This piece of flash fiction originally appeared in Sybil’s Garage Issue Five.
This piece of flash fiction originally appeared in Sybil’s Garage Issue Five.
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"(On the writing F&SF workshop) Wanted to crow and say thanks: the first story I wrote after taking your class was my very first sale. Coincidence? nah….thanks so much."
One thing that’s emerging from discussion about the New Green Deal is that to act ecologically, to believe that climate change is real and that we must all work together to avert the worst of it, is now considered by some a radical leftist notion.
It is a given that the corporations must change their ways, must stop polluting and destroying the commons – the natural resources that belong to us all as citizens of this planet. The government must stop rolling back environmental protections — and put back the ones it’s stripped away while also stopping the flow of those resources to profiteers. But at the same time we as individuals can live in ways that help move us evolve into a society that places less strain on our planet.
You can #resist through the way you exist, and particularly the ways you spend money. Corporations have developed enormous systems designed to sell you stuff, to create anxiety in you and then offer material goods promising to soothe that anxious ache. All that angst will go away if you just buy the right celebrity’s brand, they say, and then laugh all the way to the bank while you stand there, not sure how you’ve been conned. Opt out!
Here are some things I’ve been trying to do more of this year:
Remember that in this modern world, kindness, mindfulness, and honesty are as punk as you can get. Don’t buy into the cynicism enforced by edge-lord humor. It dulls your empathy and numbs you into acceptance of things as they are. Celebrate your differences and those around you.
#sfwapro
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This is the most useful book on writing I have ever found, and it’s the only one I will actually buy to give to people. I ended up writing the introduction to the 10th anniversary edition, because I know the publisher and, well, I’ll let that introduction tell its own story. The “Patrick” referred to in it is Patrick Swenson, the publisher who owns Fairwood Press.
For the past few years, I have been covertly getting people to go up to Patrick at conventions and ask when the electronic edition of this book would appear. Why? It might be that I have a prankish mind that was devoted to making him believe there was a vast groundswell awaiting this book. But actually, that’s the truth, because I’ve been pushing this book for years, less for prankish reasons than because I think it’s so useful for new writers.
The 10% Solution is not a cure to all your writing woes. It’s not a tool that helps with everything. But it is a great little book that will make you a better writer if you use it at the right stage in the process. The time to employ it is in that last pass before you send the story out into the world. I think of it as a lint-brush, something that tidies things up and makes sure every sentence that you’re sending out into the world to represent you is doing so beautifully, showing off that you can construct clear and error-free sentences that do exactly what you want them to be doing.
I don’t remember the circumstances when I first ran across The 10% Solution, but I do know that since then I have given out multiple copies and recommended it to literally hundreds of people. Why? Because it works and effectively shows you how to polish a piece of work in a way that shows you are at the professional level. For not just fiction but nonfiction.
Yes, it’s a pain in the butt. Yes, the first time you apply it to a manuscript it will be a huge pain in the rear end that may well lead you to curse aloud, calling down vile imprecations on my head. Yup and yup. I’ve been there too. But it’s worth it. After you’ve done it a few times, your unconscious mind gets tired of that labor and begins making changes before you write, tightening up and clarifying your prose in a way that will make it better.
Don’t believe me? Don’t try to apply it to a book then, but test it out with a short story or essay. Do give it a full chance, not skipping any steps, doing the actual “now I am searching on ly, now I am searching on of” steps. And keep a copy of the original, then look at them side by side. If your original prose is so golden that this didn’t substantially improve it, well then, perhaps this is not the book for you. But for the rest of us, it’s an awesome one.
Thank you, Patrick, for finally listening to all those people I kept sending up to you. I swear you won’t regret it. I know I won’t.
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