of something to water-proof it. I was pleased with the look of it overall, though.When I set out to make the glass garden flowers for Mom, I found plenty of pictures but very few tutorials. So here’s a walkthrough of the process, which should illustrate one important thing about these: they’re not a last minute project. The paint takes time to dry, as does the adhesive, which you will need to do in at least two stages.
What you need:
Glass or ceramic pieces to make the body of the flower from
3 to 5′ (suggested) length of rebar or other stake-like material
Terrycloth
Duct tape
Step 1: Assemble What You Have
Assemble the glassware you’ll be using. I suggest checking cupboards first. You’ll want several sizes that can be layered on top of each other, and (usually, depending on your other pieces) something for the center, like a short candlestick, round glass ball, or other object suitable for a focal point.
Go through your crafting supplies and look for beads, bits of jewelry, beach glass, shells, and other pieces that can be used to decorate layers.
Step 2: Find What You Don’t Have
If you can’t find everything you need at home, go shopping. In the thrift store, look for interesting pieces that are chipped or otherwise deeply discounted in both the ceramics and glassware sections. Check the metalware and mirrors as well. My local Value Village has a wall in which they bag oddments and sell as lots. If you have this, browse through it. Things you’re looking for: glass pebbles, large beads, holiday ornaments, mosaic pieces, and other things that can be glued onto plates. Pick up old shot glasses or small bottles to use for the backs.
I prefer to let what I find dictate the piece. You can also try to replicate or improve on an existing pattern or otherwise plan it out. In such a case you may need to visit multiple stores to find what you need.
In the dollar store, look for glassware and remember that you are able to paint it.
Step 3: Figure out the Layers
Bring home the pieces and arrange them, trying to figure out the order in which you will want to glue them. You may choose to work from the front to the back or vice versa. Attaching the shot glass will be a final step.
Step 4 (optional): Paint Glass
Decide if you’re going to paint the glass, which must be finished before any gluing can take place. If so, I used DecoArt Gloss Enamels, which can be used on wood, glass, and ceramics. Be aware painting add time to the process. You will paint the piece in stages, letting each color dry in turn, and then letting the overall piece dry for four days before you bake it to set the colors. Is it worth it? Here’s another of the pieces I painted today.
This plate will serve as the back layer of a flower. I suggest not worrying too much about being meticulous with the paint. You want an organic feel for the flower (in my opinion). I'll let this piece dry and then bake it to set the colors before I start adding anything to it. Because pieces will overlap the center, there's no point in getting too elaborate with it.
Once you have painted the glass, let it dry and bake it.
Step 5: Glue the Layers
Once the step involving glass paint has been performed or skipped, you can begin gluing. I suggest putting down the back piece, gluing the next layer atop it, etc. You can assemble all the front layers and glue them. Set to dry on a level, ventilated surface that is reasonably warm. Let them dry at least 24 hours.
Step 6: Decorate the Layers
At this stage you may glue other things in as decoration. Among what I’ve used so far: Christmas ornaments, gold foil, a cat toy, glass flowers, marbles, large pearl beads, glass pebbles. Let dry at least 24 hours.
Step 7: Add the Back
Now you’re ready to add the back. I use a plastic cereal container to hold the pieces while gluing on the backing, since many of them have delicate front pieces that they cannot rest on. Again let the piece glue for at least 24 hours.
Step 8: Assemble the Stake or Holder
To assemble the holder, if using a shot glass, cut a small piece of terrycloth and duct tape it to the top of the rebar. You can adjust it to make it fit snugly into the glass. Otherwise, you do not need to pad the rebar.
Finito. Now you know enough to make more and probably new ideas have occurred to you already. I’d love to see your creations, please post links if you have them!
