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Useful Gifts for Writers: The 10% Solution by Ken Rand

This is the most useful book on writing I have ever found, and it’s the only one I will actually buy to give to people. I ended up writing the introduction to the 10th anniversary edition, because I know the publisher and, well, I’ll let that introduction tell its own story. The “Patrick” referred to in it is Patrick Swenson, the publisher who owns Fairwood Press.

For the past few years, I have been covertly getting people to go up to Patrick at conventions and ask when the electronic edition of this book would appear. Why? It might be that I have a prankish mind that was devoted to making him believe there was a vast groundswell awaiting this book. But actually, that’s the truth, because I’ve been pushing this book for years, less for prankish reasons than because I think it’s so useful for new writers.

The 10% Solution is not a cure to all your writing woes. It’s not a tool that helps with everything. But it is a great little book that will make you a better writer if you use it at the right stage in the process. The time to employ it is in that last pass before you send the story out into the world. I think of it as a lint-brush, something that tidies things up and makes sure every sentence that you’re sending out into the world to represent you is doing so beautifully, showing off that you can construct clear and error-free sentences that do exactly what you want them to be doing.

I don’t remember the circumstances when I first ran across The 10% Solution, but I do know that since then I have given out multiple copies and recommended it to literally hundreds of people. Why? Because it works and effectively shows you how to polish a piece of work in a way that shows you are at the professional level. For not just fiction but nonfiction.

Yes, it’s a pain in the butt. Yes, the first time you apply it to a manuscript it will be a huge pain in the rear end that may well lead you to curse aloud, calling down vile imprecations on my head. Yup and yup. I’ve been there too. But it’s worth it. After you’ve done it a few times, your unconscious mind gets tired of that labor and begins making changes before you write, tightening up and clarifying your prose in a way that will make it better.

Don’t believe me? Don’t try to apply it to a book then, but test it out with a short story or essay. Do give it a full chance, not skipping any steps, doing the actual “now I am searching on ly, now I am searching on of” steps. And keep a copy of the original, then look at them side by side. If your original prose is so golden that this didn’t substantially improve it, well then, perhaps this is not the book for you. But for the rest of us, it’s an awesome one.

Thank you, Patrick, for finally listening to all those people I kept sending up to you. I swear you won’t regret it. I know I won’t.

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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."

~K. Richardson

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Summing Up July 2017

IMG_3725Over halfway through the year, and here’s some of the happenings for July.

Online I taught workshops on Story Fundamentals, Flash Fiction, Writing Steampunk & Weird Western, Moving from Idea to Draft, and Editing 101. I’ll announce September and October classes next week. I also got a chance to teach at the Pacific Northwest Writers Association conference mid-month, which was terrific.

I wrote short stories “Say Yes,” “A House Alone,” and “Another Selkie Story,” all of which were posted for Patreon supporters. (You can see a pictorial version of my July Patreon here.) As always, I’ve got a crop that I’m working on: highlights include a story about a woman who buys a magical talking mask only to find she doesn’t agree with what it’s saying. I also worked on urban fantasy Brazen, about a magic-wielding post apocalyptic hellion.

Videogames I’ve been playing are Stardew Valley and Dream Daddy. Curse whoever introduced me to them. In RPG news, my Star Wars RPG game managed a session. You’ll be glad to know my prophet/conwoman continues to talk her way out of things successfully but the rest of the party didn’t want to take her suggestion of throwing a mysterious crate out a fifth-floor window in order to discover the contents.

I continue using Habitica, which I blogged about here. I have a follow-up post in the works.

SFWA work included working with the Galaktika settlement, answering a bunch of e-mails, a multiplicity of video calls, and nudging a couple of projects along.

Books I read included the following. I’ve bolded the ones I particularly enjoyed:
Karen Abott, Liar, Temptress, Soldier, Spy: Four Women Undercover in the Civil War
R.S. Belcher, The Brotherhood of the Wheel
Mike Caro, Caro’s Book of Poker Tells
Ramsey Campbell, Demons by Daylight
Tori Curtis, Eelgrass
Laurell K. Hamilton, Crimson Blood
Elizabeth Hand, Winterlong
Georgette Heyer, The Grand Sophy
Alice Hoffman, The Probable Future
Michael M. Jones (editor), Scheherezade’s Facade
Damon Knight, The Futurians
Tanith Lee, Red as Blood
Gabriel Squalia, Viscera
Glynn Stewart, Starship’s Mage
R J Theodore, Flotsam

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